Departed Collection (#3)

A Bird s-Eye View of the Docks at Buenos Aires, (watercolour)
828300 A Bird s-Eye View of the Docks at Buenos Aires, (watercolour) by Martino, Eduardo de (1838-1912); 60.9x91.4 cm; Private Collection; (add.info.: A Bird s-Eye View of the Docks at Buenos Aires)

Bedouins on Route, (oil on canvas)
989482 Bedouins on Route, (oil on canvas) by Schreyer, Adolf (1828-99); 80x127 cm; Private Collection; (add.info.: Bedouins on Route. Adolf Schreyer (1828-1899). Oil on canvas

The Exit of Ruggero I, King of Sicily, from the Palazzo Reale, (oil on canvas)
989359 The Exit of Ruggero I, King of Sicily, from the Palazzo Reale, (oil on canvas) by Sciuti, Giuseppe (1832-1911); 228.6x280 cm; Private Collection; (add.info.: The Exit of Ruggero I)

The Farewell; Der Abschied, 1920 (oil on canvas)
1769279 The Farewell; Der Abschied, 1920 (oil on canvas) by Gramatte, Walter (1897-1929); 95.3x77.8 cm; Private Collection; (add.info.: The Farewell; Der Abschied.); Photo eChristies Images; German

Female Nude; Madchenakt, 1911 (pencil on paper)
1768306 Female Nude; Madchenakt, 1911 (pencil on paper) by Schiele, Egon (1890-1918); 54.3x34.6 cm; Private Collection; (add.info.: Female Nude; Madchenakt. Egon Schiele (1890-1918). Pencil on paper

Making Ready, 1917 (oil on canvas)
1767634 Making Ready, 1917 (oil on canvas) by Ufer, Walter (1876-1936); 76.2x91.4 cm; Private Collection; (add.info.: Making Ready. Walter Ufer (1876-1936). Oil on canvas. Painted in 1917

Hoboken at Midnight, 1872 (oil on canvas)
1767460 Hoboken at Midnight, 1872 (oil on canvas) by Silva, Francis Augustus (1835-86); 35.6x61 cm; Private Collection; (add.info.: Hoboken at Midnight. Francis Augustus Silva (1835-1886)

The Visitor, 1881 (oil on canvas)
827116 The Visitor, 1881 (oil on canvas) by Caraud, Joseph (1821-1905); 73.3x90.8 cm; Private Collection; (add.info.: The Visitor. Joseph Caraud (1821-1905). Oil on canvas. Painted in 1881

In the Wake of the Hunters, 1896 (oil on canvas)
823313 In the Wake of the Hunters, 1896 (oil on canvas) by Russell, Charles Marion (1865-1926); 58.5x89 cm; Private Collection; (add.info.: In the Wake of the Hunters)

Saint Nicholas, (oil on panel)
823290 Saint Nicholas, (oil on panel) by Weir, Robert Walter (1803-89); 75x62 cm; Private Collection; (add.info.: Saint Nicholas. Robert Walter Weir (1803-89). Oil on panel

In Front of the Port of Dieppe; Avant Porte de Dieppe, 1918-1920 (503 x 616cm)
825364 In Front of the Port of Dieppe; Avant Porte de Dieppe, 1918-1920 (503 x 616cm) by Loiseau, Gustave (1865-1935); 50.3x61.6 cm; Private Collection; (add.info)

Young Girl with Flowers in her Hat; Jeune Fille au Chapeau Fleuri, c
824553 Young Girl with Flowers in her Hat; Jeune Fille au Chapeau Fleuri, c.1900-1905 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 55x46 cm; Private Collection; (add.info)

La Repudiee, 1882 (oil on canvas)
1197549 La Repudiee, 1882 (oil on canvas) by Maignan, Albert Pierre Rene (1845-1908); 142x125 cm; Private Collection; Photo eChristies Images; French, out of copyright

Farewell, 1893 (oil on canvas)
1195686 Farewell, 1893 (oil on canvas) by Bogdanov-Belsky, Nikolai Petrovich (1868-1945); 90.5x126.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Cutting Out the Hermoine from the Harbour of Porto Cavailo, October 25th 1799, c
1197009 Cutting Out the Hermoine from the Harbour of Porto Cavailo, October 25th 1799, c.1812-1816 (hand-coloured aquatint) by Whitcombe

A Narrow Escape, (oil on panel)
658408 A Narrow Escape, (oil on panel) by Leloir, Maurice (1853-1940); 45.7x28.7 cm; Private Collection; (add.info.: A Narrow Escape. Maurice Leloir (1853-1940). Oil on panel

A Dawn Flight, (oil on masonite)
650759 A Dawn Flight, (oil on masonite) by Waugh, Frederick Judd (1861-1940); 97.1x122.4 cm; Private Collection; (add.info.: A Dawn Flight. Frederick Judd Waugh (1861-1940). Oil on masonite

