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Cupid Collection (page 9)

"Cupid: The Timeless Symbol of Love and Desire" In the realm of Greek gods on Mount Olympus, Cupid reigns supreme as the deity of love and desire

Background imageCupid Collection: Time Clipping the Wings of Love, c. 1765. Creator: James McArdell

Time Clipping the Wings of Love, c. 1765. Creator: James McArdell
Time Clipping the Wings of Love, c. 1765

Background imageCupid Collection: Cupid

Cupid
Andreas Magnusson

Background imageCupid Collection: The International Exhibition: 'Love Resting on Friendship', sculptured by Professor... 1862

The International Exhibition: "Love Resting on Friendship", sculptured by Professor... 1862
The International Exhibition: "Love Resting on Friendship", sculptured by Professor Fantachiotti, in the Italian Court, 1862

Background imageCupid Collection: The International Exhibition: portions of the Austrian and Belgian Courts... 1862

The International Exhibition: portions of the Austrian and Belgian Courts... 1862. Creator: Mason Jackson
The International Exhibition: portions of the Austrian and Belgian Courts as seen from the Western Dome, 1862....the Austrian Court...is very advantageously situated for catching the eye of

Background imageCupid Collection: 'Cupid', by Michael Angelo, in the South Kensington Museum, 1862. Creator: Unknown

"Cupid", by Michael Angelo, in the South Kensington Museum, 1862. Creator: Unknown
"Cupid", by Michael Angelo, in the South Kensington Museum, 1862. The god is represented as a youth of sixteen or seventeen years old

Background imageCupid Collection: The Reunion of Cupid and Psyche, between c1789 and c1792. Creator: Jean-Pierre Saint-Ours

The Reunion of Cupid and Psyche, between c1789 and c1792. Creator: Jean-Pierre Saint-Ours
The Reunion of Cupid and Psyche, between c1789 and c1792

Background imageCupid Collection: Allegories of Love - Cupid with a Torch and Arrow, 1803 (oil on canvas)

Allegories of Love - Cupid with a Torch and Arrow, 1803 (oil on canvas)
990320 Allegories of Love - Cupid with a Torch and Arrow, 1803 (oil on canvas) by Bakst, Leon (1866-1924); 50.8x63.5 cm; Private Collection; (add.info)

Background imageCupid Collection: Three Loves, One holding a Quiver, the Other, Grapes, 1727-60

Three Loves, One holding a Quiver, the Other, Grapes, 1727-60

Background imageCupid Collection: The Archers, John Singer Sargent (1856-1925)

The Archers, John Singer Sargent (1856-1925)
Oil on canvas, English School, 1915. John Singer Sargent (1856-1925) was born in Italy to American parents. He studied at the Florence Academy and in 1874 began studies in Paris

Background imageCupid Collection: Victorian satirical cartoon, on Wedlock

Victorian satirical cartoon, on Wedlock
Vintage engraving of a victorian satirical cartoon, on Wedlock

Background imageCupid Collection: Cupid and Psyche, 1767

Cupid and Psyche, 1767. Found in the collection of Nationalmuseum Stockholm

Background imageCupid Collection: The Birth of Venus, 1863. Artist: Cabanel, Alexandre (1823-1889)

The Birth of Venus, 1863. Artist: Cabanel, Alexandre (1823-1889)
The Birth of Venus, 1863. Found in the collection of the Musee d Orsay, Paris

Background imageCupid Collection: Venus and Cupid, 1792. Artist: Nicolas de Courteille

Venus and Cupid, 1792. Artist: Nicolas de Courteille
Venus and Cupid, 1792. According to Roman Mythology, Cupid was the son of Venus, the goddess of love, and Mars, the god of war

Background imageCupid Collection: Statue of Eros, 2nd century

Statue of Eros, 2nd century. Roman, after a Greek original of the first half of the 4th century BC. In Greek mythology, Eros was the God of Love. His Roman equivalent was Cupid

Background imageCupid Collection: England, West Sussex, Chichester, Fishbourne, The Roman Palace, Cupid on a Dolphin Mosaic

England, West Sussex, Chichester, Fishbourne, The Roman Palace, Cupid on a Dolphin Mosaic

Background imageCupid Collection: Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)

Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)
XOS5886558 Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 403x394 cm; Cleveland Museum of Art, OH

Background imageCupid Collection: Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)

Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)
XOS5886550 Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x464.5 cm; Cleveland Museum of Art, OH

Background imageCupid Collection: Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)

Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)
XOS5886553 Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 416.4x418.8 cm; Cleveland Museum of Art, OH

Background imageCupid Collection: Dido and Aeneas, 1679 (tapestry weave: silk and wool)

Dido and Aeneas, 1679 (tapestry weave: silk and wool)
XOS5886546 Dido and Aeneas, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); Cleveland Museum of Art, OH

