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Curves Collection (#11)

"Curves

Background imageCurves Collection: The Winding Road, c. 1877 (oil on canvas)

The Winding Road, c. 1877 (oil on canvas)
987545 The Winding Road, c.1877 (oil on canvas) by Cezanne, Paul (1839-1906); 48x59 cm; Private Collection; (add.info.: The Winding Road; La Route Tournante. Paul Cezanne (1839-1906). Oil on canvas

Background imageCurves Collection: The Road of Saint-Mammes - In the morning, 1890 (oil on canvas)

The Road of Saint-Mammes - In the morning, 1890 (oil on canvas)
987405 The Road of Saint-Mammes - In the morning, 1890 (oil on canvas) by Sisley, Alfred (1839-99); 54.6x65.4 cm; Private Collection; (add.info)

Background imageCurves Collection: The Edge of the Forest in Spring, in Evening; La Lisiere de la Foret au Printemps

The Edge of the Forest in Spring, in Evening; La Lisiere de la Foret au Printemps
826287 The Edge of the Forest in Spring, in Evening; La Lisiere de la Foret au Printemps, le Soir, 1886 (oil on canvas) by Sisley

Background imageCurves Collection: The Thames at Hampton Court, East Molesey; La Tamise a Hampton Court, East Molesy

The Thames at Hampton Court, East Molesey; La Tamise a Hampton Court, East Molesy
825864 The Thames at Hampton Court, East Molesey; La Tamise a Hampton Court, East Molesy, 1874 (oil on canvas) by Sisley, Alfred (1839-99); 45.5x55 cm; Private Collection; (add.info)

Background imageCurves Collection: Le Fond de St, 1876 (oil on canvas)

Le Fond de St, 1876 (oil on canvas)
825253 Le Fond de St, 1876 (oil on canvas) by Pissarro, Camille (1830-1903); 59x71 cm; Private Collection; (add.info.: Le Fond de St. Antoine, Pontoise. Camille Pissarro (1830-1903). Oil on canvas

Background imageCurves Collection: Comic postcard, Woman with dress improvers the wrong way round

Comic postcard, Woman with dress improvers the wrong way round, as pointed out by her maid Date: early 20th century

Background imageCurves Collection: Above Lake Garda (at San Vigilio), 1913 (watercolour and gouache on paper)

Above Lake Garda (at San Vigilio), 1913 (watercolour and gouache on paper)
984923 Above Lake Garda (at San Vigilio), 1913 (watercolour and gouache on paper) by Sargent, John Singer (1856-1925); 34.9x53.4 cm; Private Collection; (add.info.: Above Lake Garda (at San Vigilio)

Background imageCurves Collection: Bathers, c. 1892-95 (oil on canvas)

Bathers, c. 1892-95 (oil on canvas)
987544 Bathers, c.1892-95 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 54.4x73.1 cm; Private Collection; (add.info.: Bathers; Baigneuses. Henri Edmond Cross (1856-1910). Oil on canvas

Background imageCurves Collection: A Carriage in a London Street, (watercolour on paper)

A Carriage in a London Street, (watercolour on paper)
823484 A Carriage in a London Street, (watercolour on paper) by Lami, Eugene-Louis (1800-90); 15x21.6 cm; Private Collection; (add.info.: A Carriage in a London Street. Eugene Louis Lami (1800-1890)

Background imageCurves Collection: 18 daowan of panshanwan highway

18 daowan of panshanwan highway
Simoon

Background imageCurves Collection: Nude from the Front (oil on board)

Nude from the Front (oil on board)
619219 Nude from the Front (oil on board) by Etty, William (1787-1849); 60.9x45.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageCurves Collection: Motor racing track course at Avus, Berlin, Germany

Motor racing track course at Avus, Berlin, Germany. 1930s

Background imageCurves Collection: Poster advertising Saint-Jean-de-Luz, 1928 (colour lithograph)

Poster advertising Saint-Jean-de-Luz, 1928 (colour lithograph)
1197925 Poster advertising Saint-Jean-de-Luz, 1928 (colour lithograph) by Mallet-Stevens, Robert (1886-1945); 158x119 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageCurves Collection: Cover for the magazine Het Overzicht, c. 1922-1925 (lithograph)

Cover for the magazine Het Overzicht, c. 1922-1925 (lithograph)
1197753 Cover for the magazine Het Overzicht, c. 1922-1925 (lithograph) by Belgian School, (20th century); 33.5x25 (approx) cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageCurves Collection: Houses by the River at Sunset, Moret; Maisons sur la riviere au soleil couchant, Moret

