Cubo Futurism Collection (#2)

A Butcher Came Along to Lodz... 1914-1915. Artist: Malevich, Kasimir Severinovich (1878-1935)
A Butcher Came Along to Lodz... 1914-1915. Private Collection

Stage design for the opera Victory over the sun by A. Kruchenykh, 1913. Artist: Malevich
Stage design for the opera Victory over the sun by A. Kruchenykh, 1913. Found in the collection of State Museum of Theatre and Music Art, St. Petersburg

Composition. Artist: Popova, Lyubov Sergeyevna (1889-1924)
Composition. Found in the collection of Museu Berardo, Lisbon

Composition (Red-Black-Gold). Artist: Popova, Lyubov Sergeyevna (1889-1924)
Composition (Red-Black-Gold). Found in the collection of Museu Berardo, Lisbon

Composition (Blue-Yellow-Black). Artist: Popova, Lyubov Sergeyevna (1889-1924)
Composition (Blue-Yellow-Black). Found in the collection of Museu Berardo, Lisbon

Suprematist Drawing. Artist: Malevich, Kasimir Severinovich (1878-1935)
Suprematist Drawing. Found in the collection of Thyssen-Bornemisza Collections

Suprematist Composition. Artist: Malevich, Kasimir Severinovich (1878-1935)
Suprematist Composition. Found in the collection of © Museum of Modern Art, New York

Suprematism. Artist: Klyun, Ivan Vassilyevich (1873-1942)
Suprematism. Found in the collection of © Museum of Modern Art, New York

Design for Porcelain Decoration. Artist: Malevich, Kasimir Severinovich (1878-1935)
Design for Porcelain Decoration. Found in the collection of State Museum of Ceramics and Country estate of 18th cen. Kuskovo, Moscow

Plate with suprematist decoration. Artist: Malevich, Kasimir Severinovich (1878-1935)
Plate with suprematist decoration. Found in the collection of State Museum of Ceramics and Country estate of 18th cen. Kuskovo, Moscow

Stage design for the theatre play The Magnificent Cuckold (Le Cocu Magnifique) by F. Crommelynck. Found in the collection of State Tretyakov Gallery, Moscow

Futurist Strongman. Costume design for the opera Victory over the sun after A. Kruchenykh. Found in the collection of State Russian Museum, St. Petersburg

Factory and the Bridge. Artist: Rozanova, Olga Vladimirovna (1886-1918)
Factory and the Bridge. Found in the collection of © Museum of Modern Art, New York

Cover design: First Cycle of Lectures by N. Punin. Artist: Malevich, Kasimir Severinovich (1878-1935)
Cover design: First Cycle of Lectures by N. Punin. Private Collection

Ceiling plan for the Red Theatre, Leningrad. Artist: Malevich, Kasimir Severinovich (1878-1935)
Ceiling plan for the Red Theatre, Leningrad. Private Collection

Portrait of a Lady (Plastic Drawing), 1915. Found in the collection of Museum Ludwig, Cologne

Sewing Box, 1915. Found in the collection of State Tretyakov Gallery, Moscow

Traveling Woman, 1915. Found in the collection of State Museum of Contemporary Art, Thessaloniki

Architectonic Painting, 1918. Found in the collection of State Tretyakov Gallery, Moscow

Costume design for the theatre play The Magnanimous Cuckold (Le Cocu Magnifique) by F, Crommelynck
Costume design for the theatre play The Magnanimous Cuckold (Le Cocu Magnifique) by F. Crommelynck, 1921. Found in the collection of State Tretyakov Gallery, Moscow

The menacing Germans are as scared as sheep?. (Poster), 1914
The menacing Germans are as scared as sheep... (Poster), 1914. Private Collection

Head of a Peasant, c. 1930 (oil on plywood)
BAL479154 Head of a Peasant, c.1930 (oil on plywood) by Malevich, Kazimir Severinovich (1878-1935); 71.7x53.8 cm; State Russian Museum, St. Petersburg, Russia; Russian, out of copyright

Lenins tribune architectural design by el lissitzky (lazar markovich lissitzky), 1924, prouns - (proekty utverzdeniya novogo [projects for the affirmation of the new]), suprematism, futurism

Design drawing for the proposed wolkenbugel (cloud-iron) building by el lissitzky (lazar markovich lissitzky) that was never built, 1926

Lenin tribune architectural design by el lissitzky (lazar markovich lissitzky), 1920, prouns - (proekty utverzdeniya novogo [projects for the affirmation of the new]), suprematism, futurism

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"Cubo Futurism: Exploring the Dynamic Intersection of Art and Architecture" In the early 20th century, a powerful artistic movement known as Cubo Futurism emerged, captivating audiences with its bold exploration of space, form, and color. Led by visionary artists such as Lyubov Sergeyevna Popova and Alexandra Alexandrovna Exter, this avant-garde movement pushed boundaries and challenged traditional notions of art. One striking example of Cubo Futurism's influence is seen in Popova's "Space Force Construction" from 1920-1921. This artwork captures the essence of a rapidly changing world where technology and progress were at the forefront. With its geometric shapes and vibrant colors, it embodies the energy and dynamism that defined this era. Another notable piece is Popova's "Architectonic Painting, " which showcases her fascination with structure and design. Here, she combines elements of painting with architectural principles to create a harmonious composition that blurs the line between art forms. Moving beyond visual arts, it also found expression in other mediums. In Malevich's "The Germans At Lomzha, " we witness his unique perspective on war through abstract forms that convey chaos and destruction. Meanwhile, Exter's scenic design from Decors de Theatre demonstrates how Cubo Futurist ideas permeated even into stage productions. The intricate patterns and dynamic compositions reflect an innovative approach to theater aesthetics. Popova continued to push boundaries with her textile designs like "Textile Design in Orange and White. " By incorporating geometric shapes into fabric patterns, she transformed everyday objects into works of art while embracing functionality, not just about aesthetics; it was also deeply rooted in social commentary. Works like Popova's "The Butcher came along to Lodz" shed light on societal issues during wartime – depicting scenes that evoke empathy for those affected by conflict.