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Embrace Collection (page 2)

"Embrace: A Timeless Gesture of Love and Connection" In the world of art, the concept of "embrace" has been beautifully captured throughout history

Background imageEmbrace Collection: Brunnhilde throws herself into Siegfrieds arms, illustration from

Brunnhilde throws herself into Siegfrieds arms, illustration from
STC324259 Brunnhilde throws herself into Siegfrieds arms, illustration from Siegfried and the Twilight of the Gods, 1924 (colour litho) by Rackham

Background imageEmbrace Collection: The Chaperon by Joyce Dennys

The Chaperon by Joyce Dennys
A young woman manages to steal a few moments with her sweetheart out of sight of her chaperon (whose Victorian bathing costume can be seen)

Background imageEmbrace Collection: Where theres a will, theres a way: short man standing on a pile of books to kiss a much taller

Where theres a will, theres a way: short man standing on a pile of books to kiss a much taller woman (colour litho)
5999970 Where theres a will, theres a way: short man standing on a pile of books to kiss a much taller woman (colour litho) by English School

Background imageEmbrace Collection: The Musical Pair in the Hammock. Artist: American Stereoscopic Company

The Musical Pair in the Hammock. Artist: American Stereoscopic Company
The Musical Pair in the Hammock. Stereoscopic card detail

Background imageEmbrace Collection: Return of the Prodigal Son, 1636 (etching)

Return of the Prodigal Son, 1636 (etching)
XJF416570 Return of the Prodigal Son, 1636 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; Dutch, out of copyright

Background imageEmbrace Collection: Fulfilment (Stoclet Frieze) c. 1905-09 (tempera, w / c) (see 259350 for detail)

Fulfilment (Stoclet Frieze) c. 1905-09 (tempera, w / c) (see 259350 for detail)
XAM65884 Fulfilment (Stoclet Frieze) c.1905-09 (tempera, w/c) (see 259350 for detail) by Klimt, Gustav (1862-1918); MAK (Austrian Museum of Applied Arts) Vienna, Austria; Austrian, out of copyright

Background imageEmbrace Collection: An Old Man and a Boy, 1480s (oil on panel)

An Old Man and a Boy, 1480s (oil on panel)
XIR60964 An Old Man and a Boy, 1480s (oil on panel) by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); 62.7x46.3 cm; Louvre, Paris

Background imageEmbrace Collection: THE VISITATION. Illumination from a French Book of Hours, c1230

THE VISITATION. Illumination from a French Book of Hours, c1230

Background imageEmbrace Collection: THE VISITATION. Illumination from a Gospel, early 11th century, Salzburg

THE VISITATION. Illumination from a Gospel, early 11th century, Salzburg

Background imageEmbrace Collection: Trysting Time is Kissing Time by Wilton Williams

Trysting Time is Kissing Time by Wilton Williams
Two 18th century lovers kiss on a balcony under a starry sky

Background imageEmbrace Collection: The Reunion of the Soul and the Body, pl. 13, illustration from The Grave, A

The Reunion of the Soul and the Body, pl. 13, illustration from The Grave, A
XYC290782 The Reunion of the Soul and the Body, pl.13, illustration from The Grave, A, Poem by William Blake (1757-1827), engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

Background imageEmbrace Collection: Yvonne Mitchell and Diana Dors

Yvonne Mitchell and Diana Dors
as prisoner officer Macfarlane and Mary Hilton in Yield To The Night. The film was based on a book by Joan Henry

Background imageEmbrace Collection: A scene from Yield to the Night (1956)

A scene from Yield to the Night (1956)
with Yvonne Mitchell as prisoner officer MacFarlane

Background imageEmbrace Collection: Faith, Sunshine Sunrays Positivity Hope

Faith, Sunshine Sunrays Positivity Hope
Uma Gokhale

Background imageEmbrace Collection: A Kiss Beneath the Floating Umbrellas

A Kiss Beneath the Floating Umbrellas
Miguel Bruzual

Background imageEmbrace Collection: Bear Hug

Bear Hug
Jerome S. Siegel

Background imageEmbrace Collection: Seista

Seista
Nara Simhan

Background imageEmbrace Collection: Beauty and the Beast

Beauty and the Beast
Karen MacKenzie

Background imageEmbrace Collection: Besitos

Besitos
Gigi Rosado

Background imageEmbrace Collection: Abstract Earth Tone Couple

Abstract Earth Tone Couple
Little Dean

Background imageEmbrace Collection: Home

Home
Julia Leister

Background imageEmbrace Collection: Hug In a Mug

Hug In a Mug
Julia Leister

Background imageEmbrace Collection: Home

Home
Julia Leister

Background imageEmbrace Collection: Together

Together
Kieron Long

Background imageEmbrace Collection: I am getting quite (h) attached to this place (colour litho)