Background imageCupid Collection: Wall painting on red and black field depicting Cupids as Vintners. House of Vettii, Pompeii

Wall painting on red and black field depicting Cupids as Vintners. House of Vettii, Pompeii Mural Painting First Imperial Period, Imperial Period, Roman Art, Europe, Ancient Civilization

Background imageCupid Collection: Cupid holding a shield reversed in the balustrade of the Chapel of Isotta or of S

Cupid holding a shield reversed in the balustrade of the Chapel of Isotta or of S. Michele in the Malatestiano Temple. Work attributed to Matteo de Pasti

Background imageCupid Collection: Tapestry from the sixteenth century. Some small cupids harvesting grapes

Tapestry from the sixteenth century. Some small cupids harvesting grapes. Poldi Pezzoli Museum, Milan. Milan Poldi Pezzoli Museum Tapestry Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageCupid Collection: The pain of Phaedra, among the maids, for the rejection of Hippolytus

The pain of Phaedra, among the maids, for the rejection of Hippolytus. High relief belonging to the sarcophagus of Phaedra, Church of St. Nicholas, Agrigento Agrigento Church of St

Background imageCupid Collection: The marriage of Zephyrus, wall fresco originally from Pompeii

The marriage of Zephyrus, wall fresco originally from Pompeii, now located at the National Archaeological Museum in Naples

Background imageCupid Collection: Bronze cupid holding a lamp. National Archaeological Museum of Naples

Bronze cupid holding a lamp. National Archaeological Museum of Naples Naples National Museum Bronze Statuette Roman Art, Europe, Ancient Civilization. Date of Photograph:1879-1910ca

Background imageCupid Collection: Farnese Sarcophagus with cupids on chariots, found at the National Archaeological Museum in Naples

Farnese Sarcophagus with cupids on chariots, found at the National Archaeological Museum in Naples. Naples National Archaeological Museum Sarcophagus Hellenistic, Greek Art, Greece, Europe

Background imageCupid Collection: Wall fresco with cupids playing instruments, originally from Pompeii

Wall fresco with cupids playing instruments, originally from Pompeii, now located at the National Archaeological Museum in Naples

Background imageCupid Collection: Part of a sculpture depicting the 'Judgement of Solomon'. Work of Simone Troger exhibited at

Part of a sculpture depicting the "Judgement of Solomon". Work of Simone Troger exhibited at the Archaeological Museum in Turin

Background imageCupid Collection: The Virgin with Child, Infant Saint John and study for a female figure. Drawing by Fra Bartolomeo

The Virgin with Child, Infant Saint John and study for a female figure. Drawing by Fra Bartolomeo, found in the Room of Drawings and Prints at the Uffizi Gallery in Florence

Background imageCupid Collection: The pain of Phaedra for the rejection of Hypollitus. Detail of the Sarcophagus of Phaedra

The pain of Phaedra for the rejection of Hypollitus. Detail of the Sarcophagus of Phaedra, Roman work, preserved in the Church of St. Nicholas, Agrigento. Agrigento Church of St

Background imageCupid Collection: Detail of a small cupid holding an inverted shield with flower in the Chapel of Isotta

Detail of a small cupid holding an inverted shield with flower in the Chapel of Isotta, or of the Angels or St. Michele, inside the Malatestiano Temple in Rimini

Background imageCupid Collection: Detail of a small cupid holding a shield with flower in the Chapel of Isotta, or of the Angels or St

Detail of a small cupid holding a shield with flower in the Chapel of Isotta, or of the Angels or St. Michele, inside the Malatestiano Temple in Rimini Rimini Malatestiano Temple

Background imageCupid Collection: Detail of a small cupid with a Malatesta shield in the Chapel of Isotta, or of the Angels or St

Detail of a small cupid with a Malatesta shield in the Chapel of Isotta, or of the Angels or St. Michele, inside the Malatestiano Temple in Rimini

Background imageCupid Collection: Detail of a small cupid in the Chapel of Isotta, or of the Angels or St. Michele

Detail of a small cupid in the Chapel of Isotta, or of the Angels or St. Michele, inside the Malatestiano Temple in Rimini

Background imageCupid Collection: Sculpted group, perhaps of Greek origin, depicting a sea centaur with Nereid and cupids

Sculpted group, perhaps of Greek origin, depicting a sea centaur with Nereid and cupids, preserved in the Hall of Animals in the Museum of Pius Clementine in the Vatican

Background imageCupid Collection: Tarots, work by Bonifacio Bembo, located in the Carrara Academy in Bergamo

Tarots, work by Bonifacio Bembo, located in the Carrara Academy in Bergamo. Bergamo Carrara Academy Illumination Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageCupid Collection: The Chapel of Relics, or the Treasure, baroque sculptured complex in the Basilica of S

