Dodgson Collection (#3)

CARROLL: ALICE, 1865. You are old, Father William (Advice from a caterpillar). Illustration by Sir John Tenniel to the first edition of Lewis Carrolls Alices Adventures in Wonderland, 1865

CARROLL: ALICE, 1865. The Queen of Hearts gardeners painting the rose-tree. Illustration by Sir John Tenniel from the first edition of Lewis Carrolls Alices Adventures in Wonderland, 1865

ALICE IN WONDERLAND, 1865. The trial of the Knave of Hearts. Illustration by John Tenniel for the first edition of Lewis Carrolls Alices Adventures in Wonderland, 1865

Alice and the Red Queen: after the design by Sir John Tenniel for the first edition, 1872
DODGSON: LOOKING GLASS. Alice and the Red Queen: after the design by Sir John Tenniel for the first edition, 1872, of Lewis Carrolls " Through the Looking Glass."

The Walrus and the Carpenter wept like anything to see such quantities of sand
DODGSON: LOOKING GLASS. The Walrus and the Carpenter " wept like anything to see such quantities of sand" : after the design by Sir John Tenniel for the first edition of Lewis Carrolls

CARROLL: WHITE RABBIT 1865. The White Rabbit observing that he shall be too late: colored wood engraving after the design by Sir John Tenniel for the first edition, 1865

A Hawking Party Setting Out, 19th century, (1935). Artist: George Haydock Dodgson
A Hawking Party Setting Out, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Dororthea, c1855, (1935). Artist: George Haydock Dodgson
Dororthea, c1855, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Moonlight: the Terrace, Haddon Hall, 1873, (1935). Artist: George Haydock Dodgson
Moonlight: the Terrace, Haddon Hall, 1873, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Campbell Dodgson, Keeper of Prints and Drawings, British Museum, 1912-32, 1932. Artist: Randolph Schwabe
Campbell Dodgson, Keeper of Prints and Drawings, British Museum, 1912-32, 1932

Dorothea, c1855. Artist: George Haydock Dodgson
Dorothea, c1855. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]

Victor Hugo, c1860-1910 (1924). Artist: Auguste Rodin
Victor Hugo, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Nude, c1860-1910 (1924). Artist: Pierre-Auguste Renoir
Nude, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

L Amour Conduisant le Monde, c1860-1910 (1924). Artist: Auguste Rodin
L Amour Conduisant le Monde, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Sur la Scene, c1850-1910 (1924). Artist: Edgar Degas
Sur la Scene, c1850-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Sciapode, c1860-1910 (1924). Artist: Odilon Redon
Sciapode, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

La Fille-mere, c1870-1930 (1924). Artist: Jean Louis Forain
La Fille-mere, c1870-1930 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Marche aux Pommes, c1870-1910 (1924). Artist: Auguste Lepere
Marche aux Pommes, c1870-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Rough sketch, c1870-1905 (1924). Artist: Eugene Carriere
Rough sketch, c1870-1905 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

La Liseuse, c1870-1930 (1924). Artist: Paul Albert Besnard
La Liseuse, c1870-1930 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Dans les Cendres, c1870-1930 (1924). Artist: Paul Albert Besnard
Dans les Cendres, c1870-1930 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Ancien Moulin, c1840-1880 (1924). Artist: Henri Deville
Ancien Moulin, c1840-1880 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Drury Lane, c1860-1920 (1924). Artist: Paul Charles Renouard
Drury Lane, c1860-1920 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

2nd August, c1840-1900 (1924). Artist: Theophile Steinlen
2nd August, c1840-1900 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Chanteurs de Rue, c1800-1840 (1924). Artist: Theophile Steinlen
Chanteurs de Rue, c1800-1840 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

L Imploration a la Grotte, c1870-1930 (1924). Artist: Jean Louis Forain
L Imploration a la Grotte, c1870-1930 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

CHARLES L. DODGSON, aka. Lewis Carroll (1832-1898). English mathematician and writer. Oil over a photograph, c1856

CARROLL: ALICE, 1865. The Lobster declares, You have baked me too brown, I must sugar my hair. After the design by Sir John Tenniel for the first edition of Lewis Carrolls Alices Adventures in

CARROLL: LOOKING GLASS. Humpty Dumpty offers Alice his hand. Wood engraving after John Tenniel for the first edition of Lewis Carrolls Through the Looking Glass, 1872

CARROLL: LOOKING GLASS. The Jabberwock. Wood engraving after Sir John Tenniel for the first edition of Lewis Carrolls Through the Looking Glass, 1872

CARROLL: ALICE, 1865. Alice kicks Bill up the chimney: after the design by Sir John Tenniel for the first edition of Lewis Carrolls Alices Adventures in Wonderland

