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Dyck Collection (page 6)

"Dyck: Capturing the Majesty and Intrigue of Charles I's Reign" Step into the world of Sir Anthonis van Dyck

Background imageDyck Collection: Gustavus Adolphus, King of Sweden, (1903)

Gustavus Adolphus, King of Sweden, (1903). A print from The Worlds History, A Survey of Mans Record, by Dr H F Helmolt, Volume II, William Heinemann, London, 1903

Background imageDyck Collection: Albrecht von Wallenstein, Bohemian soldier and politician, (1903)

Albrecht von Wallenstein, Bohemian soldier and politician, (1903). Wallenstein (1583-1634) commanded the Catholic imperial armies during the Thirty Years War (1618-1648)

Background imageDyck Collection: James Stuart, Duke of York, (1822). Artist: Edward Smith

James Stuart, Duke of York, (1822). Artist: Edward Smith
James Stuart, Duke of York, (1822). Portrait of King James II (1633-1701) as a child. James was the second surviving son of King Charles I, and became king on the death of his brother, Charles II

Background imageDyck Collection: Portrait of a Man, 17th century, (1912). Artist: C Hutin

Portrait of a Man, 17th century, (1912). Artist: C Hutin
Portrait of a Man, 17th century, (1912). A print from The Connoisseur, (London, 1912)

Background imageDyck Collection: Philip, Earl of Pembroke, c1630s, (1912). Artist: Anthony van Dyck

Philip, Earl of Pembroke, c1630s, (1912). Artist: Anthony van Dyck
Philip, Earl of Pembroke, c1630s, (1912). A print from The Connoisseur, (London, 1912)

Background imageDyck Collection: Robert Bertie, 1st Earl of Lindsey, (1827). Artist: TA Dean

Robert Bertie, 1st Earl of Lindsey, (1827). Artist: TA Dean
Robert Bertie, 1st Earl of Lindsey, (1583-1642), 1827. Bertie (1583-1642) was General-in-chief of the Royalists at the Battle of Edgehill

Background imageDyck Collection: Montagu Bertie, 2nd Earl of Lindsey, (1826). Artist: TA Dean

Montagu Bertie, 2nd Earl of Lindsey, (1826). Artist: TA Dean
Montagu Bertie, 2nd Earl of Lindsey, (1826). Portrait of the Earl (1608-1666), a royalist soldier, in armour and lace cuffs

Background imageDyck Collection: Sir Kenelm Digby, English scientist and diplomat (1825). Artist: R Cooper

Sir Kenelm Digby, English scientist and diplomat (1825). Artist: R Cooper
Sir Kenelm Digby, English scientist and diplomat (1825). Digby (1603-1665) was a courtier, philosopher, diplomat and scientist during the reign of Charles I

Background imageDyck Collection: Lucy Hay, Countess of Carlisle, English socialite, (1825). Artist: TA Dean

Lucy Hay, Countess of Carlisle, English socialite, (1825). Artist: TA Dean
Lucy Hay, Countess of Carlisle, English socialite, (1825). The Countess (1599-1660) was involved in intrigues during the English Civil War, and may have spied for both sides simultaneously

Background imageDyck Collection: Richard Weston, 1st Earl of Portland, (1825). Artist: G Kellaway

Richard Weston, 1st Earl of Portland, (1825). Artist: G Kellaway
Richard Weston, 1st Earl of Portland, (1825). Weston (1577-c1634) was an ambassador during the reign of King James I. He held the offices of Chancellor of the Exchequer and Lord Treasurer of England

Background imageDyck Collection: Henry Percy, 9th Earl of Northumberland, (1824). Artist: John Samuel Agar

Henry Percy, 9th Earl of Northumberland, (1824). Artist: John Samuel Agar
Henry Percy, 9th Earl of Northumberland, (1824). Percys (1564-1632) estates of Petworth House and Syon House were acquired on his marriage to Dorothy Devereux, the sister of Robert Devereux

Background imageDyck Collection: William Russell, 1st Duke of Bedford, British soldier, (1825). Artist: TA Dean

William Russell, 1st Duke of Bedford, British soldier, (1825). Artist: TA Dean
William Russell, 1st Duke of Bedford, British soldier, (1825). Russell (1616-1700) fought at the Battle of Edgehill on 23 October 1642 on the Parliamentary side

Background imageDyck Collection: Elizabeth Cecil, Countess of Devonshire, (1824). Artist: John Samuel Agar

Elizabeth Cecil, Countess of Devonshire, (1824). Artist: John Samuel Agar
Elizabeth Cecil, Countess of Devonshire, (1824). Portrait of the Countess (1620-1689) made during her teens