The Chapel of Relics, or the Treasure, baroque sculptured complex in the Basilica of S. Antonio in Padua. Padua Basilica of S.Antonio, Chapel of the Relics Chapel Late Baroque, Baroque

Background imageCupid Collection: Three tarot cards, work by Bonifacio Bembo, located in the Carrara Academy in Bergamo

Three tarot cards, work by Bonifacio Bembo, located in the Carrara Academy in Bergamo. Bergamo Carrara Academy Illumination Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageCupid Collection: Access door to the corridor of the vestry of Santa Croce in Florence. Done by Michelozzo

Access door to the corridor of the vestry of Santa Croce in Florence. Done by Michelozzo. Florence Santa Croce, Vestry. Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageCupid Collection: Altar in polychromatic marble with two niche on the sides and two saints placed in them

Altar in polychromatic marble with two niche on the sides and two saints placed in them. Sculpture by Giuseppe Mazzuoli located in the sixth Cathedral of the left transept of the Cathedral of

Background imageCupid Collection: Illuminated page of an Anthem Book. Work preserved in the Cathedral of Cremona

Illuminated page of an Anthem Book. Work preserved in the Cathedral of Cremona. Cremona Cathedral Illumination High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageCupid Collection: Statuette representing Amorino with shield, work preserved in the Maltestian Temple, in Rimini

Statuette representing Amorino with shield, work preserved in the Maltestian Temple, in Rimini Rimini Malatestian Temple Statuette Early Renaissance, Renaissance

Background imageCupid Collection: ACA-F-043240-0000

ACA-F-043240-0000
Cups with scenes of cherubs in the circus, silver of the house of Menander Pompeii, National Archaeological Museum, Naples 1935 I sec. Naples - The National Archaeological Museum

Background imageCupid Collection: Marble sculpted altar, Church of S. Niccol in Treviso

Marble sculpted altar, Church of S. Niccol in Treviso. Treviso Church of S. Niccol Altar High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageCupid Collection: Incipit of the first Sunday of Advent: miniature of the Missal of the Rovere

Incipit of the first Sunday of Advent: miniature of the Missal of the Rovere. Work by Francesco Marmitta conserved at the Civic antique Art Museum of Turin Turin Civic Antique Art Museum Illumination

Background imageCupid Collection: Detached fresco from Pompeii representing the courtship of Mars

Detached fresco from Pompeii representing the courtship of Mars and Venus preserved in the National Archeological Museum of Naples

Background imageCupid Collection: Wall painting depicting Cupid driving two dolphins; in the House of the Vettii in Pompeii

Wall painting depicting Cupid driving two dolphins; in the House of the Vettii in Pompeii Pompeii House of the Vettii Mural Painting First Imperial Period, Imperial Period, Roman Art, Europe

Background imageCupid Collection: Small Cupid Holding Coat of Arms, work by Matteo de'Pasti placed in the Chapel of Isotta or of

Small Cupid Holding Coat of Arms, work by Matteo de'Pasti placed in the Chapel of Isotta or of the Angles or San Michele in the Tempio Malatestiano in Rimini Rimini Tempio Malatestiano




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"Cupid: The Timeless Symbol of Love and Desire" In the realm of Greek gods on Mount Olympus, Cupid reigns supreme as the deity of love and desire. Rooted in ancient Greek mythology, this mischievous cherub has captivated hearts for centuries. Dating back to 1880, Cupid's enchanting presence can be traced through various artistic masterpieces. One such painting is "Primavera" by Sandro Botticelli, where he appears alongside other mythical figures, embodying the essence of springtime romance. Another renowned work featuring Cupid is "An Allegory with Venus and Cupid" by Agnolo Bronzino. This captivating piece showcases his role as a divine matchmaker under the watchful eye of Venus herself. Cupid's influence extends beyond paintings; he also graces Tarot Card 6 - L'Amoureux (The Lover or Lovers), symbolizing passionate connections and choices in matters of the heart. His timeless allure is further immortalized in Alexandre Cabanel's masterpiece "The Birth of Venus, " where Cupid accompanies the goddess as she emerges from the sea, representing love's power to transcend all boundaries. One cannot overlook the iconic tale & Psyche, which narrates their epic love story overcoming trials and tribulations – a testament to enduring devotion against all odds. Even in modern times, we encounter representations unexpectedly. From an archer-shaped toilet sign at Oktoberfest in Munich to architectural details like Sparrowes House or The Ancient House in Ipswich – his image continues to permeate our surroundings. Cupid's charm even finds its way into entertainment venues like Hogarth Actresses Barn or Piccadilly/Eros during the 1950s – reminding us that love knows no bounds when it comes to captivating audiences throughout history. As we delve into these diverse depictions across art forms and cultures alike, one thing remains clear.