Egon Schiele Collection (#4)

Self-Portrait with Striped Armlets, 1915. Artist: Schiele, Egon (1890?1918)
Self-Portrait with Striped Armlets, 1915. Found in the collection of the Leopold Museum, Vienna

Self-Portrait with Eyelid Pulled Down, 1910. Artist: Schiele, Egon (1890?1918)
Self-Portrait with Eyelid Pulled Down, 1910. Found in the collection of the Albertina, Vienna

Egon Schiele (Detail), 1914
Egon Schiele (Detail)

The Lyricist, 1911. Artist: Schiele, Egon (1890?1918)
The Lyricist, 1911. Found in the collection of the Leopold Museum, Vienna

Self-Portrait, Grimacing, 1910. Artist: Schiele, Egon (1890?1918)
Self-Portrait, Grimacing, 1910. Found in the collection of the Leopold Museum, Vienna

Self-Portrait with Splayed Fingers, 1911. Artist: Schiele, Egon (1890?1918)
Self-Portrait with Splayed Fingers, 1911. Found in the collection of the Leopold Museum, Vienna

Seated Male Nude (Self-Portrait), 1910. Artist: Schiele, Egon (1890?1918)
Seated Male Nude (Self-Portrait), 1910. Found in the collection of the Leopold Museum, Vienna

Nude Self-Portrait, 1910. Artist: Schiele, Egon (1890?1918)
Nude Self-Portrait, 1910. Found in the collection of the Leopold Museum, Vienna

Portrait Man 1914 Drypoint plate 4-7 / 8 inches
Artokoloro

Self portrait 1914 Drypoint plate 5 x 4-1 / 4 inches
Artokoloro

Portrait Woman 1910 Color lithograph sheet 5 1 / 2 x 3 9 / 16
Artokoloro

Egon Schiele 1914 Gelatin silver print Image
Artokoloro

Egon Schiele, Dr. Koller, Austrian, 1890 - 1918, c. 1918, charcoal on japan paper

Egon Schiele, Dr. Ernst Wagner, Austrian, 1890 - 1918, 1918, black crayon on wove paper

Austria, Vienna, Sitting Couple, mixed media
Egon Schiele (1890-1918), Sitting Couple

Austria, Self-Portrait with Fruit, 1912
Egon Schiele (1890-1918), Self-Portrait with Fruit, 1912, oil, 32, 2x39, 8 cm

Austria, Vienna, Portrait of Max Oppenheimer, Austria-born American painter (1885 - 1954), mixed media
Egon Schiele (1890-1918), Portrait of Max Oppenheimer (Vienna, 1885 - New York, 1954), Austria-born American painter

Austria, Vienna, Landscape, 1907
Egon Schiele (1890-1918), Landscape, 1907, 15, 5x25, 5 cm

Austria, Vienna, Small City II or The Small City III, 1912-13
Egon Schiele (1890-1918), The Small City II or The Small City III, 1912-13, oil on canvas, 89, 5x90, 5 cm

Austria, Vienna, Self-Portrait, mixed media
Egon Schiele (1890-1918), Self-Portait

Austria, Vienna, Portrait of Wally, 1912
Egon Schiele (1890-1918), Portrait of Wally, 1912, oil, 32, 7x39, 8 cm

Austria, Vienna, Seminude Female Figure, mixed media
Egon Schiele (1890-1918), Seminude Female Figure

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"Egon Schiele: A Visionary Austrian Artist Capturing the Essence of Life" Egon Schiele, a renowned Austrian artist born in 1890, left an indelible mark on the art world during his short but prolific career. His watercolor masterpiece "Dancer (Die TaÔé¼nzerin)" from 1913 showcases his exceptional talent for capturing movement and emotion with delicate brushstrokes. In "Kneeling Nude with Raised Hands (Self-Portrait), " Schiele bares his soul as he explores themes of vulnerability and self-expression. This introspective piece reflects his inner struggles and desire for artistic freedom. The poster for Schiele's exhibition at the Arnot Gallery in 1915 reveals his ability to merge classical influences with a modern twist. In "Self-portrait as Saint Sebastian, " he portrays himself as the martyred saint, symbolizing both physical and emotional suffering. One cannot overlook the captivating beauty of "Egon Schiele's Self Portrait With Physalis" from 1912, where he skillfully combines vibrant colors and intricate details to create a mesmerizing self-portrait that exudes confidence. Schiele's versatility is evident in works like "Still Life With Pastry Plate, " where he brings ordinary objects to life through bold brushwork and dynamic composition. The juxtaposition of textures adds depth to this seemingly simple scene. In "Gertrude" from 1910, we witness Schiele's ability to capture raw emotions through portraiture. The intensity in her gaze speaks volumes about their relationship while showcasing his mastery over human expression. Through pieces like "Standing Nude Woman With a Patterned Robe" from 1917, we see how Schiele fearlessly embraced nudity as an exploration of sensuality and femininity. His use of patterns adds intrigue to this striking composition. From early works such as "Standing Girl, Back View" dating back to 1908, Schiele's talent was evident even in his youth.