Domestic Interior Collection (#2)

An Eastern Interior, 19th century (w / c)
6198801 An Eastern Interior, 19th century (w/c) by Lewis, John Frederick (1804-76); 28.6x40 cm; The McManus, Dundee, UK; (add.info)

Chambre de Jeune Fille, 1925 (colour litho)
STC373444 Chambre de Jeune Fille, 1925 (colour litho) by Ruhlmann, Emile-Jacques (1879-1933); Private Collection; (add.info.: A young girls bedroom; ); The Stapleton Collection; French

Portrait of a woman with two children in a domestic interior, c. 1815 (oil on board)
695557 Portrait of a woman with two children in a domestic interior, c.1815 (oil on board) by Chalon, Alfred-Edward (1780-1860); The Geffrye Museum of the Home, London, UK; eGeffrye Museum; Swiss

Royalists seeking refuge in the house of a Puritan, engraved by J. D
STC418712 Royalists seeking refuge in the house of a Puritan, engraved by J.D. Cooper (coloured engraving) by Stone, Marcus (1840-1921) (after); Private Collection; The Stapleton Collection; British

Salon, illustration from Interieurs by Leon Moussinac, pub
STC469211 Salon, illustration from Interieurs by Leon Moussinac, pub. Albert Levy, 1924-26 (colour litho) by Ruhlmann, Emile-Jacques (1879-1933); Private Collection; The Stapleton Collection; French

The "Please, mother, will you tell me a story?"peril
STC398798 The " Please, mother, will you tell me a story?" peril, illustration from Pont: An Account of the Life and Work of the great Punch artist (litho) by Pont (Graham Laidler) (1908-40)

Absence of ideas for meals, illustration from Pont
STC398789 Absence of ideas for meals, illustration from Pont: An Account of the Life and Work of the great Punch artist (litho) by Pont (Graham Laidler) (1908-40)

The Fencing Lesson, 1893 (w / c on paper)
XPG382086 The Fencing Lesson, 1893 (w/c on paper) by Evans, Frederick James McNamara (fl.1886-1930); Private Collection; English, out of copyright

By the Fire (oil on canvas)
XPG382078 By the Fire (oil on canvas) by Enjolras, Delphin (1857-1945); Private Collection; French, out of copyright

Faster and slower, illustration from Emblemata of Zinne-werk
740194 Faster and slower, illustration from Emblemata of Zinne-werk by Johannes de Brune (1589-1658), Jan Jacobs Schipper, Amsterdam, 1661 (engraving) by Venne

Think, illustration from Emblemata of Zinne-werk
740198 Think, illustration from Emblemata of Zinne-werk by Johannes de Brune (1589-1658), Jan Jacobs Schipper, Amsterdam, 1661 (engraving) by Venne

Tableau, representing further improvements to Mr. Briggs
781114 Tableau, representing further improvements to Mr. Briggss house - destruction of the wall which separates the parlour from the passage, illustration from Punch (litho) by English School

The Noisy Burglar, or the Cat and the Milk-jug (litho)
779967 The Noisy Burglar, or the Cat and the Milk-jug (litho) by Leech, John (1817-64); Private Collection; The Stapleton Collection; English, out of copyright

Geordie Haa d the Bairn, 1890 (oil on canvas)
TW427304 Geordie Haa d the Bairn, 1890 (oil on canvas) by Hedley, Ralph (1848-1913); 77.5x62.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

A Lesson in Chess, 1931-c. 1933 (oil on canvas)
TW427280 A Lesson in Chess, 1931-c.1933 (oil on canvas) by Mainds, Allan Douglass (1881-1945); 145.2x144.8 cm; Laing Art Gallery, Newcastle-upon-Tyne

Chinese Ladies Looking at European Curiosities, 1868 (oil on canvas)
TW426894 Chinese Ladies Looking at European Curiosities, 1868 (oil on canvas) by Hodgson, John Evan (1831-95); 70.8x91.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

The Sick Boy, c. 1857 (oil on canvas)
TW429382 The Sick Boy, c.1857 (oil on canvas) by Clark, Joseph (1834-1926); 67.3x50.8 cm; Sunderland Museum & Winter Gardens, Tyne & Wear