Background imageDyck Collection: George Gordon, 2nd Marquess of Huntly, (1823). Artist: R Cooper

George Gordon, 2nd Marquess of Huntly, (1823). Artist: R Cooper
George Gordon, 2nd Marquess of Huntly, (1823). Gordon (1592-1649) fought on the Royalist side in the English Civil War, and was beheaded by order of the Scots parliament at Edinburgh

Background imageDyck Collection: William Laud, Archbishop of Canterbury, (1823). Artist: C Picart

William Laud, Archbishop of Canterbury, (1823). Artist: C Picart
William Laud, Archbishop of Canterbury, (1823). Laud (1573-1645) was Archbishop of Canterbury and a fervent supporter of King Charles I of England, whom he encouraged to believe in divine right

Background imageDyck Collection: Francis Russell, 4th Earl of Bedford, English politician, (1823). Artist: W Holl

Francis Russell, 4th Earl of Bedford, English politician, (1823). Artist: W Holl
Francis Russell, 4th Earl of Bedford, English politician, (1823). Russell (1593-1641) was one of the leading opponents of King Charles I

Background imageDyck Collection: Dorothy Spencer, Countess of Sunderland, (1823). Artist: J Thomson

Dorothy Spencer, Countess of Sunderland, (1823). Artist: J Thomson
Dorothy Spencer, Countess of Sunderland, (1823). The Countess of Sunderland (1617-1684) was the wife of Henry Spencer

Background imageDyck Collection: Edward Sackville, 4th Earl of Dorset, English soldier and statesman, (1829). Artist: H Robinson

Edward Sackville, 4th Earl of Dorset, English soldier and statesman, (1829). Artist: H Robinson
Edward Sackville, 4th Earl of Dorset, English soldier and statesman, (1829). In 1613, Sackville (1591-1652) fought a duel for the hand of Venetia Stanley

Background imageDyck Collection: Philip Herbert, 4th Earl of Pembroke, courtier and politician, (1828). Artist: E Scriven

Philip Herbert, 4th Earl of Pembroke, courtier and politician, (1828). Artist: E Scriven
Philip Herbert, 4th Earl of Pembroke, courtier and politician, (1828). Herbert (1584-1650) was governor of the Isle of Wight and Chancellor of the University of Oxford

Background imageDyck Collection: Robert Dormer, 1st Earl of Carnarvon, Royalist soldier, (1828). Artist: T Wright

Robert Dormer, 1st Earl of Carnarvon, Royalist soldier, (1828). Artist: T Wright
Robert Dormer, 1st Earl of Carnarvon, Royalist soldier, (1828). Dormer (1610-1643) was an ardent Royalist and fought for King Charles I during the English Civil War

Background imageDyck Collection: Robert Rich, 2nd Earl of Warwick, English colonial administrator, (1827). Artist: H Robinson

Robert Rich, 2nd Earl of Warwick, English colonial administrator, (1827). Artist: H Robinson
Robert Rich, 2nd Earl of Warwick, English colonial administrator, (1827). Rich (1587-1658) was Lord High Admiral. Warwick, Rhode Island, in the United States, is named after him

Background imageDyck Collection: Sir Ralph, Lord Hopton, English soldier, (1827). Artist: TA Dean

Sir Ralph, Lord Hopton, English soldier, (1827). Artist: TA Dean
Sir Ralph, Lord Hopton, English soldier, (1827). Lord Hopton (1596-1652) was a Royalist commander in the First Civil War

Background imageDyck Collection: George Goring, Lord Goring, English Royalist soldier, (1827). Artist: J Thomson

George Goring, Lord Goring, English Royalist soldier, (1827). Artist: J Thomson
George Goring, Lord Goring, English Royalist soldier, (1827). Portrait of Goring (1608-1657) being dressed by a boy, possibly his son

Background imageDyck Collection: Lucius Cary, 2nd Viscount Falkland, (1827). Artist: J Thomson

Lucius Cary, 2nd Viscount Falkland, (1827). Artist: J Thomson
Lucius Cary, 2nd Viscount Falkland, (1827). Portrait of Cary (c1610-1643) who was an English politician, soldier and author

Background imageDyck Collection: William Villiers, 2nd Viscount Grandison of Limerick, (1827). Artist: H R Cook

William Villiers, 2nd Viscount Grandison of Limerick, (1827). Artist: H R Cook
William Villiers, 2nd Viscount Grandison of Limerick, (1827). Portrait of Irish aristocrat Villiers (1614-1643), wearing elaborate lace collar and cuffs

