Devotion Collection (#10)

Sri Lanka - Colombo, Seema Malaka Temple on Beira Lake city landscape

Sri Lanka - Colombo, Seema Malaka Temple, centre of town, city landscape

Sri Lanka - Anuradhapura, Buddha Aukana Statue, UNESCO World Heritage Site

Procession at the Hermitage, 1861 by Eugenio Lucas Velazquez
Eugenio Lucas Velazquez (1817-1870). Spanish painter. Procession at the Hermitage, 1861. Lazaro Galdiano Museum. Madrid. Spain

Mother's Devotion by Alexander Rosell Date: 1902

The Lady of Montserrat by Alonso Cano (1601-1667)
Alonso Cano (1601-1667) and Workshop. The Lady of Montserrat. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Saint Luke Painting the Crucifixion, by Zurbaran
Francisco de Zurbaran (1598-1664). Spanish painter. Saint Luke Painting the Crucifixion. Prado Museum. Madrid. Spain. Date: circa 1650

WINIFRED MAXWELL, COUNTESS OF NITHSDALE Wife of William Maxwell, 5th Earl of Nithsdale, English Jacobite. She helped him to escape from the Tower. Date: ? - 1749

Adoration of the Shepherds, c. 1480-1500 (oil on wood)
XOS5887422 Adoration of the Shepherds, c. 1480-1500 (oil on wood) by Italian School, (15th century); 36x34.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Italy, 15th century)

Adoration of the Shepherds, c. 1500 (oil on wood)
XOS5887421 Adoration of the Shepherds, c. 1500 (oil on wood) by Italian school, (15th-16th century); 63x51 cm; Cleveland Museum of Art, OH, USA; (add.info.: Northern Italy)

The Adoration of the Lamb, 1498 (engraving)
7415643 The Adoration of the Lamb, 1498 (engraving) by Durer or Duerer, Albrecht (1471-1528); Bibliotheque Nationale, Paris

The Penitent Magdalene (oil)
7414860 The Penitent Magdalene (oil) by Trevisani, Francesco (1656-1746); 70.8 x 65.7 cm; Private Collection; (add.info.: By Francesco Trevisani); Photo © Christie's Images

Buddhist chaitya, mid-10th century AD (sandstone)
7394152 Buddhist chaitya, mid-10th century AD (sandstone) by Cambodian, (10th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: sandstone, Material: sandstone)

Om mantra containing figures of deities, 19th century (gouache with gold on paper)
7394110 Om mantra containing figures of deities, 19th century (gouache with gold on paper) by Pakistani School, (19th Century); 40.4x27.7 cm; Ashmolean Museum, University of Oxford

Seated Ganesha with attendants, late 19th-early 20th century (gouache on paper)
7394120 Seated Ganesha with attendants, late 19th-early 20th century (gouache on paper) by West Indian School, (19th century); 17.8x12.7 cm; Ashmolean Museum, University of Oxford

Krishna Kaliyamardaka, late 19th-early 20th century (gouache on paper)
7394119 Krishna Kaliyamardaka, late 19th-early 20th century (gouache on paper) by West Indian School, (19th century); 17.8x12.7 cm; Ashmolean Museum, University of Oxford

Buzzard going for a catch
Gert J ter Horst

Camaldolese Monks in Ecstatic Prayer (oil on canvas)
3470217 Camaldolese Monks in Ecstatic Prayer (oil on canvas) by Magnasco, Alessandro (1667-1749) (studio of); 53.6x43.9 cm; Museum voor Schone Kunsten, Ghent

French soldier refusing to let go of the flag despite his wounds, World War I, 1915 (colour litho)
6000327 French soldier refusing to let go of the flag despite his wounds, World War I, 1915 (colour litho) by Damblans, Eugene (1865-1945); Private Collection; (add.info)

Prayer
Subhadip Ghosh

Page of an article on Kisses and Kissers from The Royal Magazine, 1902 (b / w photo)
5998081 Page of an article on Kisses and Kissers from The Royal Magazine, 1902 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

A group of faithful converts, detail from the Altarpiece of St. Quirze and St. Julita, 15th century (tempera on panel)
IND113058 A group of faithful converts, detail from the Altarpiece of St. Quirze and St. Julita, 15th century (tempera on panel) by Garcia de Benabarre

Lord and vassal, from Liber Feodorum Major (vellum)
IND113088 Lord and vassal, from Liber Feodorum Major (vellum) by Spanish School (7th century); Archivo de la Corona de Aragon, Barcelona, Spain; Index Fototeca

Capital with a relief depicting the Sacrifice of Abraham (stone)
XIR171502 Capital with a relief depicting the Sacrifice of Abraham (stone) by French School, (12th century); Musee Ochier, Cluny, France

The Three Angels, detail of The Hospitality of Abraham and the Sacrifice of Isaac, 6th century (mosaic) (see 154709)
XIR322556 The Three Angels, detail of The Hospitality of Abraham and the Sacrifice of Isaac, 6th century (mosaic) (see 154709) by Byzantine School, (6th century); San Vitale, Ravenna, Italy

Christ on the Cross Between Mary and Saint John, 1460 / 70. Creator: Unknown
Christ on the Cross Between Mary and Saint John, 1460/70

Entrance of Louis XIV (1638-1715) into the Cathedral of Saint-Omer, 1839 (oil on canvas)
XIR168152 Entrance of Louis XIV (1638-1715) into the Cathedral of Saint-Omer, 1839 (oil on canvas) by Cuvelier, Hippolyte Joseph (1803-76); 214x162 cm; Musee de l Hotel Sandelin, Saint-Omer

