Dorothea Collection (#2)

Dorothea and Francesca, 1898 (oil on canvas)
2968506 Dorothea and Francesca, 1898 (oil on canvas) by Beaux, Cecilia (1855-1942); 230.5x116.8 cm; The Art Institute of Chicago, IL, USA; A. A. Munger Collection; American, out of copyright

Don Quixote and Dorothea (engraving)
969748 Don Quixote and Dorothea (engraving) by Gilbert, John (1817-97) (after); Private Collection; (add.info.: Don Quixote and Dorothea)

The Romp, January 3, 1786. Creator: R Rushworth
The Romp, January 3, 1786

Manuscript Leaf with a female saint (possibly Dorothy) in an Initial G, from a Gradual, Italian, ca. 1330-40

H B Irving and Dorothea Baird as Charles I and his Queen
H B Irving and Dorothea Baird as Charles I and Queen Henrietta Maria, in Charles I, Prince of Wales Theatre, Birmingham. circa 1910s

Manuscript Leaf wtih Saint Dorothy, from a Book of Hours, ca. 1500. Creator: Unknown
Manuscript Leaf wtih Saint Dorothy, from a Book of Hours, ca. 1500

Charlotte von Stein, (1933). Creator: Unknown
Charlotte von Stein, (1933). Portrait of Charlotte von Stein (1742-1827), lady-in-waiting at the court in Weimar and a close friend to Friedrich Schiller and Johann Wolfgang von Goethe

Portrait of Princess Dorothea of Denmark (1520-1580), ca 1530. Artist: Gossaert, Jan (ca. 1478-1532)
Portrait of Princess Dorothea of Denmark (1520-1580), ca 1530. Found in the collection of the National Gallery, London

Dororthea, c1855, (1935). Artist: George Haydock Dodgson
Dororthea, c1855, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Leeuwenhof, 1931. Artist: Arthur Elliot
Leeuwenhof, 1931. Leeuwenhof is an estate in the Gardens area of Cape Town, South Africa. It is the official residence of the Premier of the Western Cape

Mrs. Jordan in the Character of Hypolita, c1791, (1910). Artist: John Jones
Mrs. Jordan in the Character of Hypolita, 1910. Dorothea Jordan (1761-1816) was an Anglo-Irish actress, courtesan, and the mistress and companion of the future King William IV of the United Kingdom

Saints Peter and Dorothy, c1505, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Dorothea, c1855. Artist: George Haydock Dodgson
Dorothea, c1855. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]

Study of a Head, c1916. Artist: Dorothea Landau
Study of a Head, c1916. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

A map of the Cape of Good Hope in the time of the van der Stels, South Africa, 18th century (1931)

Khoikhois trapping antelope, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Khoikhois catching moles, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Khoikhois breaking-in oxen, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

The cellar at Vergelegen wine estate, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Elsenburg, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Aerial view of the Vergelegen wine estate, South Africa, 18th century (1931)

Vergelegen wine estate, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

A letter from the Dutch East India Company to Willem Adriaan van der Stel, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge

Khoikhois milking cows and making butter, South africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London)

Yoking oxen and ploughing fields, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Guarding sheep and cattle at night, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Threshing out the corn, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Meerlust wine farm, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Groot Constantia wine farm, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Stellenberg school, Belville, South Africa, 1931. Artist: A Elliot
Stellenberg school, Belville, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Johan Nieuhof, Dutch traveller, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

The arrival of the fleet in the time of Simon van der Stel, 1931. Simon van der Stel (1639-1712) was the first Governor of the Cape of Good Hope

Rycklof Van Goens, Governor General of the Dutch East Indies, 1931. Artist: Matthys Balen
Rycklof Van Goens, Governor General of the Dutch East Indies, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Parel Vallei school house, South Africa, 1931. Artist: A Elliot
Parel Vallei school house, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Khoikhois bartering cattle, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Khoikhois spearing fish, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Khoikhoi labourers, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Khoikhoi huts and kraal, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

The Boer Farmers Wife, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

The Way of the Voortrekker, 1931. Originally from Travels Into the Interior of South Africa, volume I, by John Barrow. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge

A map of the Cape of Good Hope, South Africa, 1719 (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Dorothea Baird (1875-1933) and Harcourt Williams (1880-1957) in Paola and Francesca, 1907

Dorothea Baird (1875-1933), English actress, 1903. Artist: Rotary Photo
Dorothea Baird (1875-1933), English actress, 1903

Dorothea Baird, English stage and film actress, 1901. Artist: W&D Downey
Dorothea Baird, English stage and film actress, 1901

Dorothea Lambert Chambers, tennis champion
Dorothea Douglass Lambert Chambers (1878 - 1960), English tennis player and seven time winner of the ladies singles title at Wimbledon between 1903 and 1914

Miss Olive Plunket and Lord Milton by Madame Yevonde
Miss Olive Dorothea Plunket and Lord Milton (William Henry Lawrence Peter Wentworth-Fitzwilliam, 1910-1948, eldest son of the 7th Earl Fitzwilliam) by Madame Yevonde

CALIFORNIA: MIGRANT CAMP. A migrant farm workers camp in Kern County, California. Photograph by Dorothea Lange, 1936

COTTON PICKER, 1938. An African American migrant worker picking cotton in San Joaquin Valley, California. Photograph by Dorothea Lange, November 1938

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Dorothea: Capturing the Stories of Struggle and Resilience" In 1936, Dorothea Lange embarked on a journey to document the lives of those affected by the Great Depression. One iconic photograph from her Migrant Mother series encapsulates the hardships faced by Florence Thompson, a 32-year-old migrant worker and mother of seven, as she cradles her children in a camp for migrant workers in Nipomo, California. Through Lange's lens, we witness not only the exhaustion etched on Florence's face but also her unwavering determination to provide for her family. Lange's lens didn't just focus on individuals; it captured entire communities grappling with adversity. In 1939, she turned her attention to Lincoln Bench School where young girls diligently studied their reading lesson amidst challenging circumstances. These schoolchildren symbolize hope and resilience despite facing uncertain futures. The photographer's work extended beyond capturing people struggling during economic crises; she also documented social issues plaguing society at large. In August 1939, Lange photographed an unemployed lumberjack with his wife in a migrant workers camp during the bean harvest in Marion County, Oregon. The man's social security number tattooed on his arm serves as a haunting reminder of how deeply poverty can affect one's identity. While "Dorothea" may evoke thoughts of other notable figures like Dorothea Douglass Lambert Chambers or Dorothy Jordan (1762-1816), it is this particular Dorothea Lange who left an indelible mark through her powerful images that shed light on human struggles across time and place. From Texas to Memphis in 1937, Lange captured signs that told stories themselves - like that of a hotel sign standing tall against economic turbulence. Her photographs serve as visual testimonies to remind us all of our shared humanity amidst trying times. Beyond photography alone, "Dorothea" encompasses various facets of history and culture.