Background imageDyck Collection: Sir Anthony (Anton) van Dyck, (1599-1641), Flemish painter, 1825. Artist: John Corner

Sir Anthony (Anton) van Dyck, (1599-1641), Flemish painter, 1825. Artist: John Corner
Sir Anthony (Anton) van Dyck, Flemish painter, (1825). An engraving of van Dyck (1599-1641) from John Corners Portraits of Celebrated Painters, (London, 1825)

Background imageDyck Collection: Jan Gaspar Gevartius, 19th century. Artist: WH Worthington

Jan Gaspar Gevartius, 19th century. Artist: WH Worthington
Jan Gaspar Gevartius, 19th century. Portrait of Jean Gaspard Gaspar Gevaerts, a lawyer and secretary of the city of Antwerp

Background imageDyck Collection: Peter Paul Rubens, Flemish artist, early 17th century, (19th century). Artist: W Holl

Peter Paul Rubens, Flemish artist, early 17th century, (19th century). Artist: W Holl
Peter Paul Rubens, Flemish artist, early 17th century, (19th century). Rubens (1577-1640) is considered by many to be one of the greatest painters in European art history

Background imageDyck Collection: The Balbi Children, c. 1626. Artist: Dyck, Sir Anthonis, van (1599-1641)

The Balbi Children, c. 1626. Artist: Dyck, Sir Anthonis, van (1599-1641)
The Balbi Children, c. 1626. Found in the collection of the National Gallery, London

Background imageDyck Collection: Equestrian Portrait of Charles I, ca 1638. Artist: Dyck, Sir Anthonis, van (1599-1641)

Equestrian Portrait of Charles I, ca 1638. Artist: Dyck, Sir Anthonis, van (1599-1641)
Equestrian Portrait of Charles I, ca 1638. Found in the collection of the National Gallery, London

Background imageDyck Collection: Lord John Stuart and his Brother, Lord Bernard Stuart, ca 1638

Lord John Stuart and his Brother, Lord Bernard Stuart, ca 1638. Artist: Dyck, Sir Anthonis, van (1599-1641)
Lord John Stuart and his Brother, Lord Bernard Stuart, ca 1638. Found in the collection of the National Gallery, London

Background imageDyck Collection: Portrait of a Genovese Lady, c. 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of a Genovese Lady, c. 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of a Genovese Lady, c. 1621. Found in the collection of the Staatliche Museen, Berlin

Background imageDyck Collection: Equestrian portrait of the Emperor Charles V, c. 1620. Artist: Dyck, Sir Anthonis, van (1599-1641)

Equestrian portrait of the Emperor Charles V, c. 1620. Artist: Dyck, Sir Anthonis, van (1599-1641)
Equestrian portrait of the Emperor Charles V, c. 1620. Found in the collection of the Galleria degli Uffizi, Florence

Background imageDyck Collection: Family portrait, 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)

Family portrait, 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)
Family portrait, 1621. Found in the collection of the State Hermitage, St. Petersburg

Background imageDyck Collection: Portrait of the Composer Henricus Liberti (1628-1661), c. 1630

Portrait of the Composer Henricus Liberti (1628-1661), c. 1630. Artist: Dyck, Anthony van, (Studio of)
Portrait of the Composer Henricus Liberti (1628-1661), c.1630. Found in the collection of the Rijksmuseum, Amsterdam

Background imageDyck Collection: Portrait of Prince Rupert of the Rhine (1619-1682), Duke of Cumberland, ca 1637

Portrait of Prince Rupert of the Rhine (1619-1682), Duke of Cumberland, ca 1637. Artist: Dyck, Anthony van, (Studio of)
Portrait of Prince Rupert of the Rhine (1619-1682), Duke of Cumberland, ca 1637. Found in the collection of the National Gallery, London

Background imageDyck Collection: Portrait of Charles I Louis (1617-1680), Elector Palatine, ca 1637

Portrait of Charles I Louis (1617-1680), Elector Palatine, ca 1637. Artist: Dyck, Anthony van, (Studio of)
Portrait of Charles I Louis (1617-1680), Elector Palatine, ca 1637. Found in the collection of the National Gallery, London

Background imageDyck Collection: Vertumnus and Pomona, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)

Vertumnus and Pomona, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)
Vertumnus and Pomona, ca 1625. Found in the collection of the Musei di Strada Nuova, Genoa

Background imageDyck Collection: The Tribute Money, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)

