Duke Of Collection (page 2)

H. R. H. The Duke of York, H. R. H. The Prince of Wales, H. R. H. Prince Henry, H. M. The Queen, H
H.R.H. The Duke of York, H.R.H. The Prince of Wales, H.R.H. Prince Henry, H.M. The Queen, H.M. The King, H.R.H. Princess Mary, 1921

Cambridge Cottage, Kew Green, London, 1894. Creator: Unknown
Cambridge Cottage, Kew Green, London, 1894. Residence of Prince George, Duke of Cambridge (1819-1904). The house became part of Kew Gardens in 1904

Wellingtons March from Quatre Bras to Waterloo, 1815, (c1878), (c1902). Creator: Unknown
Wellingtons March from Quatre Bras to Waterloo, 1815, (c1878), (c1902). After a painting in the Museums Sheffield collection

Prince Arthur on board HMY Victoria and Albert, c1925. Creator: Kirk & Sons of Cowes
Prince Arthur on board HMY Victoria and Albert, c1925. Prince Arthur, Duke of Connaught and Strathearn (1850-1942), was the seventh child and third son of Queen Victoria

Spys Taken at Greenwich, 1798. Mother Windsor with four of her courtesans orders her girls to arrest Shute Barrington, the Bishop of Durham and the Duke of Queensberry

Storming of St. Sebastian, August 31, 1813, 1909. Artist: Thomas Sutherland
Storming of St. Sebastian, August 31, 1813, 1909. In the Siege of San Sebastian (7 July - 8 September 1813) Allied forces under the command of Arthur Wellesley

The Royal Vault, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

On the Evening of the Battle of Waterloo, 1879 (1906). Artist: Ernest Crofts
On the Evening of the Battle of Waterloo, 1879 (1906). Napoleon preparing to leave the battlefield. From Cassells Illustrated History of England, Vol. V

French cuirassiers charging a British infantry square at the Battle of Waterloo, 1815 (1906). Artist: P Jazet
French cuirassiers charging a British infantry square at the Battle of Waterloo, 1815 (1906). From Cassells Illustrated History of England, Vol. V

The Tapestry Room in Windsor Castle, c1899, (1901). Artist: Eyre & Spottiswoode
The Tapestry Room in Windsor Castle, c1899, (1901). The Tapestry room situated over George IV?s Gateway, comprising of the Gobelins tapestry which fills the panelled walls and the chairs

Prince Arthur, Duke of Connaught and Strathearn, 1900. The third son of Queen Victoria, Prince Arthur (1850-1942) married Princess Louise Margaret of Prussia at St Georges Chapel, Windsor Castle

Mary Tudor and Charles Brandon, Duke of Suffolk, 1515, (1902). Mary (1516-1568) was the daughter of King Henry VIII and Catherine of Aragon

5th Regiment of Dragoon Guards, The Battle of Salamanca, 22nd July 1812
5th Regiment of Dragoon Guards, Battle of Salamanca, Spain, 22nd July 1812. The Battle of Salamanca was an important victory in the Peninsular War for an Anglo-Portuguese army under the Duke of

Day & Sons lithography workshop, 1856. The visit of the Prince of Wales (later King Edward VII) and his brother Prince Alfred to Messrs Day and Sons lithographic establishment

Newcastle, Thomas, duke of (litho)
7181446 Newcastle, Thomas, duke of (litho) by English School, (19th century); Private Collection; (add.info.: Newcastle, Thomas, duke of. Engraver: Pelham)

Buckingham, George, duke of (litho)
7181376 Buckingham, George, duke of (litho) by English School, (19th century); Private Collection; (add.info.: Buckingham, George, duke of. Engraver: Beckett)

Monmouth, James, duke of (litho)
7181382 Monmouth, James, duke of (litho) by English School, (19th century); Private Collection; (add.info.: Monmouth, James, duke of. Engraver: Blooteling)

Richmond, Charles, duke of (litho)
7181412 Richmond, Charles, duke of (litho) by English School, (19th century); Private Collection; (add.info.: Richmond, Charles, duke of. Engraver: Gascar)

The Eagle Standards Taken at Waterloo Returned to Wellington
PLT160480 The Eagle Standards Taken at Waterloo Returned to Wellington, 18th June 1815 (oil on canvas) by Bree, Mathieu Ignace van (1773-1839); Musee de l Armee, Brussels

The Left Wing of the British Army in Action at the Battle of Waterloo, June 18th 1815
STC174273 The Left Wing of the British Army in Action at the Battle of Waterloo, June 18th 1815, from The Martial Achievements of Great Britain and her Allies from 1799-1815, by James Jenkins

Entrance of Lord Wellington into Salamanca at the head of a Regiment of Hussars
STC174274 Entrance of Lord Wellington into Salamanca at the head of a Regiment of Hussars, May 20th 1813, from The Martial Achievements of Great Britain and her Allies from 1799 to 1815

