Da Vinci Collection (#2)

Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Legs of a Man Lunging to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Legs of a Man Lunging to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Virgin of the Rocks (detail), c1491. Artist: Leonardo da Vinci
The Virgin of the Rocks (detail), c1491. This painting is part of the group of panels from the S. Francesco Altarpiece, Milan. Held at The National Gallery, London. From The Studio Volume 117

Anatomical drawing, c1472-c1519 (1883). Artist: Leonardo da Vinci
Anatomical drawing, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Giant crossbow, 1480-1485 (1954). Artist: Leonardo da Vinci
Giant crossbow, 1480-1485 (1954). Codex Atlanticus, 53v-b. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Title Page: Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum, 1786

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left. 1517

Mona Lisa (La Joconde), 1820-60. Creator: Augustine Fauchery
Mona Lisa (La Joconde), 1820-60

Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Creator
Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Biblical scene, from Mark 14: 18: And as they sat and did eat, Jesus said, Verily I say unto you

A scene in an arsenal, c1485-1490, (1943). Creator: Leonardo da Vinci
A scene in an arsenal, c1485-1490, (1943). Nude male figures hoisting a cannon with a pulley in a military storeyard or arsenal

Portrait of a Man in Red Chalk, c1512, (1932). Artist: Leonardo da Vinci
Portrait of a Man in Red Chalk, c1512, (1932). From the collection of the Biblioteca Reale, Turin. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Drawing of Two Halves of a Skull, c1480 (1945). Artist: Leonardo da Vinci
Drawing of Two Halves of a Skull, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to the Right of an Bearded Man, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Right of an Bearded Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). Artist: Leonardo da Vinci
Grotesque Head of a Man Turned Three-Quarters to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse, its Near Hind-Leg and its Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Allegories of Envy, c1480 (1945). Artist: Leonardo da Vinci
Two Allegories of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies for a Madonna and Child with a Cat, 1478-1480 (1945). Artist: Leonardo da Vinci
Studies for a Madonna and Child with a Cat, 1478-1480 (1945). The drawing is held by the Musee Bonnat, Bayonne, France. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Woman Kneeling to the Left, c1477 (1945). The drawing is held by the Corsini Gallery, Rome. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Spray of a Plant, c1480 (1945). Artist: Leonardo da Vinci
A Spray of a Plant, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Mona Lisa, c16th century, (1911). Copy of famous portrait of Lisa Gherardini, wife of Francesco del Giocondo, from original work by Leonardo di ser Piero da Vinci (1452-1519)

Diagram illustrating the theory of light and shade and sketches of figures, c1472-c1519 (1883)
Diagram illustrating the theory of light and shade and sketches of figures illustrating the movements of the human body, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol

Study for the head of Christ for The Last Supper, c1495, (1911). Artist: Leonardo da Vinci
Study for the head of Christ for The Last Supper, c1495. Painting held in the Pinacoteca di Brera, Milan. From A History of Painting Vol. 1 by Haldane MacFall [T.C. and E.C

Scaramuccia, 1500-1505 (1954). Artist: Leonardo da Vinci
Scaramuccia, 1500-1505 (1954). Found in the collection of Christ Church Library, Oxford. A print from Leonardo da Vinci by Ludwig H Heydenreich, (London, 1954)

Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). Artist: Leonardo da Vinci
Cartoon of St Anne with Madonna and Child and St John, 15th century (1930). From Apollo magazine, volume XII, no 71 (November 1930)

Proportions of the human figure, c1492, (1936). Artist: Albrecht Durer
Proportions of the human figure, c1492, (1936). Vitruvian Man. Found in the collection of the Galleria dell Accademia, Venice, Italy

Leonardo da Vinci
Portrait of artist Leonardo da Vinci. Digitally colored 19th-century photograph of a portrait

Monday Lisa
Artem Pozdniakov

Monday Lisa
Artem Pozdniakov

Monday Lisa
Artem Pozdniakov

Friday Man
Artem Pozdniakov

The artist's dream, 1840 (engraving)
2909966 The artist's dream, 1840 (engraving) by Sartain, John (1808-97); (add.info.: The artist's dream. The artist, with his head down on a table in his studio)

Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with
827893 Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with white on linen) by Vinci, Leonardo da (1452-1519); 28.8x18.1 cm; Private Collection; (add.info)

Madonna and Child with a Pomegranate, 1475-80 (oil on poplar panel)
3740829 Madonna and Child with a Pomegranate, 1475-80 (oil on poplar panel) by Credi, Lorenzo di (1456-1536); 16.5x13.4 cm; National Gallery of Art, Washington DC

The Last Supper, drawn by Teodoro Matteini, engraved by Raphael Morghen (engraving)
6256900 The Last Supper, drawn by Teodoro Matteini, engraved by Raphael Morghen (engraving) by Vinci, Leonardo da (1452-1519) (after); 52A--93.5 cm; Rijksmuseum, Amsterdam, The Netherlands; Italian

A page from Quaderni d Anatomia, I-VI, 1911-16 (colour lithograph)
1764828 A page from Quaderni d Anatomia, I-VI, 1911-16 (colour lithograph) by Vinci, Leonardo da (1452-1519) (after); Private Collection; (add.info.: A page from Quaderni d Anatomia, I-VI)

Studies for the Trinity of San Severo and a sketches after Leonardo, WA1846
3959847 Studies for the Trinity of San Severo and a sketches after Leonardo, WA1846.176 (metalpoint with white heightening, partially oxidised)

Characters and Caricatures, 1743 (engraving)
1071426 Characters and Caricatures, 1743 (engraving) by Hogarth, William (1697-1764); 20.6x20.3 cm; Dallas Museum of Art, Texas, USA; (add.info.: 2nd state); Foundation for the Arts

Ginevra de Benci [obverse], c. 1474 / 1478. Creator: Leonardo da Vinci
Ginevra de Benci [obverse], c. 1474/1478

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), 1786

Two deformed heads, 1625-1744. Creator: Wenceslaus Hollar
Two deformed heads, 1625-1744

Head studies, 1625-77. Creators: Wenceslaus Hollar, Leonardo da Vinci
Head studies, 1625-77

Male head in profile to left with muscles exposed, 1660. Creator: Wenceslaus Hollar
Male head in profile to left with muscles exposed, 1660

Naked male torso seen from behind, 1645. Creator: Wenceslaus Hollar
Naked male torso seen from behind, 1645

Head of a bald, sinewy man looking downwards, 1648. Creator: Wenceslaus Hollar
Head of a bald, sinewy man looking downwards, 1648

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"Unveiling the Genius: Leonardo da Vinci's Masterpieces and Unparalleled Curiosity" Step into the captivating world of Leonardo da Vinci, a visionary artist, inventor, and scientist whose brilliance continues to inspire generations. From his intriguing studies to his iconic artworks, da Vinci's multifaceted genius knows no bounds. In "Head of a Bear, " created around 1480, da Vinci showcases his mastery in capturing intricate details with precision and finesse. The intensity in the bear's gaze draws us into its wild spirit. Leonardo da Vinci himself remains an enigma as we explore his self-portrait from 1490. This rare glimpse allows us to witness the face behind countless masterpieces – a man driven by insatiable curiosity and boundless creativity. Delving deeper into his scientific pursuits, we encounter "Studies of an ox heart. " Through pen and ink drawings dating back to 1512, da Vinci unravels the mysteries of anatomy with meticulous accuracy that still astounds modern scholars. "The Last Supper, " immortalized through Raphael Morghen and Teodoro Matteini's interpretation in 1800, pays homage to one of da Vinci's most renowned works. Its profound symbolism resonates across time as it captures both human emotion and divine presence. Amongst portraits that grace history is "Portrait of Cecilia Gallerani. " Painted circa 1490, this masterpiece reveals not only her elegance but also Lady with an Ermine symbolizes purity amidst power - a testament to Leonardo's ability to capture inner essence on canvas, not limited by earthly constraints; he dared to dream beyond imagination. His design for a flying machine wing operated by springs demonstrates his relentless pursuit of innovation even centuries ahead of its time. Peering into another realm altogether are pen-and-ink studies from c1510 depicting human fetuses. These anatomical explorations reveal Leonardo Da Vinci’s deep fascination with life's beginnings and his desire to unravel the mysteries of creation.