Derelict Collection (page 9)

The Ruin of the Temple of Corinth, 1860, Greece, Historical, digitally restored reproduction from a 19th century
1900s, 19th-century, album, albums, arts, balkan, balkan peninsula, black, black-and-white, black-white, building, buildings, commemorating, commemoration, construction, contemporary

An old house almost hidden by sunflowers, Rodney, Miss. 1940. Creator: Marion Post Wolcott
An old house almost hidden by sunflowers, Rodney, Mississippi

Abandoned shacks, vicinity of Beaufort, S. C. 1939. Creator: Marion Post Wolcott
Abandoned shacks, vicinity of Beaufort, South Carolina

Design for a clock in the form of a ruined tower
6338683 Design for a clock in the form of a ruined tower by Van Houtman (18th-19th century); (add.info.: Design for a clock in the form of a ruined tower)

Usa, California. Rotting fishing boat near Point Reyes

The House of the Four Winds, c. 1849 (oil on canvas)
703135 The House of the Four Winds, c.1849 (oil on canvas) by Bassi, Giambattista (1784-1852); Museo di Roma, Rome, Italy; (add.info.: The building, also known as the Villa Corsini)

Interior of house being wrecked on Independence Avenue, Washington, D. C, 1942. Creator: Gordon Parks
Washington, D.C. Interior of house being wrecked on Independence Avenue

A note left in a wrecked house on Independence Avenue, Washington, D. C, 1942. Creator: Gordon Parks
Washington, D.C. A note left in a wrecked house on Independence Avenue

Porch of a sharecroppers cabin, Hale County, Alabama, 1936. Creator: Walker Evans
Porch of a sharecroppers cabin, Hale County, Alabama

Lost in Time. Creator: Joshua Johnston
Lost in Time

Lost and Forgotten. Creator: Joshua Johnston
Lost and Forgotten

Door Within. Creator: Robert Manno
Door Within

Barn, Lake George, 1922 (gelatin silver print)
2970975 Barn, Lake George, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 24.3x19.2 cm; The Art Institute of Chicago, IL, USA; Alfred Stieglitz Collection

Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving)
XJF425354 Residence of Nell Gwynne, Bagnigge Wells, published in 1844 (engraving) by Smith, Charles John (1803-38); Private Collection; (add.info)

Ruins of the Savoy in 1816 (engraving)
5912694 Ruins of the Savoy in 1816 (engraving) by British School, (19th century); (add.info.: The Savoy in the early 19th century including ruined hospital, chapel, houses, etc)

Dilapidated bard at sunrise in winter with a glowing yellow sky over the horizon seen through the abandoned barn; Rudyard, Michigan, United States of America

Burying Place, Finlarig, October 1836. Creator: Elizabeth Murray
Burying Place, Finlarig, October 1836

Scene during Bluebird CN7 world land speed record attempt, Lake Eyre, Australia, 1964

The Old Temple, 1787 / 88. Creator: Hubert Robert
The Old Temple, 1787/88

Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board)
1768005 Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board) by Toulouse-Lautrec, Henri de (1864-1901); 45.7x67.7 cm; Private Collection; (add.info)

Hoar Frost at Huelgoat, Finistere; Gelee Blanche au Houelgouat Finistere
652588 Hoar Frost at Huelgoat, Finistere; Gelee Blanche au Houelgouat Finistere, 1903 (oil on canvas) by Loiseau, Gustave (1865-1935); 61x81.5 cm; Private Collection; (add.info)

The Abandoned House; La Maison Abandonee, 1887 (oil on canvas)
825625 The Abandoned House; La Maison Abandonee, 1887 (oil on canvas) by Sisley, Alfred (1839-99); 38.3x55.9 cm; Private Collection; (add.info.: The Abandoned House; La Maison Abandonee)

A Mausoleum (pen & brown ink on paper)
449360 A Mausoleum (pen & brown ink on paper) by Vrancx, Sebastian (1573-1647); 26.8x31.3 cm; eThe Devonshire Collections

Thatched dwellings, partly in ruins, on a mountainside (pen & ink with chalk on paper)
449346 Thatched dwellings, partly in ruins, on a mountainside (pen & ink with chalk on paper) by Savery, Roelandt Jacobsz

The Baths of Diocletian, 1743 (engraving)
478371 The Baths of Diocletian, 1743 (engraving) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info)

A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing
449355 A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing (pen & brown ink with brown wash on paper) by Vrancx

Corner of St Jamess Back and Broadmead (pencil & w / c on paper)
2832294 Corner of St Jamess Back and Broadmead (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Cessna 320A Skyknight AP-AOJ (msn 320A-0046). First registered in the United States of America (USA) as N3046R. Registered in Pakistan as AP-AOJ for Government of West Pakistan, Pakistan

House under demolition
House partially demolished, showing interior layout. Date: circa 1960s

Plan and elevation of a Regency vicarage house. Floorplan shows dining parlor, dining rooms, study, kitchen, scullery, larder, closet, porch, hall and staircase

Interior of an inn in the Kingdom of Valencia, Spain, 1800s. Travellers eat and drink, chat and play music on guitar and lute while staff cook in the hearth at dinner time. Interno di un Albergo

