Cusp Collection (#3)

View of the entrance and bell tower of the Basilica of St. Peter in Perugia. Perugia Church Early Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

Central door of the Facade of Orvieto Cathedral Orvieto Door Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1320-1331 ca

The rear and the faade of the Church of S. Biagio. Architectural work by Antonio da San Gallo the Elder, located in Montepulciano

Bell tower and Cathedral of San Nicola in Nicosa Nicosia Bell Tower Norman style, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1962 ca.. Date of Artwork:XIV sec

View of the faade of the cathedral of Cefal in Sicily, with its two massive, slightly projecting bell towers and portico above which are two orders of small blind arches

Faade and the bell tower of the Basilica of S. Bartolomeo, Florence. Florence Piazza di Badia a Ripoli. Church - Facade Mannerism, Renaissance-Baroque styles and periods, Europe

The Church of Saint Clemente with joined Bell-tower, at Cesara Cesara Bell Tower, Church Late Medieval, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1959

Church of Saint Mary, work of antique origin transformed in the 800's. Cerano Cerano Bell Tower, Church Neoclassicism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Detail of the external arches of the Baptistery of Pisa. Pisa Baptistery Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1152

The Relic of the Corporal, in precious metals and enamel, work by Ugolino di Vieri. The relief is preserved in the Chapel of the Corporal, in Orvieto Cathedral

View of the Cathedral of Milan from above Via Larga Milan Via Larga Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1936. Date of Artwork:XIV-XVI, XIX

View of the right side of the Cathedral of Milan Milan via Arcivescovado Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1955. Date of Artwork:XIV-XVI, XIX

One of the Spires on the roof of Como Cathedral Como Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Spires, work by Luchino Scarabota, on the roof of Como Cathedral Como Cathedral, roof Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Basilica of S. Giovanni Evangelista, Ravenna. Ravenna Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1930 ca.. Date of Artwork:426-434, XIII sec

ACA-F-043687-0000
Cusp of sculptures, Port of Cornacchini or Porta di Balla (first door on the north side), particularly, Santa Maria del Fiore, Florence 1890 ca. Talenti, Francesco 1360 ca

The faade and the bell tower of the Basilica of S. Eustorgio, Milan. Milan Church - Facade Revival styles, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Partial view of the Cathedral and of the bell tower of S. Gottardo, Milan, photographed from Via Larga. Milan Bell Tower Gothic, Middle Ages, Europe, First and Second Millennium A.D

View of the Palazzo Reale of the right side of the Cathedral of Milan Milan Palazzo Reale Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1955

The bell tower and faade of the cathedral of Messina Messina Piazza Duomo Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1962. Date of Artwork:XII -XX sec

Stained-glass window with Saints, choir of the Basilica of S. Domenico, Perugia, attributed to Friar Bartolomeo di Pietro and Mariotto di Nardo. Perugia Basilica of S

View of the faade of the Church of S. Pietro, Trento. Trento Church - Facade Revival styles, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

The doorway on the right side of the church of Santa Maria Gloriosa dei Frari, in Venice Venice Door Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D

The faade of the Church of San Francesco in Gaeta, in the province of Latina, in Lazio Gaeta Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca

View of the Antonelliana Mass of Turin. Work by Alessandro Antonelli Turin Exhibit Center, Synagogue Eclecticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

The central entrance to the Cathedral of Como Como Door Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:1455-1486 ca

The front and bell-tower of the Cathedral of Chivasso, locality of Piemonte near Turin Chivasso Church - Facade Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D

Chapel of Sant'Agata. Architectural work located behind the apse of the Church of S. Paolo a Ripa d'Arno, Pisa. Pisa Chapel Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Western side of the Church of Santa Maria della Spina, Pisa. Pisa Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1323

Lampadarium in painted and gilted wood, positioned in the Chapel of Palazzo Pubblico, Siena Siena Palazzo Pubblico, Priori Room Lamp Gothic, Middle Ages, Europe, First and Second Millennium A.D

Faade and lateral view of the Church of Santa Maria della Spina, Pisa. Pisa Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1323

Baptistery of Pisa. The building, with a circular plan, is surmounted by a dome. At bottom are arches and windows with one light. At the top is a row of windows with two lights and gothic finishings

The face and one side of the Church of San Secondo, at Asti Asti Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:XIV-XV sec