Le Port de Saint-Tropez, (watercolour over black chalk on paper laid on board)
652637 Le Port de Saint-Tropez, (watercolour over black chalk on paper laid on board) by Signac, Paul (1863-1935); 31.8x43.8 cm; Private Collection; (add.info.: Le Port de Saint-Tropez)

Fisherfolk on a Quayside, (charcoal and pastel)
658716 Fisherfolk on a Quayside, (charcoal and pastel) by Barnoin, Henri Alphonse (1882-1935); 36.2x52.1 cm; Private Collection; (add.info.: Fisherfolk on a Quayside)

The Harbour, St. Ives, Cornwall, 1885 (oil on canvas)
658332 The Harbour, St.Ives, Cornwall, 1885 (oil on canvas) by Bartlett, William H. (1858-1932); 58.5x82 cm; Private Collection; (add.info.: The Harbour, St.Ives, Cornwall)

Ducks at the Lakes Edge, (oil on canvas)
651525 Ducks at the Lakes Edge, (oil on canvas) by Koester, Alexander (1864-1932); 120.6x97.8 cm; Private Collection; (add.info.: Ducks at the Lakes Edge. Alexander Koester (1864-1932)

Alpheus and Arethusa, (oil on canvas)
990342 Alpheus and Arethusa, (oil on canvas) by Maratti, Carlo (1625-1713); 78x96 cm; Private Collection; (add.info.: Alpheus and Arethusa. Carlo Maratti (1625-1713). Oil on canvas

Ariadne Abandoned by Theseus, (oil on canvas)
990305 Ariadne Abandoned by Theseus, (oil on canvas) by Kauffmann, Angelica (1741-1807); 71x89 cm; Private Collection; (add.info.: Ariadne Abandoned by Theseus. Angelica Kauffmann (1741-1807)

Fisherwomen disembarking from Plougastel, 1870 (oil on canvas)
988342 Fisherwomen disembarking from Plougastel, 1870 (oil on canvas) by Boudin, Eugene Louis (1824-98); 53.4x87.6 cm; Private Collection; (add.info)

Now is Pilgrim Year fair Autumns Charge, (oil on canvas)
989942 Now is Pilgrim Year fair Autumns Charge, (oil on canvas) by Shaw, John Byam Liston (1872-1919); 85x119.5 cm; Private Collection; (add.info.: Now is Pilgrim Year fair Autumns Charge)

After the Protestant Church Service, 1872 (oil on canvas)
989763 After the Protestant Church Service, 1872 (oil on canvas) by Brion, Gustave (1824-77); 113.1x160.7 cm; Private Collection; (add.info)

The Parting of the Ways; Am Scheideweg, 1917 (tempera on canvas)
825997 The Parting of the Ways; Am Scheideweg, 1917 (tempera on canvas) by Rohlfs, Christian (1849-1938); 124.5x118 cm; Private Collection; (add.info.: The Parting of the Ways; Am Scheideweg)

Pont Royal, Autumn; Pont Royal, Automne, 1930 (oil on canvas)
825869 Pont Royal, Autumn; Pont Royal, Automne, 1930 (oil on canvas) by Signac, Paul (1863-1935); 73x91.5 cm; Private Collection; (add.info.: Pont Royal, Autumn; Pont Royal, Automne)

Le Festin Des Trepasses (engraving)
2789244 Le Festin Des Trepasses (engraving) by French School, (19th century); Private Collection; (add.info.: Le Festin Des Trepasses. Illustration for Journal Des Voyages, 31 December 1893)

Noah and His Family Before the Embarkation into the Ark, (oil on panel)
659350 Noah and His Family Before the Embarkation into the Ark, (oil on panel) by Jordaens, Hans III (1595-1643/44); 50.8x64 cm; Private Collection; (add.info)

The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour)
658307 The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour) by Corbould, Edward Henry (1815-1905); 91.5x137 cm; Private Collection; (add.info)

The Departure, (oil on canvas)
658500 The Departure, (oil on canvas) by French School, (19th century); 81x110 cm; Private Collection; (add.info.: The Departure. French School (late 19th century). Oil on canvas

Boarding the Coach to London, 1879 (oil on canvas)
658468 Boarding the Coach to London, 1879 (oil on canvas) by Maggs, J.C. (1819-96); 43.2x76.2 cm; Private Collection; (add.info.: Boarding the Coach to London. John Charles Maggs (1819-1896)

By the River, (oil on canvas)
658283 By the River, (oil on canvas) by Gibbs, Percy William (fl.1894-1937); 52x39 cm; Private Collection; (add.info.: By the River. Percy William Gibbs (active ca. 1895-1925). Oil on canvas

Moonlight; Clair de Lune, 1886 (oil on canvas)
658228 Moonlight; Clair de Lune, 1886 (oil on canvas) by Jongkind, Johan-Barthold (1819-91); 33x24.8 cm; Private Collection; (add.info.: Moonlight; Clair de Lune. Johan Barthold Jongkind (1819-1891)

