Dieric Collection

Portrait of a Man, ca. 1470. Creator: Dieric Bouts
Portrait of a Man, ca. 1470

Virgin and Child, 1475-99. Creator: Workshop of Dieric Bouts (Netherlandish, Haarlem
Virgin and Child, 1475-99

Virgin and Child, ca. 1455-60. Creator: Dieric Bouts
Virgin and Child, ca. 1455-60

Saint Christopher and the Infant Christ, After 1485. Creator: Unknown
Saint Christopher and the Infant Christ, After 1485

A Donor Presented by a Saint, ca. 1460-65. Creator: Circle of Dieric Bouts (Netherlandish, ca)
A Donor Presented by a Saint, ca. 1460-65

The Mourning Virgin; The Man of Sorrows. Creator: Posthumous Workshop Copy after Dieric Bouts
The Mourning Virgin; The Man of Sorrows. (ca. 1525)

The Virgin and Child with Saints and Donors (The Donne Triptych), c1478 (1927). Artist: Dirck Bouts
The Virgin and Child with Saints and Donors (The Donne Triptych), c1478 (1927). Found in the collection of the National Gallery, London

The Madonna and Child, (1927). Artist: Dirck Bouts
The Madonna and Child, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Dieric Bouts (1415 A?i? 1475) was an Early Netherlandish painter. Ecce agnus Dei. 1462-64. John the Baptist directing the attention of a devotee to Christ. Alte Pinakothek. Munich. Germany

Christ in the House of Simon, 1440 s. Artist: Dieric Bouts
Christ in the House of Simon, 1440 s. Located in the collection at, Staatliche Museum, Berlin

The Virgin and Child with Saints, 1460 s. Artist: Dieric Bouts
The Virgin and Child with Saints, 1460 s. Saint Peter and Saint Paul with the Virgin and Christ as a child, National Gallery, London

Virgin and Child, 15th Century. Artist: Dieric Bouts
Virgin and Child, 15th Century. Located in the collection at, Metropolitan Museum of Art, New York

Mary and Child, c1465. Artist: Dieric Bouts
Mary and Child, c1465. Located in the collection at, National Gallery, London

The Annunciation, 1465-1470. Artist: Dieric Bouts
The Annunciation, 1465-1470. Light heralds the Saviour, the dove signals the presence of the Holy Spirit, Museu Calouste Gulbenkian, Portugal

The Entombment, 1450s. Artist: Dieric Bouts
The Entombment, 1450s. Christs body is being lowered into the tomb. The group includes the Virgin Mary, holding Christs wrist, and the other three Marys who were present at the Crucifixion

BOUTS: MADONNA & CHILD. Oil on wood, c1465, by Dirck Bouts

MATER DOLOROSA. Mater Dolorosa (Sorrowing Virgin). Oil on wood, workshop of Dieric Bouts, c1490

Oil on wood in the style of Dieric Bouts. RESTRICTED OUTSIDE US
CHRIST IN CROWN OF THORNS. Oil on wood in the style of Dieric Bouts. RESTRICTED OUTSIDE US

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Dieric Bouts (1415-1475) was a renowned Early Netherlandish painter known for his exquisite works of art. His talent and skill are evident in the various masterpieces he created throughout his career. One such masterpiece is the "Portrait of a Man" painted around 1470. In this painting, Bouts captures the essence and character of the subject with remarkable precision, showcasing his ability to bring life to his subjects on canvas. Another notable work attributed to Bouts is the "Virgin and Child" from 1475-99. This piece, believed to be created by his workshop, displays Bouts' signature style characterized by delicate brushwork and attention to detail. The tender depiction of Mary and Jesus evokes a sense of serenity and devotion. In addition, there is another "Virgin and Child" painting dating back to approximately 1455-60 that bears Dieric Bouts' unmistakable touch. The artist's use of light and shadow creates depth in this composition while emphasizing the bond between mother and child. Bouts' influence can also be seen in works like "Saint Christopher and the Infant Christ, " although its creator remains unknown. This piece reflects Bouts' emphasis on storytelling through art as it portrays Saint Christopher carrying baby Jesus across a river—an iconic scene symbolizing faith. "A Donor Presented by a Saint, " believed to be from around 1460-65, showcases elements reminiscent of Bouts' style but was likely executed by an artist within his circle or workshop. Nevertheless, it still exudes elegance through its meticulous details. The posthumous workshop copy after Dieric Bouts titled "The Mourning Virgin; The Man of Sorrows" demonstrates how influential he remained even after his passing. Artists sought inspiration from him long after he was gone due to his exceptional technique in capturing emotions on canvas. "The Donne Triptych, " completed circa 1478, is another testament to Bouts' talent.