I am getting quite (h) attached to this place (colour litho)
8656742 I am getting quite (h) attached to this place (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageEmbrace Collection: Paolo Malatesta and Francesca da Rimini, 1905 (marble)

Paolo Malatesta and Francesca da Rimini, 1905 (marble)
8683397 Paolo Malatesta and Francesca da Rimini, 1905 (marble) by Rodin, Auguste (1840-1917); Musee Rodin, Paris, France; (add.info.: "Paolo Malatesta and Francesca da Rimini")

Background imageEmbrace Collection: Here's a nice how d'ye do! (colour litho)

Here's a nice how d'ye do! (colour litho)
8656805 Here's a nice how d'ye do! (colour litho) by English School, (20th century); Private Collection; (add.info.: Here's a nice how d'ye do! Girl throwing her arms around a boy)

Background imageEmbrace Collection: The oath of love (colour litho)

The oath of love (colour litho)
8656727 The oath of love (colour litho) by German School, (20th century); Private Collection; (add.info.: The oath of love. Couple kissing behind a parasol in a deckchair)

Background imageEmbrace Collection: Peter Pan: The return of the children (colour litho)

Peter Pan: The return of the children (colour litho)
8635656 Peter Pan: The return of the children (colour litho) by Barham, Sybil (1877-1950); Private Collection; (add.info.: The return of the children. Scene from J M Barrie's Peter Pan)

Background imageEmbrace Collection: Charity (chromolitho)

Charity (chromolitho)
8635412 Charity (chromolitho) by English School, (20th century); Private Collection; (add.info.: Charity, man and woman clinging to a rock in a storm)

Background imageEmbrace Collection: Canoe-dling (colour litho)

Canoe-dling (colour litho)
8656683 Canoe-dling (colour litho) by English School, (20th century); Private Collection; (add.info.: Canoe-dling. Couple in a canoe at midnight. Postcard, early 20th century.); © Look and Learn

Background imageEmbrace Collection: Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)

Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)
PCT4266818 Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving); (add.info.: Illustration of Emile Zola's book " Au bonheur des dames")

Background imageEmbrace Collection: Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)

Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)
PCT4266883 Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving); (add.info)

Background imageEmbrace Collection: Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)

Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)
PCT4266854 Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving); (add.info.: Illustration of Emile Zola's book " Au bonheur des dames")

Background imageEmbrace Collection: Tom and Maggie Tulliver being run down by machinery from Dolcote Mill that has broken away in

Tom and Maggie Tulliver being run down by machinery from Dolcote Mill that has broken away in the flood
536965 Tom and Maggie Tulliver being run down by machinery from Dolcote Mill that has broken away in the flood, They die in a close embrace

Background imageEmbrace Collection: Depiction of Bacteriology. 19th century (engraving)

Depiction of Bacteriology. 19th century (engraving)
672850 Depiction of Bacteriology. 19th century (engraving); Universal History Archive/UIG

Background imageEmbrace Collection: French postcard dated circa, 1900, showing two well dressed young girls

French postcard dated circa, 1900, showing two well dressed young girls
3665655 French postcard dated circa, 1900, showing two well dressed young girls by French Photographer, (20th century); (add.info.: French postcard dated circa 1900)

Background imageEmbrace Collection: Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)

Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)
PCT4266889 Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving); (add.info.: Illustration of Emile Zola's book " Au bonheur des dames")

Background imageEmbrace Collection: Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)

Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)
PCT4266816 Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving); (add.info.: Illustration of Emile Zola's book " Au bonheur des dames")

Background imageEmbrace Collection: Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)

Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)
PCT4266798 Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving); (add.info)

Background imageEmbrace Collection: Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)

Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving)
PCT4266790 Illustration for Au bonheur des dames written by Emile Zola, 19th century, edition 1906 (engraving); (add.info.: Madame Aurelie)

