Devachandra Collection

Devachandra, an Indian creator from the 13th century, left behind a remarkable collection of Jain manuscripts that offer a glimpse into ancient traditions and stories

Jain Monk Holding a Flower Venerated by a Royal Follower, colophon page from a Story of the Religious Teacher Kalaka (Kalakacharya-katha, verso), 1279

Devachandra Collection: Leaf from a Jain Manuscript: Colophon page, Kalpa-sutra and The Story of Kalakacharya

Leaf from a Jain Manuscript: Colophon page, Kalpa-sutra and The Story of Kalakacharya of Devachandra: Monk Teaching Lay Disciple, late 1200s

Leaf from a Jain Manuscript: The Story of Kalakacharya of Devachandra: Text (recto), 1279

Leaf from a Jain Manuscript: Kalpa-sutra: The Monk Gautama, Enthroned (recto), 1279. The text on this rare, early manuscript page tells of the birth of Mahavira, but the painting is that of a monk

Leaf from a Jain Manuscript: Kalpa-sutra: Enthroned Monk (recto); Text (verso), 1279
Leaf from a Jain Manuscript: Kalpa-sutra: Enthroned Monk (recto); Leaf from a Jain Manuscript: Kalpa-sutra: Text (verso), 1279

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Devachandra, an Indian creator from the 13th century, left behind a remarkable collection of Jain manuscripts that offer a glimpse into ancient traditions and stories. One such manuscript features a captivating colophon page depicting a Jain monk holding a delicate flower, while being venerated by a loyal follower from the royal court. The intricate details of this artwork showcase Devachandra's skill in capturing both the serenity of the monk and the reverence bestowed upon him. Another leaf from Devachandra's manuscript reveals an enchanting story titled "The Story of Kalakacharya. " This particular page serves as the colophon, providing essential information about its creation. The text on this recto side transports us back to 1279 when these tales were cherished and passed down through generations. In another leaf, we find yet another colophon page featuring both "Kalpa-sutra" and "The Story of Kalakacharya. " These sacred texts hold immense significance in Jainism, offering guidance for spiritual seekers. Devachandra's meticulous attention to detail is evident here as well, with his precise brushstrokes bringing life to each character depicted. One intriguing aspect found within these manuscripts is how they seamlessly combine artistry with storytelling. On one leaf, we witness an enthroned monk named Gautama who commands respect and admiration. The verso side holds valuable textual insights that further enrich our understanding of Jain philosophy during that era. A particularly striking image shows a revered Jain monk holding a flower while being honored by someone from high society on yet another colophon page dating back to 1279. This portrayal highlights not only Devachandra's artistic prowess but also emphasizes the importance placed on spirituality within societal hierarchies during those times. Lastly, we encounter another fascinating leaf showcasing Brahmanshanti - part of "The Story of Kalakacharya" - which adds depth to our exploration into ancient narratives preserved through these precious manuscripts.