Damnation Collection (#3)

Last Judgment, c. 1500 (oil on panel)
3709964 Last Judgment, c.1500 (oil on panel) by German School, (15th century); 149x175 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Christ on a rainbow with Mary and John the Baptist)

The Torments of Hell (fresco)
702439 The Torments of Hell (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome, Italy; (add.info.: Part of a cycle of frescoes based on Dante Alighieris Divine Comedy.); German

The Last Judgement (oil on panel) (detail of 29115)
PHD331647 The Last Judgement (oil on panel) (detail of 29115) by Bosch, Hieronymus (c.1450-1516); Akademie der Bildenden Kunste, Vienna, Austria; Netherlandish, out of copyright

Last Judgement, c. 1435 (tempera on oak)
JLJ4690625 Last Judgement, c.1435 (tempera on oak) by Lochner, Stephan (fl.1442-1451); Wallraf Richartz Museum, Cologne, Germany; (add.info)

Depiction of the devil with a three-pronged fork (chromolitho)
6030583 Depiction of the devil with a three-pronged fork (chromolitho) by European School, (19th century); Private Collection; (add.info)

The Last Judgment (Winged Altar, beg. 15th century)
6368158 The Last Judgment (Winged Altar, beg. 15th century) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Staatliche Museen, Berlin

Diptych with the Coronation of the Virgin and the Last Judgement, c. 1260-70 (ivory)
XBP391897 Diptych with the Coronation of the Virgin and the Last Judgement, c.1260-70 (ivory) by French School, (13th century); 12.7x13.1.9 cm; The Cloisters, Metropolitan Museum of Art

Last Judgement, detail, 1614 (fresco)
3498685 Last Judgement, detail, 1614 (fresco) by Rovere, Giovanni Mauro della (called Fiamminghino) (c.1575-1640); (add.info.: Peglio,s Eusebio 085c, Fiammenghino, Giudizio Universale)

Judas in hell (chromolitho)
3100701 Judas in hell (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Judas in hell. Illustration for Las Supersticiones De La Humanidad by Jose Coroleu (F Seix)

The Sistine Chapel: The Last Judgement, detail of one of the damned, 1538-41 (fresco)
ALI218248 The Sistine Chapel: The Last Judgement, detail of one of the damned, 1538-41 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries

The Credo, Panel III: The Last Judgement, Pentecost and the Communion of Saints
XIR414038 The Credo, Panel III: The Last Judgement, Pentecost and the Communion of Saints, 1587 (wood) (see also 414036/7 & 414039) by French School, (16th century); Musee National de la Renaissance

Triptych of the Last Judgement, 1555 (oil on panel)
XAV232608 Triptych of the Last Judgement, 1555 (oil on panel) by Leyden, Aertgen Claesz van (1498-1564); Musee des Beaux-Arts, Valenciennes, France; Netherlandish, out of copyright

Tympanum from the left portal of the north transept depicting the Last Judgement
XIR197294 Tympanum from the left portal of the north transept depicting the Last Judgement, 1225-40 (stone) by French School, (13th century); Cathedral of Notre Dame, Reims, France; French

Christ at Limbo (with Adam and Eve), 1512 (Burin engraving on copper)
5890602 Christ at Limbo (with Adam and Eve), 1512 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; Luisa Ricciarini; German, out of copyright

A Hell Mouth with fangs and a blue demon emerging; Gog and Maggog leading an army, c
1767808 A Hell Mouth with fangs and a blue demon emerging; Gog and Maggog leading an army, c.1820 (pen, ink, watercolour and gilt on paper) by Russian School (19th century)

St Michael subduing Satan and weighing the Souls of the Dead, c
1217767 St Michael subduing Satan and weighing the Souls of the Dead, c. 1540 - 1549 (oil on panel) by Orsi da Novellara, Lelio (1511-87); 54x40 cm; Ashmolean Museum, University of Oxford

Lazarus describes what hes seen in hell (litho)
876390 Lazarus describes what hes seen in hell (litho) by English School; Private Collection; The Stapleton Collection; English, out of copyright

Illustration from Revelations Sancte Birgitte, Koberger Nuremberg 1502 (German Text). n. d
Illustration from Revelations Sancte Birgitte, Koberger Nuremberg 1502 (German Text).n.d

Michelangelos Last Judgment, 1562. 1562. Creator: Nicolas Beatrizet
Michelangelos Last Judgment, 1562

Napoleon Le Grande, December 2, 1813. December 2, 1813. Creator: Thomas Rowlandson
Napoleon Le Grande, December 2, 1813

Cowper, (1731-1800), 1830. Creator: Unknown
Cowper, (1731-1800), 1830. William Cowper (1731-1800) English poet and hymnodist, institutionalised for insanity he found refuge in evangelical Christianity