Front and one side of Cathedral of Asti Asti Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:1309 - 1354, XV, XVII, XVIII

Reliquary of Sant'Andrea in enamelled silver. Florentine goldsmith's work, in the Municipal Gallery of Citt di Castello, near Perugia

Miniature for a Matricola register, representing St John the Baptist. Work by Matteo di Ser Cambio in the Collegio del Cambio (Bankers'Guild) in Perugia

The apse of the Abbey church of Fossanova, near Latina, in Lazio Latina Fossanova Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

Faade of the Abbey Church of Fossanova, near Latina, in Lazio Latina Fossanova Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

Apse of the high altar in the church of Santa Chiara, Naples Naples Church of Santa Chiara Tribune Eighteenth Century, Renaissance-Baroque styles and periods, Europe

Apse area and bell tower of the Church of Santa Croce, Florence, Tuscany. The church is by Arnolfo di Cambio and the bell tower is by Gaetano Baccani Florence Church of Santa Croce

Tomb stone of Stoldo Altoviti, in the Church of the Santissimi Apostoli, Florence, Tuscany Florence Church of the Santissimi Apostoli Low Relief, Basrelief Gothic, Middle Ages, Europe

The bell tower of Badia Fiorentina seen from the tower of the Bargello in Florence, in Tuscany Florence Palazzo del Bargello, tower Bell Tower Gothic, Middle Ages, Europe

Romanesque bell tower in black tufa from St Agapito Cathedral in Palestrina, in the province of Rome Palestrina Bell Tower Romanesque, Middle Ages, Europe, First and Second Millennium A.D

View of the Church of Santa Maria in Cosmedin in Rome with the altar and the ciborium Rome Church of S. Maria in Cosmedin Baldachin, Canopy, Ciborium Gothic, Middle Ages, Europe

Interior of the Church of Santa Maria in Cosmedin in Rome Rome Church of S. Maria in Cosmedin Baldachin, Canopy, Ciborium Gothic, Middle Ages, Europe, First and Second Millennium A.D

Detail of the Reliquary of the Corporal depicting two scenes of Bolsena's Miracle, in precious metals and enamel, work by Ugolino di Vieri

A reliquary. Goldsmithry work by Ugolino di Vieri, exhibited at the Exhibition of Ancient Art in Siena and preserved in Orvieto Cathedral Siena Exhibition of Ancient Art Reliquary Gothic

Detail of the Corporal Reliquary, in precious metal and enamels, work by Ugolino di Vieri. The reliquary is in the Cappella del Corporale, in Orvieto Cathedral Orvieto Cathdral

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"Cusp: Where Art and Science Converge" Molecular orbitals, like delicate brushstrokes on a canvas, create an ethereal dance within the realm of chemistry. Just as the Rose window and stained glass windows of the façade of the Cathedral of Bourges captivate with their intricate patterns, molecular orbitals mesmerize us with their harmonious arrangement. Step into the world where science meets art, where molecules become masterpieces. The main portal to the Cathedral of St. Vitus in Prague stands tall, reminiscent of how molecular structures proudly display their symmetrical beauty. In Piazza Vittorio Emanuele II with Palazzi del Capitano and Popolo in Todi, people gather under a vast sky that mirrors our fascination for both grandeur and minuteness, and is here that we find ourselves at the cusp between macrocosm and microcosm. As water flows from "Fontana Maggiore" (Main Fountain) in Perugia's Piazza IV novembre, it echoes nature's own rhythm—a reminder that even amidst scientific exploration lies an undeniable connection to our surroundings. The Town Hall in Piazza IV novembre speaks volumes about human craftsmanship—just as Giacomo di Servadio and Giovannello di Benvenuto left their mark on this architectural wonder; scientists leave theirs through groundbreaking discoveries. Gothic high relief depicting the Virgin and Child found within a French church reminds us that creativity transcends time—whether through religious devotion or scientific innovation—it is humanity's quest for understanding that drives progress forward. Southern side of Notre Dame Cathedral in Strasbourg unveils its intricate details just as scientists unravel complex mysteries hidden within atoms. Both reveal layers upon layers waiting to be explored by those who dare venture further. The portal of St. Peter's Cathedral in Regensburg beckons us towards new horizons—a gateway leading not only to spiritual enlightenment but also to scientific breakthroughs that shape our world. At the front of St.