Houses by the River at Sunset, Moret; Maisons sur la riviere au soleil couchant, Moret
1768182 Houses by the River at Sunset, Moret; Maisons sur la riviere au soleil couchant, Moret, 1918 (oil on canvas) by Le Sidaner

Background imageCurves Collection: A tall sideboard of asymmetrical form, (mahogany, with copper and brass inlay)

A tall sideboard of asymmetrical form, (mahogany, with copper and brass inlay)
1194933 A tall sideboard of asymmetrical form, (mahogany, with copper and brass inlay) by Bugatti, Carlo (1855-1940); Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageCurves Collection: Abstract Head: The Chalice Passed Me, 1929 (oil on linen)

Abstract Head: The Chalice Passed Me, 1929 (oil on linen)
989116 Abstract Head: The Chalice Passed Me, 1929 (oil on linen) by Jawlensky, Alexej von (1864-1941); 35x25 cm; Private Collection; (add.info.: Abstract Head: The Chalice Passed Me; Abstrakter Kopf)

Background imageCurves Collection: The Wave, 1869 (oil on canvas)

The Wave, 1869 (oil on canvas)
987539 The Wave, 1869 (oil on canvas) by Courbet, Gustave (1819-77); 65x92.5 cm; Private Collection; (add.info.: The Wave; La Vague. Gustave Courbet (1819-1877). Oil on canvas. Painted in 1869

Background imageCurves Collection: Roman Countryside - Rocky Valley with a Herd of Pigs, 1843 (oil on canvas)

Roman Countryside - Rocky Valley with a Herd of Pigs, 1843 (oil on canvas)
987338 Roman Countryside - Rocky Valley with a Herd of Pigs, 1843 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 96x135 cm; Private Collection; (add.info)

Background imageCurves Collection: The Bay; La Baie, 1895 (oil on canvas)

The Bay; La Baie, 1895 (oil on canvas)
825437 The Bay; La Baie, 1895 (oil on canvas) by Lacombe, Georges (1868-1916); 51.1x62.5 cm; Private Collection; (add.info.: The Bay; La Baie. Georges Lacombe (1868-1916). Oil on canvas

Background imageCurves Collection: Huts on the Edge of the Canal du Loing with Sun Shining

Huts on the Edge of the Canal du Loing with Sun Shining
825257 Huts on the Edge of the Canal du Loing with Sun Shining; Cabanes au Bord du Canal du Loing-effet de Soleil, 1896 (oil on canvas) by Sisley

Background imageCurves Collection: George Washingtons Headquarters - The Morris-Jumel Mansion, (oil on canvas)

George Washingtons Headquarters - The Morris-Jumel Mansion, (oil on canvas)
984887 George Washingtons Headquarters - The Morris-Jumel Mansion, (oil on canvas) by Lawson, Ernest (1873-1939); 38.1x50.7 cm; Private Collection; (add.info)

Background imageCurves Collection: An important Spanish Colonial silver coffer, c. 1800 (silver with wood base

An important Spanish Colonial silver coffer, c. 1800 (silver with wood base
987818 An important Spanish Colonial silver coffer, c.1800 (silver with wood base and wood interior) by South American School

Background imageCurves Collection: Glorification of Beauty, 1925 (bronze)

Glorification of Beauty, 1925 (bronze)
1768939 Glorification of Beauty, 1925 (bronze) by Antonio, Niccolo d (15th century); 49.6 (height) cm; Private Collection; (add.info.: Glorification of Beauty. Alexander Archipenko (1887-1964)

Background imageCurves Collection: A Moonlit Harbour, 1883 (oil on canvas)

A Moonlit Harbour, 1883 (oil on canvas)
989785 A Moonlit Harbour, 1883 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 50.8x75.9 cm; Private Collection; (add.info.: A Moonlit Harbour. John Atkinson Grimshaw (1836-1893)

Background imageCurves Collection: The Triumph of Eternity, (tempera on panel)

The Triumph of Eternity, (tempera on panel)
990266 The Triumph of Eternity, (tempera on panel) by Domenico di Michelino, (1417-91); 20.3x49 cm; Private Collection; (add.info.: The Triumph of Eternity. Domenico di Michelino (1417-1491)

Background imageCurves Collection: Blumbenbeete, 1906 (oil on board)

Blumbenbeete, 1906 (oil on board)
826095 Blumbenbeete, 1906 (oil on board) by Kirchner, Ernst Ludwig (1880-1938); 48.8x69.1 cm; Private Collection; (add.info.: Blumbenbeete. Ernst Ludwig Kirchner (1880-1938). Oil on board

Background imageCurves Collection: The Road to Hampton Court; La Route de Hampton Court, 1874 (oil on canvas)