Gilt and enamel reliquary with emblems of the Four Evangelists, 1554 (oil on oak) (detail of 23361)
SOA344080 Gilt and enamel reliquary with emblems of the Four Evangelists, 1554 (oil on oak) (detail of 23361) by Eworth or Ewoutsz, Hans (fl.1520-74); Society of Antiquaries of London

Madonna Odigitria (Virgin and Child), also called Madonna Bruna, mid-13th century
6166408 Madonna Odigitria (Virgin and Child), also called Madonna Bruna, mid-13th century by Italian School, (13th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily

The Pale Complexion of True Love
WH48201 The Pale Complexion of True Love by Fortescue-Brickdale, Eleanor (1871-1945); Private Collection; Photo © Whitford & Hughes, London, UK

Female saint praying by the body of a dead man (fine pen & brown ink with brown wash and heightening)
CTS404688 Female saint praying by the body of a dead man (fine pen & brown ink with brown wash and heightening) by Procaccini, Camillo (c.1560-1629); 19.5x11.8 cm; The Devonshire Collections

The White Monk
RAF86508 The White Monk by Wilson, Richard (1713/14-82); 57x72.5 cm; Private Collection; Photo © Rafael Valls Gallery, London, UK

Genoa, Duomo (St Lawrence Cathedral): "St Gotthard between St Paul and St James and two kneeling devotees"
6372204 Genoa, Duomo (St Lawrence Cathedral): " St Gotthard between St Paul and St James and two kneeling devotees" (1571)

Mother and Daughter in front of a Smal Temple (oil on canvas)
5894117 Mother and Daughter in front of a Smal Temple (oil on canvas) by Muzzioli, Giovanni (1854-94); Assicoop-Unipol Collection, Modena, Emilia Romagna

Crucifixion, illustration from the Missal of Master Pancratino, c. 1430 (vellum)
REV415703 Crucifixion, illustration from the Missal of Master Pancratino, c. 1430 (vellum) by Italian School, (15th century); Abbazia di Novacella (Neustift), Bressanone

King penguins hugging each other with their necks, mating ritual, South Georgia Island, Antarctica
Close-up of two king penguins (Aptenodytes patagonicus) entwined together and hugging each other with their necks in mating ritual; South Georgia Island, Antarctica

As Pines the Dove Its Mate to See (valentine), c. 1850. Creator: George Kershaw
As Pines the Dove Its Mate to See (valentine), c. 1850

Dearest, May My Love for Thee be Equaled by Thy Truth to Me (valentine), n. d
Dearest, May My Love for Thee be Equaled by Thy Truth to Me (valentine), n.d

Gift of Friendship (valentine), n. d. Creator: George Kershaw
Gift of Friendship (valentine), n.d

I Tell You Sincerely (Valentine), c. 1840. Creator: George Kershaw
I Tell You Sincerely (Valentine), c. 1840

My Life I Dedicate to Thee (Valentine), c. 1840. Creator: George Meek
My Life I Dedicate to Thee (Valentine), c. 1840

I am Thine Only Thine (valentine), c. 1840. Creator: George Meek
I am Thine Only Thine (valentine), c. 1840

Constant to Thee (valentine), 1850 / 59. Creator: George Meek
Constant to Thee (valentine), 1850/59

Palkhi Festival
SHREENIVAS YENNI

Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne... c
Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne Before Two Widows (verso), Limoges, c. 1530-c. 1540

Nicho, c. 1937. Creator: Marjery Parish
Nicho, c. 1937

Retablo - The Holy Family, c. 1938. Creator: George E. Rhone
Retablo - The Holy Family, c. 1938

Santo Bulto, 1939. Creator: George E. Rhone
Santo Bulto, 1939

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"Devotion: A Tapestry of Faith and Love" In the masterpiece "The Return of the Prodigal Son, " Rembrandt captures the essence as a father's unwavering love embraces his wayward child. "The New Jerusalem" painting from 1900 portrays devotion in its purest form, illustrating humanity's yearning for spiritual enlightenment and eternal salvation. Titian's "Noli Me Tangere" depicts Mary Magdalene's profound devotion to Jesus Christ, exemplifying her unyielding faith even in the face of adversity. Standing tall on Lantau Island, Hong Kong, the majestic Big Buddha statue symbolizes millions' devoted reverence towards Buddhism and their quest for inner peace. The Taj Mahal stands as an architectural marvel born out of Shah Jahan's undying devotion to his beloved wife Mumtaz Mahal, immortalizing their love through this breathtaking monument. Graham Moffatt's poignant artwork "A Scrape of the Pen" reveals how words penned with utmost dedication can shape destinies and ignite revolutions that change lives forever. Emma de Burgh, known as the tattooed lady from 1897, challenges societal norms by showcasing her body art with pride—a testament to self-expression fueled by unwavering devotion to one's individuality. A line of leaf-cutter ants meticulously carrying leaves in perfect harmony demonstrates nature’s incredible loyalty and collective commitment towards nurturing their colony’s survival. Michelangelo Caravaggio’s "The Laying in the Tomb" evokes deep emotions through its portrayal of mourners' profound grief at losing someone dear—an embodiment of human devotion even amidst sorrowful farewells. Peter Paul Rubens' masterpiece "Le Coup de Lance" showcases Saint Longinus’ unwavering loyalty as he pierces Christ’s side—a powerful representation of sacrifice driven by devout conviction.