John Anderson my Jo, John, 1877 (oil on canvas)
TW429325 John Anderson my Jo, John, 1877 (oil on canvas) by Stokeld, James (1827-77); 71.1x91.5 cm; Sunderland Museum & Winter Gardens, Tyne & Wear

A. B. C. 1887 (oil on canvas)
TW427240 A.B.C. 1887 (oil on canvas) by Hedley, Ralph (1848-1913); 127x101.8 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: The child in this scene is looking at Old Aunt Elspas A.B.C)

Kept In, 1908 (oil on panel)
TW427137 Kept In, 1908 (oil on panel) by Hedley, Ralph (1848-1913); 41 x 32.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

The Moneylender (oil on panel)
TW427038 The Moneylender (oil on panel) by Lomax, John Arthur (1857-1923); 30x45.6 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

The Stolen Kiss (oil on canvas)
TW426727 The Stolen Kiss (oil on canvas) by Kidd, William (1796-1863); 43.5x53.7 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

The Welcome News, engraved by L. Marin, pub. By Vivares, London, c
STC444550 The Welcome News, engraved by L. Marin, pub. By Vivares, London, c.1770-80 (coloured engraving) by Le Prince, Jean-Baptiste (1734-81); Private Collection; (add.info)

Cromwell and Milton (litho)
STC415946 Cromwell and Milton (litho) by English School, (19th century); Private Collection; (add.info.: Oliver Cromwell (1599-1658) and John Milton (1608-1674); ); The Stapleton Collection; English

Illustration of Housewife, 1886
1574565 Illustration of Housewife, 1886 by Edwards, Mary Ellen (1838-1934); (add.info.: Housewife washing and drying the dishes)

An old inn kitchen, Coniston, from a portfolio of prints from the original watercolours
STC363537 An old inn kitchen, Coniston, from a portfolio of prints from the original watercolours, c.1920 (colour litho) by Cooper

The Scullery Maid, 1738 (oil on canvas)
HNT151897 The Scullery Maid, 1738 (oil on canvas) by Chardin, Jean-Baptiste Simeon (1699-1779); The Hunterian, University of Glasgow

The Childrens Parlour (oil on canvas)
XKH146784 The Childrens Parlour (oil on canvas) by Friedrichs, Fritz (1882-1928); 120x134 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Mrs. Martha J. Lamb, 1878 (oil on millboard)
NYH154210 Mrs. Martha J. Lamb, 1878 (oil on millboard) by Fassett, Cornelia Adele Strong (1831-98); 38.7x61.6 cm; Collection of the New-York Historical Society

The Dismayed Artist, 1866 (oil on canvas)
WAG5302 The Dismayed Artist, 1866 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 45.8 x 61.3 cm; Wolverhampton Art Gallery, West Midlands, UK; (add.info.: artist and his brother)

The Naughty Boy, 1867 (oil on canvas)
WAG13347 The Naughty Boy, 1867 (oil on canvas) by O Neill, George Bernard (1828-1917); 46.3 x 38.7 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; British

The Crepes (oil on panel)
XMN32145 The Crepes (oil on panel) by Victors (Victoors), Jan (1620-76); 40x54 cm; Musee de Picardie, Amiens, France; eMusee de Picardie, Amiens; Dutch, out of copyright

Japanese print c. 1870 showing European visitors to Japan (colour woodblock print)
PNP364565 Japanese print c.1870 showing European visitors to Japan (colour woodblock print) by Japanese School, (19th century); Private Collection; Peter Newark Pictures; Japanese, out of copyright

The attack, 1834 (w / c on paper)
STC400541 The attack, 1834 (w/c on paper) by Hunt, William Henry (1790-1864); Private Collection; (add.info.: Little boy eating a pie; ); The Stapleton Collection; English, out of copyright

Half-an-hours rest after meals, illustration from Pont
STC398799 Half-an-hours rest after meals, illustration from Pont: An Account of the Life and Work of the great Punch artist (litho) by Pont (Graham Laidler) (1908-40)

A tendency to leave the washing-up till later, illustration from Pont
STC398793 A tendency to leave the washing-up till later, illustration from Pont: An Account of the Life and Work of the great Punch artist (litho) by Pont (Graham Laidler) (1908-40)