Tyltyl turns the Diamond in The Palace of Luxury, 1911 (gouache)
657997 Tyltyl turns the Diamond in The Palace of Luxury, 1911 (gouache) by Robinson, Frederick Cayley (1862-1927); 33x40 cm; Private Collection; (add.info)

The Minute Men, (oil on canvas)
650361 The Minute Men, (oil on canvas) by Blashfield, Edwin Howland (1848-1936); 65.5x93 cm; Private Collection; (add.info.: The Minute Men. Edwin Howland Blashfield (1848-1936). Oil on canvas

The Convent Boat, 1874 (oil on canvas)
659838 The Convent Boat, 1874 (oil on canvas) by Hughes, Arthur (1832-1915); 94x155 cm; Private Collection; (add.info.: The Convent Boat. Arthur Hughes (1832-1915). Oil on canvas

St. John sees the resurrection of the two witness, as people flee the city walls, c
1767807 St. John sees the resurrection of the two witness, as people flee the city walls, c.1820 (Pen, ink, watercolour and gilt on paper) by Russian School (19th century)

A furisode of white silk damask stencilled with bamboo leaves and plum blossom (silk)
1767207 A furisode of white silk damask stencilled with bamboo leaves and plum blossom (silk) by Japanese School, (19th century); Private Collection; (add.info)

A Cottage near Haslemere (watercolour with scratching out)
1766718 A Cottage near Haslemere (watercolour with scratching out) by Allingham, Helen (1848-1926); 35x27 cm; Private Collection; (add.info.: A Cottage near Haslemere. Helen Allingham (1848-1926)

Poster advertising Lac Leman (Lake Geneva), Switzerland, 1903 (colour litho)
1197955 Poster advertising Lac Leman (Lake Geneva), Switzerland, 1903 (colour litho) by Reckziegel, Anton (1865-1932); 117x85 cm; Private Collection; (add.info.: Reckziegel)

Departure for the Hunt in the Forecourt of a Palace of Jodhpore, c
1769838 Departure for the Hunt in the Forecourt of a Palace of Jodhpore, c.1898-1900 (oil on canvas) by Weeks, Edwin Lord (1849-1903); 99x71.1 cm; Private Collection; (add.info)

Kurfurstendamm Boulevard, 1910 (oil on canvas)
1768210 Kurfurstendamm Boulevard, 1910 (oil on canvas) by Ury, Lesser (1861-1931); 101x70.5 cm; Private Collection; (add.info.: Kurfurstendamm Boulevard. Lesser Ury (1861-1931). Oil on canvas

A large kesi hanging scroll depicting Shoulao holding a peach
1764850 A large kesi hanging scroll depicting Shoulao holding a peach, embracing a rootwood staff with a dragon head beside a deer and two bats in flight

Boaters in a Lock on the Thames, (watercolour heightened with white, laid on board)
652096 Boaters in a Lock on the Thames, (watercolour heightened with white, laid on board) by Caffieri, Hector (1847-1932); 57.1x74.9 cm; Private Collection; (add.info)

Fisherfolk on the Seashore, The Bay of Naples, 1873 (oil on canvas)
651518 Fisherfolk on the Seashore, The Bay of Naples, 1873 (oil on canvas) by Aivazovsky, Ivan Konstantinovich (1817-1900); Private Collection; (add.info.: Fisherfolk on the Seashore)

The Bridal Morning, (oil on canvas)
651479 The Bridal Morning, (oil on canvas) by Sauter, George (1866-1937); 134.6x111.7 cm; Private Collection; (add.info.: The Bridal Morning. Georg Sauter (1866-1937). Oil on canvas

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"Departed: A Journey Through Time and Loss" In this captivating collection of images, we are transported to various moments in history where departures have left an indelible mark on our collective memory. From the bustling View at St. Rollox Looking South East, capturing the opening of the Glasgow and Garnkirk Railway, to the majestic QSS Lusitania - a souvenir of its grand launch - each photograph tells a story of departure. Amidst these snapshots from different eras, we encounter poignant reminders of loss and mourning. An embossed Victorian mourning card dedicated to Mary Hickman serves as a somber tribute to departed loved ones. And there is Lady At Tomb, her sorrow palpable as she pays homage to someone dear who has passed on. But amidst these tales of departure tinged with sadness, there are also glimpses of adventure and exploration. The L'egare II North Atlantic expedition raft at Falmouth beckons us into uncharted waters, reminding us that departures can also be gateways to new horizons. The Cock Robin Nursery Rhymes Unfortunate Death Thrush adds a touch of whimsy amidst the solemnity. This classic rhyme reminds us that even in children's stories, departures are inevitable and often accompanied by heartache. As we delve deeper into this visual journey through time, it becomes clear that departures come in many forms - from railway inaugurations and ship launches to personal farewells etched onto Victorian cards or captured in sculptures like Archangel Gabriel smiting Assyrians. Ultimately, "Departed" invites us to reflect on the transient nature of life itself. It urges us not only to mourn what has been lost but also embrace what lies ahead when we embark on our own journeys toward new destinations – both physical and emotional – knowing that every departure carries within it the potential for growth and transformation.