Queen Elizabeth II and her husband Prince Philip with their two children Prince Charles and Princess Anne. Circa 1951

Breastplate from an armour of Francesco Maria II della Rovere (1548-1631), Duke of Urbino, Italian, probably Milan, ca. 1570

Gauntlet for the Right Hand, Belonging to the armour of Don Alonzo Pé
Gauntlet for the Right Hand, Belonging to the armour of Don Alonzo Perez de Guzman el Bueno (1550-1619), Count of Niebla and Duke of Medina-Sidonia, Italian, Milan, ca. 1580

The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya
The Duke of Wellington, c. 1812

Mr. Garrick in the Character of Richard III, June 20, 1746. Creator: William Hogarth
Mr. Garrick in the Character of Richard III, June 20, 1746

Parade float in the form of a ship, coat of arms of the Grand Duke of Modena at top, 1652

Henri II de Lorraine, duc de Guise. Creator: Jean Morin
Henri II de Lorraine, duc de Guise

Pillars of the Constitution, February 1, 1809. Creator: James Gillray
Pillars of the Constitution, February 1, 1809

Following Francesco I d Estes Example, His Troops Safely Pass Torrents During Extreme Weather, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

After a Few Days of Seige with the French Army, Francesco I d Este Takes Prossession of Mortara, The Last of his Great Victories, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

After a Long Seige, Francesco I d Este, with the Aid of the French Army, Takes Valencia, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este, Suffering the Pain of his Injuries, Continues to Take Charge for the Successful Completion of the Military Campaign

Francesco I d Este and the French Army Besiege Valenza, which has Been Taken by the Spanish, and by Persisting with Intrepid Courage, Succeeds in the Endeavor

After a Long March, Francesco I d Este Passes with the River of Cassano with his Army, thus Causing Great Harm to the Spanish, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

The Seige of Alessandria Begins, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

At the Head of a Swiss Army, Francesco I d Este, with Uncrushed Spirit, Confronts the Enemy under Bozzolo, who has Many Advantages, and Demands their Retreat

Francesco I d Este Freely Crosses the Po and Takes Up his Sword Against Troops in the Vinyard of the Opposite Bank where the Spanish had Settled to Impede his Crossing

Despite the Corageous Opposition of the Germans and the Spanish, Francesco I d Este, at the Head of his Armies, Arrives at the Piazza di Valeneza

Francesco I d Este Sets Out for the Seige of Cremona, Crosses the Trench Between Himself and the Spanish, and Takes the City with Great Force

Francesco I d Este, Wounded in Battle, Continues to Orchestrate the Seige of Pavia, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Protects the French in Casalmaggiore from the Seige of the Spanish, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Suffers the Mortal Blow of a Bullet While Under Pavia and Retreats into his Own Quarters, Having Been Left Without Wounds to His Head and His Heart, which Gave Him a Fever

Francesco I d Este Invites Foreign Scholars to Court, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este is Named the Deputy of the Catholilc King and is Sent to Catalogna, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Displays Great Faculty in his Studies, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Makes an Effort to Save his Crown by Allying Himself with the Barberini Prince and an Unidentified Cardinal, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Aids the Duke of Mantua After his Territories were Devastated by the German Armies, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

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"The Duke of Wellington: A Legacy Carved in History" Step into the world of the illustrious Duke of Wellington, Arthur Wellesley, whose name is forever intertwined with tales of valor and triumph. As we explore a collection of captivating artworks and historical artifacts, we are transported to pivotal moments that shaped his remarkable life. Gazing at the intricately detailed Map of the Battle of Waterloo, our minds wander back to that fateful day on June 18th, 1815. The resolute leadership displayed by this military genius secured an enduring victory against Napoleon Bonaparte's forces. Thomas Lawrence's portrait captures the essence of a man who became known as one of Britain's greatest heroes. In Wilton Mews stands The Grenadier, a testament to camaraderie cherished by soldiers who once sought solace within its walls. Here, coachmen would gather for spirited conversations while raising their glasses high in honor of their revered commander. Vereker Monteith Hamilton's masterpiece transports us to another battlefield - The Forlorn Hope At Badajos. Amidst chaos and danger, Wellington's unwavering determination inspired his troops to press forward even when hope seemed lost. The grandeur surrounding King George V's Silver Jubilee reminds us that even monarchs recognized Wellington's indomitable spirit and invaluable contributions to his nation. Unknown artists captured this historic moment for posterity. Newton & Co. 's depiction portrays two legendary figures side by side - Wellington and Nelson - symbols of British naval supremacy during tumultuous times in history. Their strategic brilliance ensured victories that reverberated across oceans. Paul de la Roche invites us into an enigmatic scene depicting The Young Princes in the Tower; here lies evidence not only of artistic prowess but also hints at political intrigue surrounding royal lineage – a topic close to Wellington’s heart as he served as Prime Minister later in life. John Atkinson II masterfully illustrates the Battle of Waterloo, immortalizing the bravery and sacrifice that defined Wellington's career.