Domestic Interior with a mother and child seated at a piano, c. 1860 (oil on canvas)
695564 Domestic Interior with a mother and child seated at a piano, c.1860 (oil on canvas) by Cope, Charles West (1811-90) (attr)

Bargaining (The Christmas Turkey) c. 1858 (oil on canvas)
NYH149734 Bargaining (The Christmas Turkey) c.1858 (oil on canvas) by Edmonds, Francis William (1806-63); 41.9x59.3 cm; Collection of the New-York Historical Society

The New Puppies, 1861 (w / c on paper)
MIG170038 The New Puppies, 1861 (w/c on paper) by Hardy, David (1837-70); 25.4x24.1 cm; Private Collection; Manya Igel Fine Arts Ltd.; English, out of copyright

The Visit
BAL13403 The Visit by Clausen, George (1852-1944); Private Collection; English, out of copyright

Preparing for dinner, 1854 (panel)
WAG13353 Preparing for dinner, 1854 (panel) by Hardy, Frederick Daniel (1826-1911); Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

The Happy Family (panel)
WAG13326 The Happy Family (panel) by Dargelas, Andre Henri (1828-1906); Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; French, out of copyright

The Striped Drawing Room, Apsley House, 1853 (print)
STC61984 The Striped Drawing Room, Apsley House, 1853 (print) by Boys, Thomas Shotter (1803-74); Private Collection; The Stapleton Collection; English, out of copyright

Marianne Nicholson reading to Florence Nightingale in the drawing room at Embley
FNM325782 Marianne Nicholson reading to Florence Nightingale in the drawing room at Embley (pencil & wash on paper) by Nightingale (Lady Verney), Parthenope (1819-90); Florence Nightingale Museum

Woman with a Guitar, c. 1870 (oil on panel)
CLK339882 Woman with a Guitar, c.1870 (oil on panel) by Madrazo y Garreta, Raimundo de (1841-1920); 30.2x17.8 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; Spanish

Confidences, c. 1870 (oil on canvas)
CLK339880 Confidences, c.1870 (oil on canvas) by Madrazo y Garreta, Raimundo de (1841-1920); 92x73 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; Spanish

The Dressmakers (oil on panel)
STC444545 The Dressmakers (oil on panel) by Trayer, Jules (1824-1908); Victoria & Albert Museum, London, UK; The Stapleton Collection; French, out of copyright

Lay of The Last Minstrel, 1890 (oil on canvas)
TW426731 Lay of The Last Minstrel, 1890 (oil on canvas) by Hedley, Ralph (1848-1913); 102.5x123.6 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; English

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"Exploring the Domestic Interior: A Glimpse into Family Life through Art and Imagery" Step back in time to 1911 with "Family Worship, from the Pears Annual, " where a harmonious scene unfolds as a family gathers for their daily devotionals. The warmth of togetherness fills the air, creating an atmosphere of love and spirituality. In contrast, "The Laundress" transports us to a bustling interior where hard work takes center stage. With sleeves rolled up and determination etched on her face, this woman's labor symbolizes the dedication and resilience found within domestic spaces. Traveling further back in history, we encounter an intriguing glimpse into the lives of coal miners through "Interior of a Coal-Miners Hut. " This engraving by Godefroy Engelmann showcases humble living conditions while shedding light on the struggles faced by these individuals and their families. Shifting our focus to education, "Learning to read" captures a pivotal moment in a child's life. As they immerse themselves in books scattered across the floor in "Boy lying on the floor reading, " we witness their thirst for knowledge being nurtured within their own sanctuary. Artistry takes center stage with "A Lady in Black, " an oil painting that exudes elegance amidst its domestic setting. The interplay between light and shadow creates an aura of mystery as this enigmatic figure captivates viewers' imaginations. Dinner time becomes an occasion for connection and camaraderie in William Powell Frith's masterpiece, "Coming Down to Dinner. " Through meticulous brushstrokes, he immortalizes familial bonds forged around shared meals—a testament to how interiors can foster unity. Moving beyond traditional depictions is Edgar Degas' captivating portrayal titled "On the Staircase. " Here, he invites us into intimate moments unfolding within private realms—the staircase serving as both literal and metaphorical thresholds connecting different aspects of domesticity. Mothers, the heart of any home, are celebrated in "Mother.