Background imageEmbrace Collection: Two bunnies in love flirting on a bench, 1904 (postcard)

Two bunnies in love flirting on a bench, 1904 (postcard)
PCT4270455 Two bunnies in love flirting on a bench, 1904 (postcard); (add.info.: Two bunnies in love flirting on a bench surrounded by a garland of blue flowers)

Background imageEmbrace Collection: The embrace of Baldomero Espartero and General Rafael Maroto, 1839 (engraving)

The embrace of Baldomero Espartero and General Rafael Maroto, 1839 (engraving)
5304924 The embrace of Baldomero Espartero and General Rafael Maroto, 1839 (engraving); (add.info.: Engraving depicting the embrace of Baldomero Espartero)

Background imageEmbrace Collection: Elsa and Lohengrin, Act III of Lohengrin, c.1910 ()

Elsa and Lohengrin, Act III of Lohengrin, c.1910 ()
3434044 Elsa and Lohengrin, Act III of Lohengrin, c.1910 (; (add.info.: Opera. Coll. Part. Music. Opera. Elsa and Lohengrin)

Background imageEmbrace Collection: Do you, within your little hour of Grace, The waving Cypress in your Arms enlace

Do you, within your little hour of Grace, The waving Cypress in your Arms enlace
3086261 Do you, within your little hour of Grace, The waving Cypress in your Arms enlace, Before the Mother back into her arms Fold, and dissolve you in a last embrace

Background imageEmbrace Collection: Ataliba receiving the last embraces of his family conquest of Mexico

Ataliba receiving the last embraces of his family conquest of Mexico
2910531 Ataliba receiving the last embraces of his family conquest of Mexico; (add.info.: 1890 Colour illustration of Ataliba receiving the last embraces of his family conquest of Mexico)

Background imageEmbrace Collection: Swiss musical automaton, enamel and gold snuff box Geneva, c.1810

Swiss musical automaton, enamel and gold snuff box Geneva, c.1810
CH42983 Swiss musical automaton, enamel and gold snuff box Geneva, c.1810; Private Collection; Photo © Christie's Images

Background imageEmbrace Collection: Ruth embracing her mother-in-law. Bible 2 Ruth 1.14. Wood engraving 1873

Ruth embracing her mother-in-law. Bible 2 Ruth 1.14. Wood engraving 1873
535934 Ruth embracing her mother-in-law. Bible 2 Ruth 1.14. Wood engraving 1873.; (add.info.: Ruth embracing her mother-in-law. Bible 2 Ruth 1.14. Wood engraving 1873.); Universal History Archive/UIG




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"Embrace: A Timeless Gesture of Love and Connection" In the world of art, the concept of "embrace" has been beautifully captured throughout history. From iconic paintings to mesmerizing sculptures, this simple yet profound act holds a universal significance that transcends time. One such depiction is seen in The Lavender Hill Mob UK quad artwork for the release of the film in 1951. In this captivating image, two figures are locked in an embrace, symbolizing trust and unity amidst chaos. The renowned works by Edvard Munch and Auguste Rodin also explore the theme of embrace. MUNCH: THE KISS (1895) portrays an intimate moment between lovers, while RODIN: THE KISS (1886) showcases a passionate embrace frozen in marble. Even beyond art's realm, famous personalities have embraced each other with love and tenderness. George Harrison and his young wife Patti Boyd's affectionate embrace from 1966 captures their deep connection amidst fame and fortune. Literature too has celebrated embraces as seen in Daphnis and Chloe by Gerard Francois Pascal Simon (1770-1837), where two young lovers find solace within each other's arms. Similarly, Twixt Love and Duty (1914) explores the conflict between duty-bound responsibilities versus embracing true love. Agnolo Bronzino's An Allegory with Venus and Cupid depicts a divine embrace that signifies eternal love itself. This masterpiece reminds us that embracing someone can be a sacred act filled with passion and devotion. The world of cinema witnessed unforgettable embraces when Elizabeth Taylor shared heartfelt moments with Richard Burton on-screen as well as off-screen during their tempestuous relationship. Artistic genius Edvard Munch further delves into intense emotions through his painting The Vampire II (1895-1900). Here, an alluring but dangerous embrace captivates viewers' attention, exploring themes of desire intertwined with vulnerability.