CARROLL: ALICE, 1865. After growing large, Alice reaches for the Rabbit. After the design by Sir John Tenniel for the first edition of Lewis Carrolls Alices Adventures in Wonderland

Source Size = 2453 x 1691
The Gipsys Home, by G. Dodgson

ALEXANDRA KITCHIN (1864-1925). Rosy Dreams and Slumbers Light. Alexandra Xie Rhoda Kitchin, a favorite model of Charles Lutwidge Dodgson, also known as Lewis Carroll, who created the photograph

DODGSON FAMILY. Six of the sisters of Charles Lutwidge Dodgson ( Lewis Carroll ) and his brother Edwin. Photographed in the drawing-room of the Croft Rectory, England, by Charles Dodgson

CARROLL: ALICE, 1865. The Lobster declares, You have baked me too brown, I must sugar my hair. Illustration by Sir John Tenniel for the first edition of Lewis Carrolls Alices Adventures in

CHARLES LUTWIDGE DODGSON (1832-1898). Lewis Carroll : English mathematician and writer. Autograph signature

LEWIS CARROLL (1832-1898). Real name Charles Ludwidge Dodgson: oil over a photograph, 1863

CHARLES L. DODGSON, aka. Lewis Caroll (1832-1898). English mathematician and writer. Drawing by Harry Furniss

CARROLL: ALICE. Alice falling down the rabbit hole. Drawing, 1929, by Willy Pogany for Lewis Carrolls Alices Adventures in Wonderland

CARROLL: LOOKING GLASS. Queen Alice with the White Queen and Red Queen sitting close to her. Illustration by John Tenniel from the first edition of Through the Looking Glass, 1872

CARROLL: LOOKING GLASS. Alice thought that in all her life she had never seen soldiers so uncertain on their feet: for they were always tripping over something or other

CARROLL: LOOKING GLASS. The creatures from the poem, Jabberwocky, as they were described to Alice by Humpty Dumpty. Illustration by John Tenniel from the first edition of Lewis Carrolls Alice in

CARROLL: LOOKING GLASS. Alice in the Garden of Live Flowers. Illustration by Sir John Tenniel from the first edition of Through the Looking Glass, 1872

CARROLL: LOOKING GLASS. The Rocking-horse-fly, one of the glass insects discovered by Alice. Illustration by John Tenniel from the first edition of Lewis Carrolls Through the Looking Glass, 1872

ALICE IN WONDERLAND, 1865. Father William turning a backsomersault. Illustration by Sir John Tenniel from the first edition of Lewis Carrolls Alices Adventures in Wonderland, 1865

ALICE IN WONDERLAND, 1865. You are old, Father William (Advice from a Caterpillar). Illustration by John Tenniel from the first edition of Alices Adventures in Wonderland, 1865

CARROLL: ALICE, 1865. Alice with the Dutchesss baby. Illustration by John Tenniel from the first edition of Alices Adventures in Wonderland, 1865

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"Dodgson: The Enigmatic Mind Behind Alice in Wonderland" Step into the whimsical world of Dodgson, better known as Lewis Carroll, the mastermind behind one of literature's most beloved tales. In 1865, he introduced us to "Alice's Adventures in Wonderland, " enchanting readers with a captivating narrative that defied logic and embraced imagination. Accompanied by the iconic illustrations of John Tenniel, Dodgson transported us to a realm where talking animals and peculiar characters roamed freely. Who could forget the mischievous Cheshire Cat, its grin lingering long after it vanished? Tenniel's portrayal perfectly captured this enigmatic creature that guided Alice through her extraordinary journey. Dodgson continued his fantastical tale with "Alice's Mad-Tea Party, " inviting us to join Alice as she encountered the eccentric March Hare, Hatter, and Dormouse. Their chaotic tea party became an emblematic scene filled with riddles and absurdity. Tenniel's wood engraving brought these characters to life, forever etching their madness into our minds. But Dodgson didn't stop there; he beckoned us further through the looking glass. With "Looking Glass, " we witnessed Alice stepping into another dimension full of wonderment and perplexity. The ticket-taker on the train inspected her arrival with opera glasses while she embarked on yet another extraordinary adventure. Beyond his literary prowess, Dodgson was also Charles Lutwidge Dodgson - a multifaceted individual who dabbled in photography and mathematics. His photographic skills were evident in his self-portrait taken around 1856 – a glimpse into the face behind Carroll. Dodgson's influence extended beyond literature; even artists like George Haydock Dodgson found inspiration from his creations. In "A Summer Night: The Terrace, " we catch a glimpse of Haddon Hall bathed in moonlight – perhaps a setting that could have sprung from the pages of Dodgson's imagination.