View of the New Theatre Royal, Haymarket, in London, Opened July 4th 1821
STC88777 View of the New Theatre Royal, Haymarket, in London, Opened July 4th 1821, Showing also the Relative Situation of the Old Theatre Previous to its Demolition, engraved by Dale

Dancer with a Bouquet; La Danseuse au Bouquet, (oil on canvas)
656178 Dancer with a Bouquet; La Danseuse au Bouquet, (oil on canvas) by Degas, Edgar (1834-1917); 38.5x32.5 cm; Private Collection; (add.info.: Dancer with a Bouquet; La Danseuse au Bouquet)

A Study from Life, 1928 (oil on canvas)
1199619 A Study from Life, 1928 (oil on canvas) by Watson, George Spencer (1869-1934); 96.2x50.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Visitor, 1881 (oil on canvas)
827116 The Visitor, 1881 (oil on canvas) by Caraud, Joseph (1821-1905); 73.3x90.8 cm; Private Collection; (add.info.: The Visitor. Joseph Caraud (1821-1905). Oil on canvas. Painted in 1881

Sunset in Campagna; Abendstimmung in der Campagna (oil on canvas)
823394 Sunset in Campagna; Abendstimmung in der Campagna (oil on canvas) by Arnz, Albert (1832-1914); 94x134 cm; Private Collection; (add.info.: Sunset in Campagna; Abendstimmung in der Campagna)

Ariadne Abandoned by Theseus, (oil on canvas)
990305 Ariadne Abandoned by Theseus, (oil on canvas) by Kauffmann, Angelica (1741-1807); 71x89 cm; Private Collection; (add.info.: Ariadne Abandoned by Theseus. Angelica Kauffmann (1741-1807)

Margot, 1881 (oil on canvas)
988981 Margot, 1881 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); 60.6x49.5 cm; Private Collection; (add.info.: Margot. Henri de Toulouse-Lautrec (1864-1901). Oil on canvas

Easedale Cottage, 1882 (gouache and w / c on paper)
704580 Easedale Cottage, 1882 (gouache and w/c on paper) by Knowles, George Sheridan (1863-1931); Wordsworth Trust; (add.info.: Easedale near Grasmere, Ambleside)

Ruin by the Sea, 1881 (oil on canvas)
FFA178134 Ruin by the Sea, 1881 (oil on canvas) by Bocklin, Arnold (1827-1901); 120x78 cm; Private Collection; Swiss, out of copyright

Old Stuart houses at the south corner of Hosier
Old Stuart houses from the reign of King James I at the south corner of Hosier Lane, Smithfield, 1795. External specimen of the Plain Gable Style. Demolished 1809

South-east view of a Tudor house in Sweedon s
South-east view of an old 15th-century Tudor house in Sweedons Passage, Grub Street, 1791. Formerly inhabited by Sir Richard Whittington and Sir Thomas Gresham

North-east view of a Tudor house in Sweedon s
North-east view of an old 15th-century Tudor house in Sweedons Passage, Grub Street, 1791. Formerly inhabited by Sir Richard Whittington and Sir Thomas Gresham. Rebuilt 1805

Interior of the ruins of Leadenhall Chapel, 1812
Interior of the ruins of Leadenhall Chapel (Holy Trinity Chapel, Leadenhall Street). Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1814

View of an ancient tomb near San Vito. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc. London, 1814

Section through the Tomb of Cecilia Metella or the Capo di Bovi, Via Appia, outside Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc. London, 1814

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"Whispers of the Past: Exploring Derelict Beauty Across Europe and the UK" Amidst a picturesque field, bathed in dappled sunlight under the protective shade of an ancient oak tree, rests a rusting 1931 Ford pickup truck. Its weathered exterior tells tales of bygone eras, evoking nostalgia for simpler times. In Glasgow's bustling streets, a solitary boy stands against the backdrop of towering buildings. His presence seems to mirror that structures around him - both forgotten and overlooked by passersby. On Mahee Island's serene landscape, the Round Tower of Nendrum stands as a testament to history's endurance. Despite its dilapidated state, it remains steadfast against time's relentless march. T. E. Lawrence's House whispers secrets from its crumbling walls; once home to an enigmatic figure who left his mark on history. Now abandoned and neglected, it serves as a haunting reminder of past glory. The derelict West Pier in Brighton paints a melancholic picture against Sussex's coastal beauty. Its skeletal structure reaches out into the sea with silent longing for days when laughter echoed along its wooden planks. Castle Caldwell in Co. Fermanagh exudes an eerie charm amidst overgrown foliage and decaying stone walls. The echoes of battles fought long ago still resonate within these forsaken halls. Brighton’s West Pier emerges from darkness through a long exposure image capturing its ethereal essence at nightfall—a ghostly monument frozen in time against England’s southern shores. Snowdon reveals more than just majestic peaks; hidden within lies traces of Wales' industrial heritage—a derelict mine clinging onto mountainsides like remnants of forgotten dreams. Cwmorthin Quarry in Gwynedd unveils nature reclaiming what was once man-made—an enchanting juxtaposition where moss-covered ruins blend seamlessly with rugged Welsh landscapes. Rock Steady captures the spirit of rebellion through the lens of Ken Russell, showcasing the last of the Teddy Girls.