Drawings Of Leonardo Collection (#3)

Head of St. Anne - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of St. Anne - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Virgin and Child with St. Anne, c1480 (1945). Artist: Leonardo da Vinci
Virgin and Child with St. Anne, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Virgin and Child with St. Anne, c1480 (1945). Artist: Leonardo da Vinci
Virgin and Child with St. Anne, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Bust of a Woman Turned to the Left, the Head Slightly Indicated, c1480 (1945). Artist: Leonardo da Vinci
Bust of a Woman Turned to the Left, the Head Slightly Indicated, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of Christ, c1480 (1945). Artist: Leonardo da Vinci
Head of Christ, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Bust of an Infant, Front and Back Views, c1480 (1945). Artist: Leonardo da Vinci
The Bust of an Infant, Front and Back Views, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of an Apostle and Study of Architecture, c1480 (1945). Artist: Leonardo da Vinci
Head of an Apostle and Study of Architecture, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Half-Length of an Apostle with his Right Hand Raised, c1480 (1945). Artist: Leonardo da Vinci
Half-Length of an Apostle with his Right Hand Raised, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of Clasped Hands, c1480 (1945). Artist: Leonardo da Vinci
Study of Clasped Hands, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies for the Last Supper, c1480 (1945). Artist: Leonardo da Vinci
Studies for the Last Supper, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study for the Last Super and Mathematical Figures and Calculations, c1480 (1945). Artist: Leonardo da Vinci
Study for the Last Super and Mathematical Figures and Calculations, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile of an Old, Bearded Man to the Right, c1480 (1945). Artist: Leonardo da Vinci
Profile of an Old, Bearded Man to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Architecture and of a Virgin Adoring the Infant Christ, c1480 (1945). Artist: Leonardo da Vinci
Studies of Architecture and of a Virgin Adoring the Infant Christ, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile of an Old, Bearded Man to the Left, c1480 (1945). Artist: Leonardo da Vinci
Profile of an Old, Bearded Man to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head and Shoulders of a Bearded Man, c1480 (1945). Artist: Leonardo da Vinci
Head and Shoulders of a Bearded Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Half-Length of a Young Woman in Profile to the Right, c1480 (1945). Artist: Leonardo da Vinci
Half-Length of a Young Woman in Profile to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Full Face of an Old Man, c1480 (1945). Artist: Leonardo da Vinci
Full Face of an Old Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head and Bust of an Old Man to the Left, c1480 (1945). Artist: Leonardo da Vinci
Head and Bust of an Old Man to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to the Right of an Elderly Man, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Right of an Elderly Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Whole Length of an Old Man in Profile to the Right, c1480 (1945). Artist: Leonardo da Vinci
Whole Length of an Old Man in Profile to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of a Youth in Profile to the Right, c1480 (1945). Artist: Leonardo da Vinci
Head of a Youth in Profile to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to the Right of an Old Man, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Left of an Old Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to the Left of a Curly-Headed Youth, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Left of a Curly-Headed Youth, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Full Face of an Old Man Wearing a Wreath, c1480 (1945). Artist: Leonardo da Vinci
Full Face of an Old Man Wearing a Wreath, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