The Road to Hampton Court; La Route de Hampton Court, 1874 (oil on canvas)
825251 The Road to Hampton Court; La Route de Hampton Court, 1874 (oil on canvas) by Sisley, Alfred (1839-99); 38.5x55.5 cm; Private Collection; (add.info)

Background imageCurves Collection: Nude from Behind (oil on board)

Nude from Behind (oil on board)
619218 Nude from Behind (oil on board) by Etty, William (1787-1849); 42.5x31.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageCurves Collection: Guitar, 1913 (oil and papier colle on canvas)

Guitar, 1913 (oil and papier colle on canvas)
989094 Guitar, 1913 (oil and papier colle on canvas) by Gris, Juan (1887-1927); 73.3x60.3 cm; Private Collection; (add.info.: Guitar; Guitare. Juan Gris (1887-1927). Oil and papier colle on canvas

Background imageCurves Collection: Dichocerus Bicornis, 1876-1882 (hand-coloured lithograph)

Dichocerus Bicornis, 1876-1882 (hand-coloured lithograph)
991233 Dichocerus Bicornis, 1876-1882 (hand-coloured lithograph) by Keulemans, Johan Gerard (1842-1912); 28.8x38 cm; Private Collection; (add.info.: Dichocerus Bicornis)

Background imageCurves Collection: The Quay on Giudecca, Venice, 1895 (oil on canvas)

The Quay on Giudecca, Venice, 1895 (oil on canvas)
989138 The Quay on Giudecca, Venice, 1895 (oil on canvas) by Boudin, Eugene Louis (1824-98); 47x65.5 cm; Private Collection; (add.info.: The Quay on Giudecca, Venice; Venise, le Quai de la Giudecca)

Background imageCurves Collection: Beauty of Desert

Beauty of Desert
Mei Xu

Background imageCurves Collection: LabOvo

LabOvo
Marc Huybrighs

Background imageCurves Collection: Defense color lines

Defense color lines
Marc Pelissier

Background imageCurves Collection: The Echo of Time

The Echo of Time
Andrew J. Lee

Background imageCurves Collection: Trollstigen

Trollstigen
Jiri Paur

Background imageCurves Collection: Alone

Alone
Samanta Krivec

Background imageCurves Collection: Theatre Lines

Theatre Lines
Jeroen van de Wiel

Background imageCurves Collection: Cleaner

Cleaner
Richard Krchnak

Background imageCurves Collection: Standing in the Waves

Standing in the Waves
Victor Liu

Background imageCurves Collection: More curves

More curves
Andrés Gámiz

Background imageCurves Collection: City Waves II

City Waves II
Andrés Gámiz

Background imageCurves Collection: Shanghai at Night

Shanghai at Night
Clemens Geiger

Background imageCurves Collection: motorway

motorway
Koji Sugimoto

Background imageCurves Collection: Silhouette

Silhouette
Alvaro Perez

Background imageCurves Collection: hot lady

hot lady
Christian Pabst

Background imageCurves Collection: circulation

circulation
Piet Flour




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"Curves: A Celebration of Elegance and Engineering" From the sleek lines of the Morgan Aero 8 British sports car to the exquisite contours of an English Rose Corsetry advertisement, they have always captivated our senses. Like a photograph by Cyril Herbert, showing a graphic high-level view of railway tracks, they lead us on a journey through beauty and grace. As we traverse the Ballydehob Viaduct in Co Cork, Ireland, with its majestic 12 Arch structure, we are reminded that they are be both functional and breathtakingly scenic. Just like two types of dresses from 1954 - one flowing with soft drapes and another accentuating feminine silhouettes - curves enhance our individuality. Owen Jones' Egyptian 10 design takes us back in time to ancient elegance where intricate patterns embraced every curve. Similarly, a Victor Stiebel Suit embraces the human form with tailored precision. The Karmann Ghia from Germany embodies curves that merge power with sophistication. Much like how the Empress State Building stands tall as an architectural marvel against London's skyline (JLP01_08_062727), these designs showcase strength within their graceful arcs. In contrast, the Marcos Mantis GT captures attention with its bold yet fluid lines while the Jaguar XK140 Coupe exudes timeless charm through its curvaceous bodywork. And let's not forget about the Bentley 25 litre Sports Tourer Vanden Plas; it combines luxury and performance seamlessly within its meticulously crafted contours. Whether it's admiring automotive masterpieces or appreciating architectural wonders, curves remind us that life is more than just straight lines and sharp angles. They symbolize femininity, power, artistry – all intertwined harmoniously to create something truly extraordinary. So let us embrace these enchanting curves around us – for they are not merely shapes but expressions of creativity that elevate our world into something truly remarkable.