De Jode Pieter Ii Collection

Cornelius Gobelius, Bishop of Bamberg, 1648. Creator: Pieter de Jode II
Cornelius Gobelius, Bishop of Bamberg, 1648. Book: The Dignitaries at the Peace Conference of Munster 1648

Theodore van Tulden, 1630/45. Creator: Pieter de Jode II
Theodore van Tulden, 1630/45

Antoon Triest, 1630/45. Creator: Pieter de Jode II
Antoon Triest, 1630/45

Cornelis van Poelenburch, 1630/45. Creators: Pieter de Jode II, Anthony van Dyck
Cornelis van Poelenburch, 1630/45

Erycius Puteanus, 17th century. Creator: Pieter de Jode II
Erycius Puteanus, 17th century

Christ and Nicodemus: A Night Piece, 1626/74. Creator: Pieter de Jode II
Christ and Nicodemus: A Night Piece, 1626/74

Plate 35: Philip of Spain as Neptune, riding in a chariot drawn by two sea horses; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

The Three Graces, ca. 1630-74. Creator: Pieter de Jode II
The Three Graces, ca. 1630-74

The Three Graces, ca. 1630-45. Creator: Pieter de Jode II
The Three Graces, ca. 1630-45

The Holy Family at right, with the infant Saint John the Baptist, Elizabeth, Zacharias, and an angel at left, 1631-37

Portrait of Isabella Clara Eugenia, Infanta of Spain, ca. 1650

A Fool with an Owl and a Woman at a Window, 17th century. Creator: Pieter de Jode II
A Fool with an Owl and a Woman at a Window, 17th century

Portrait of Philip III, King of Spain, ca. 1650. Creator: Pieter de Jode II
Portrait of Philip III, King of Spain, ca. 1650

Allegory of Good Government, seated at center and being crowned by a putto and a woman at left, Justice standing atop a hydra at right, ca. 1640-74

Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanus s
Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 6: Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanus s
Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 10: The King of Hungary and Ferdinand on horseback; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 24: Charles V crowned Emperor by the Pope; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 20: Charles V and Ferdinand on Horseback; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

The Visitation, 1625-74. Creator: Pieter de Jode II
The Visitation, 1625-74

Portrait of Pieter de Jode the Younger, 1606-74. Creator: Pieter de Jode II
Portrait of Pieter de Jode the Younger, 1606-74

Portrait of Charles of Austria, Infante of Spain, in profile to the right, ca. 1650

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"Exploring the Artistry of Pieter de Jode II: A Captivating Journey through History and Mythology" Step into a world where myth and reality intertwine, as captured by the talented artist Pieter de Jode II. Plate 35 presents us with an awe-inspiring depiction of Philip of Spain transformed into Neptune, riding in a majestic chariot drawn by two magnificent sea horses. The power and grandeur emanating from this artwork is truly captivating. Moving on to "The Three Graces, " created between 1630-74, we witness the graceful beauty that De Jode brings to life. These ethereal figures exude elegance and charm, showcasing his mastery over capturing human form. In another masterpiece titled "The Holy Family, " De Jode portrays a tender moment between Mary, Joseph, baby Jesus, Saint John the Baptist, Elizabeth, and Zacharias. This intimate scene radiates love and devotion while highlighting De Jode's attention to detail. Shifting gears to portraiture, we encounter Isabella Clara Eugenia in all her regal splendor. Painted around 1650, this portrait captures her poise and nobility with every brushstroke. But it doesn't end there; De Jode's versatility shines through in works like "A Fool with an Owl and a Woman at a Window. " This intriguing piece invites us to ponder its symbolism while marveling at the artist's ability to evoke curiosity within us. Continuing our journey through history comes "Portrait of Philip III. " Created around 1650, this painting immortalizes the King of Spain with utmost dignity - an exquisite representation befitting royalty. Delving deeper into allegory artistry is "Allegory of Good Government. " Here we see Good Government seated at center being crowned by putto (cherub) figures - symbolizing harmony and prosperity under wise leadership. Lastly but not least are various plates from Guillielmus Becanus's collection.