Illustration For Inferno By Dante Alighieri Canto Xviii Lines 116 And 117 By Gustave Dore 1832-1883 French Artist And Illustrator

The Last Judgement, detail of Satan devouring the damned in hell, c. 1431 (oil on panel)
XIR185972 The Last Judgement, detail of Satan devouring the damned in hell, c.1431 (oil on panel) by Angelico, Fra (Guido di Pietro) (c.1387-1455); Museo di San Marco dell Angelico, Florence

HELL AND DAMNATION. Detail of mosaic, late 13th century, from cupola of Baptistry in Florence, Italy

Illustration For Purgatorio By Dante Alighieri Canto Ii Lines 42 And 43 By Gustave Dore 1832-1883 French Artist And Illustrator

Illustration For Purgatorio By Dante Alighieri Canto Xxix Lines 80 To 82 By Gustave Dore 1832-1883 French Artist And Illustrator

Illustration For Purgatorio By Dante Alighieri Canto Xxv Lines 107 To 110 By Gustave Dore 1832-1883 French Artist And Illustrator

Illustration For Purgatorio By Dante Alighieri Canto Xix Lines 131 To 133 By Gustave Dore 1832-1883 French Artist And Illustrator

Engraving By Gustave Dore 1832-1883 French Artist And Illustrator For Inferno By Dante Alighieri Canto Xv Lines 28 And 29

Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Artist: Gustave Dore
Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Italian poet Dante Alighieri (1265-1321) was a great admirer of Virgil

The Fire of Faction, 1762 (engraving)
XJF486340 The Fire of Faction, 1762 (engraving) by Sandby, Paul (1725-1809); 26.4 x 20.2 cm; Private Collection; (add.info.: Satire on William Hogarth (1697-1764)

Arriving in Hell, 17th century woodcut
Arrival in Hell. 17th century woodcut illustration depicting a group of men arriving in Hell and being met by The Devil. This illustration comes from Compendium maleficarum by Maria Guazzo

The Orchard, 1890. Found in the Collection of Victoria and Albert Museum

The Orchard of the Wise Virgins, 1893. Private Collection

The Parable of the Wise and Foolish Virgins. Artist: Borovikovsky, Vladimir Lukich (1757-1825)
The Parable of the Wise and Foolish Virgins. Found in the collection of Regional Art Gallery, Tver

Damnation and Redemption. Law and Grace. Artist: Cranach, Lucas, the Elder (1472-1553)
Damnation and Redemption. Law and Grace. Found in the collection of Schlossmuseum Schloss Friedenstein

Sketch for The Last Judgement in Gerard d Euphrate, Paris, 1549, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Salvator Mundi flanked by the Wise and Foolish Virgins, c. 1500. Artist: South German master (16th century)
Salvator Mundi flanked by the Wise and Foolish Virgins, c. 1500. From a private collection

The Creation of Eve and Original Sin (detail of original sin), 1430 (fresco transferred
XIR897803 The Creation of Eve and Original Sin (detail of original sin), 1430 (fresco transferred to canvas) by Uccello, Paolo (1397-1475); Santa Maria Novella, Florence

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"Damnation: A Journey Through the Depths of the Soul" Embark on a profound exploration of damnation, where art and literature intertwine to depict humanity's eternal struggle between sin and salvation. From the haunting Last Judgement scenes in Novgorod Icon, with its vivid tempera strokes on wood, to Hieronymus Bosch's enigmatic The Garden of Earthly Delights, which delves into the depths of human desires in oil on panel. The captivating melodies of Berlioz Faust Liebig 5 echo through time as music scores transport us to a realm where temptation lingers. As we gaze upon Triptych with the Triumph of Death and the Last Judgement by an unknown master, we witness death's relentless grip on mortal souls. Intriguingly depicted is Gustave Dore's illustration for Inferno by Dante Alighieri Canto XVIII lines 116 and 117. Here, Dore's meticulous craftsmanship brings forth a chilling vision of souls trapped in eternal torment. Jan Brueghel the younger invites us into Aeneas' journey through the Underworld alongside Sibyl. Their encounter with damned spirits serves as a reminder that even heroes face trials beyond mortal comprehension. William-Adolphe Bouguereau captures Dante and Virgil amidst Hell's fiery abyss, their faces etched with both fear and determination. Meanwhile, Gustave Dore portrays them at Hell's edge, where an ominous stench permeates from below—a testament to mankind’s darkest impulses. Through these artistic masterpieces spanning centuries, we are confronted with our own mortality and compelled to reflect upon our choices—those that lead either towards redemption or everlasting damnation. In this visual symphony resonating across time and space, may we find solace or warning within each stroke of paint or note played—a poignant reminder that our actions shape not only our present but also our eternal fate.