An Old Man and a Youth Facing One Another, c1480 (1945). Artist: Leonardo da Vinci
An Old Man and a Youth Facing One Another, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to the Left of an Elderly Man with Curly Hair, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Left of an Elderly Man with Curly Hair, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to the Right of an Elderly Bald Man, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Right of an Elderly Bald Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Half-Length of an Old Man Leaning on a Stick, c1480 (1945). Artist: Leonardo da Vinci
Half-Length of an Old Man Leaning on a Stick, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to Right of a Bald Man, c1480 (1945). Artist: Leonardo da Vinci
Profile to Right of a Bald Man, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of an Old Man Three-Quarters to the Left, c1480 (1945). Artist: Leonardo da Vinci
Head of an Old Man Three-Quarters to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile of a Bald Man to the Left, c1480 (1945). Artist: Leonardo da Vinci
Profile of a Bald Man to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Half-Length Caricature of an Old Man with a Prominent Chin, c1480 (1945). Artist: Leonardo da Vinci
Half-Length Caricature of an Old Man with a Prominent Chin, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Grotesque Profiles of a Man and Woman Facing, c1480 (1945). Artist: Leonardo da Vinci
Grotesque Profiles of a Man and Woman Facing, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Grotesque Profile of a Man to the Right, c1480 (1945). Artist: Leonardo da Vinci
A Grotesque Profile of a Man to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Grotesque Betrothal, c1480 (1945). Artist: Leonardo da Vinci
A Grotesque Betrothal, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Grotesque Profile of a Man Wearing a Hat to the Right, c1480 (1945). Artist: Leonardo da Vinci
Grotesque Profile of a Man Wearing a Hat to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Grotesque Profile to the Left, c1480 (1945). Artist: Leonardo da Vinci
Grotesque Profile to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Five Grotesque Heads, c1480 (1945). Artist: Leonardo da Vinci
Five Grotesque Heads, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile of an Old Man, Plants, Geometrical Figures, Etc. c1480 (1945). Artist: Leonardo da Vinci
Profile of an Old Man, Plants, Geometrical Figures, Etc. c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile to the Left of an Old Man in a Large Hat, c1480 (1945). Artist: Leonardo da Vinci
Profile to the Left of an Old Man in a Large Hat, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile of a Young Man Wearing a Chaperon, c1480 (1945). Artist: Leonardo da Vinci
Profile of a Young Man Wearing a Chaperon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile of a Youth to the Right, c1480 (1945). Artist: Leonardo da Vinci
Profile of a Youth to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of an Old Man Turned to the Right, c1480 (1945). Artist: Leonardo da Vinci
Head of an Old Man Turned to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Profile of a Man to the Right, c1480 (1945). Artist: Leonardo da Vinci
Profile of a Man to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Profiles and Studies of Machinery, c1480 (1945). Artist: Leonardo da Vinci
Two Profiles and Studies of Machinery, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Dancing Nymphs, c1480 (1945). Artist: Leonardo da Vinci
Studies of Dancing Nymphs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory: A Crowned Eagle Standing on a Globe and a Wolf Steering a Boat, c1480 (1945). Artist: Leonardo da Vinci
Allegory: A Crowned Eagle Standing on a Globe and a Wolf Steering a Boat, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Man with the Head of an Elephant Riding on Horseback and Architectural Sketches, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

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"Leonardo's Artistry Unveiled: A Glimpse into the Drawings of a Genius" Step into the captivating world of Leonardo da Vinci as we explore his remarkable drawings. From the fierce "Head of a Bear" to the dynamic "A Horseman Trampling on a Fallen Foe, " each stroke reveals Leonardo's mastery. Intriguingly, Leonardo also delved into equestrian studies with "Studies of Horses and of Horses Heads. " These intricate sketches showcase his keen eye for detail and love for these majestic creatures. Moving beyond animals, Leonardo's imagination soared with allegorical depictions. The enigmatic "Allegories of Pleasure and Pain and Envy" invite us to ponder their hidden meanings, while his serene "Landscape" transports us to an idyllic realm. The artist's curiosity knew no bounds as he explored various subjects. His fascination with felines is evident in the mesmerizing "Studies of Cats and a Dragon, " capturing their grace and mystery. Meanwhile, two drawings depicting the heart reveal not only anatomical precision but also hint at Leonardo's profound understanding of human emotions. Human forms take center stage in some works; a vulnerable yet powerful depiction emerges through the striking portrayal of a "Nude Man With Arms Stretched Out, Seen from the Front. " In contrast, the study titled "Legs of a Man Lunging to the Right" showcases movement frozen in time—a testament to Leonardo's ability to capture dynamics on paper. Even mundane objects like paws or drapery become extraordinary under Leonardo's gaze. The meticulous attention given to details shines through in his three studies showcasing canine paws or wolf paws' essence. Similarly, studying drapery leads him towards perfectionism as seen in his drawing titled "Studies of Drapery. " Lastly, our journey concludes with an intriguing glimpse into mortality itself—the haunting yet thought-provoking "Drawing of Two Halves of a Skull.