The Tribute Money, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)
The Tribute Money, ca 1625. Found in the collection of the Musei di Strada Nuova, Genoa

Background imageDyck Collection: Christ Carrying the Cross, First third of 17th cen Artist: Dyck, Sir Anthonis, van (1599-1641)

Christ Carrying the Cross, First third of 17th cen Artist: Dyck, Sir Anthonis, van (1599-1641)
Christ Carrying the Cross, First third of 17th cen.. Found in the collection of the Musei di Strada Nuova, Genoa

Background imageDyck Collection: Portrait of Henry Danvers, 1st Earl of Danby (1573-1644), in robes as Knight of the Garter

Portrait of Henry Danvers, 1st Earl of Danby (1573-1644), in robes as Knight of the Garter, End 1630s. Found in the collection of the State Hermitage, St. Petersburg

Background imageDyck Collection: Portrait of a Woman with a Rose, Between 1635 and 1639. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of a Woman with a Rose, Between 1635 and 1639. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of a Woman with a Rose, Between 1635 and 1639. Found in the collection of the Isabella Stewart Gardner Museum, Boston

Background imageDyck Collection: Portrait of Agostino Pallavicini, 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of Agostino Pallavicini, 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of Agostino Pallavicini, 1621. Found in the collection of the J. Paul Getty Museum, Los Angeles

Background imageDyck Collection: Portrait of Nicholas Lanier (1588-1666), 1628. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of Nicholas Lanier (1588-1666), 1628. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of Nicholas Lanier (1588-1666), 1628. Found in the collection of the Art History Museum, Vienne

Background imageDyck Collection: The Lamentation over Christ, ca 1637-1640. Artist: Dyck, Sir Anthonis, van (1599-1641)

The Lamentation over Christ, ca 1637-1640. Artist: Dyck, Sir Anthonis, van (1599-1641)
The Lamentation over Christ, ca 1637-1640. Found in the collection of the Museo de Bellas Artes de Bilbao

Background imageDyck Collection: Samson and Delilah, 1628?1630. Artist: Dyck, Sir Anthonis, van (1599-1641)

Samson and Delilah, 1628?1630. Artist: Dyck, Sir Anthonis, van (1599-1641)
Samson and Delilah, 1628?1630. Found in the collection of the Art History Museum, Vienne

Background imageDyck Collection: The Vision of the Blessed Hermann Joseph, 1630. Artist: Dyck, Sir Anthonis, van (1599-1641)

The Vision of the Blessed Hermann Joseph, 1630. Artist: Dyck, Sir Anthonis, van (1599-1641)
The Vision of the Blessed Hermann Joseph, 1630. Found in the collection of the Art History Museum, Vienne

Background imageDyck Collection: Portrait of the Brothers de Wael, c. 1620-1630. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of the Brothers de Wael, c. 1620-1630. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of the Brothers de Wael, c. 1620-1630. Found in the collection of the Musei Capitolini, Rome




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"Dyck: Capturing the Majesty and Intrigue of Charles I's Reign" Step into the world of Sir Anthonis van Dyck, a renowned artist who immortalized the iconic figures of his time. One such figure was King Charles I, whose reign from 1600 to 1649 left an indelible mark on England. In his masterpiece "Portrait of King Charles I, " Dyck skillfully captures the regal presence and introspective gaze that defined this enigmatic monarch. The painting stands as a testament to both Dyck's talent and the complexity of Charles I's character. It also delved into aristocratic circles, portraying influential individuals like Montague Earl Lindsey with meticulous attention to detail. His brushstrokes bring forth their power and charisma, revealing glimpses into their lives beyond mere titles. Another notable work is "Double portrait of King Charles I and Queen Henrietta Maria. " Though attributed to Dyck's studio, it showcases his ability to depict not only royalty but also conjugal love amidst turbulent times. The tender connection between king and queen is palpable in every stroke. Beyond royal portraits, Dyck explored religious themes in works like "The Crucified Christ with the Virgin Mary" where he masterfully conveys profound emotions through light and shadow. This piece exemplifies his versatility as an artist capable of capturing both earthly grandeur and spiritual transcendence. One cannot overlook Dyck's portrayal of innocence in "Five Eldest Children of Charles I. " Through careful composition and delicate expressions, he immortalizes these young heirs against a backdrop filled with uncertainty—a poignant reminder that even royalty is not immune to tragedy. Dyck's equestrian portrait titled "Equestrian portrait of Charles I" reveals another facet—his ability to capture dynamic movement alongside dignified poise. Here we see King Charles astride his horse accompanied by M. De St Antoine—an image that exudes authority and strength.