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Embroidery Collection (#5)

"Unraveling the Threads of History: Embroidery as a Timeless Art" Embroidery, a craft that has woven its way through centuries

Background imageEmbroidery Collection: Anglo Saxon buckle 23, especially 24, cloak 25, embroidery 26, and thrones and chairs 27-32

Anglo Saxon buckle 23, especially 24, cloak 25, embroidery 26, and thrones and chairs 27-32
FLO4702275 Anglo Saxon buckle 23, especially 24, cloak 25, embroidery 26, and thrones and chairs 27-32. Handcoloured copperplate engraving from Robert von Spalart's " Historical Picture of

Background imageEmbroidery Collection: King Henry VII of England (1457-1509), 1490. Illustration from the Whitehall Mural by Remigius van

King Henry VII of England (1457-1509), 1490. Illustration from the Whitehall Mural by Remigius van Leemput after Hans
FLO4706393 King Henry VII of England (1457-1509), 1490. Illustration from the Whitehall Mural by Remigius van Leemput after Hans Holbein the Younger, circa 1667

Background imageEmbroidery Collection: Noblewoman of Genoa with flowers in her hair and bodice. Handcolored copperplate engraving

Noblewoman of Genoa with flowers in her hair and bodice. Handcolored copperplate engraving from Robert von
FLO4705968 Noblewoman of Genoa with flowers in her hair and bodice. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Principal People

Background imageEmbroidery Collection: Woman of France. Handcolored copperplate engraving from Robert von Spalart's ' Historical Picture of

Woman of France. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of
FLO4705899 Woman of France. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages

Background imageEmbroidery Collection: Noblewoman from Friesland from the 11th century. Handcolored copperplate engraving from Robert von

Noblewoman from Friesland from the 11th century. Handcolored copperplate engraving from Robert von Spalart's "
FLO4705210 Noblewoman from Friesland from the 11th century. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Peoples of Antiquity

Background imageEmbroidery Collection: Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving

Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving from Robert von Spalart's
FLO4705495 Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Principal People of

Background imageEmbroidery Collection: Woman of Naples with a feather fan attached by a gold chain to her belt, 16th century

Woman of Naples with a feather fan attached by a gold chain to her belt, 16th century
FLO4705333 Woman of Naples with a feather fan attached by a gold chain to her belt, 16th century. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of

Background imageEmbroidery Collection: Woman embroidering a bedspread, 19th century

Woman embroidering a bedspread, 19th century
NWI4880016 Woman embroidering a bedspread, 19th century.; (add.info.: Woman embroidering a bedspread, 19th century.); Photo © North Wind Pictures

Background imageEmbroidery Collection: Tokyo Woman in City Dress - Japanese woman in kimono and geta, town costume

Tokyo Woman in City Dress - Japanese woman in kimono and geta, town costume, province of Yedo (Tokyo)
FLO4686716 Tokyo Woman in City Dress - Japanese woman in kimono and geta, town costume, province of Yedo (Tokyo), from the collection of Mr. Jubin, 1868

Background imageEmbroidery Collection: Woman of Vialka, Russia, 1860. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet

Woman of Vialka, Russia, 1860. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers " Modes
FLO4686695 Woman of Vialka, Russia, 1860. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers " Modes et Costumes Etrangers Anciens et Modernes"

Background imageEmbroidery Collection: Woman of Kaluga, Russia, 1860. Handcoloured steel engraving by Polydor Pauquet from the Pauquet

Woman of Kaluga, Russia, 1860. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers " Modes
FLO4686690 Woman of Kaluga, Russia, 1860. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers " Modes et Costumes Etrangers Anciens et Modernes"

Background imageEmbroidery Collection: Young girl from the Canton of Thurgau, Switzerland, 18th century, after Franz Hegi

Young girl from the Canton of Thurgau, Switzerland, 18th century, after Franz Hegi
FLO4686563 Young girl from the Canton of Thurgau, Switzerland, 18th century, after Franz Hegi. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers " Modes et Costumes

Background imageEmbroidery Collection: Chevelier of the order of the shoe or of Saint Mark of the serene republic of Venice - Knights of

Chevelier of the order of the shoe or of Saint Mark of the serene republic of Venice - Knights of the Calza
FLO4686552 Chevelier of the order of the shoe or of Saint Mark of the serene republic of Venice - Knights of the Calza, (silk stocking), a Venetian order of chivalry, after Vittorio Carpaccio

Background imageEmbroidery Collection: Spanish bullfighter or Toreador, 18th century, after Rodriguez

Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet
FLO4686539 Spanish bullfighter or Toreador, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers " Modes et Costumes Etrangers Anciens et

Background imageEmbroidery Collection: Anne Iere, Impress of Russia (Anna Ivanovna, 1693-1740) - Anna Ioannovna, Empress of Russia

Anne Iere, Impress of Russia (Anna Ivanovna, 1693-1740) - Anna Ioannovna, Empress of Russia, 18th century
FLO4686515 Anne Iere, Impress of Russia (Anna Ivanovna, 1693-1740) - Anna Ioannovna, Empress of Russia, 18th century. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers

Background imageEmbroidery Collection: Noblewoman of Nuremberg, after Josse Amman, 1586 - Handcoloured steel engraving by Hippolyte

Noblewoman of Nuremberg, after Josse Amman, 1586 - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet
FLO4686419 Noblewoman of Nuremberg, after Josse Amman, 1586 - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers " Foreign Fashions and Costumes Ancient

Background imageEmbroidery Collection: Marquise, Reign of Louis XV, 1740. Handcoloured steel engraving by Polidor Pauquet after Nicolas

Marquise, Reign of Louis XV, 1740. Handcoloured steel engraving by Polidor Pauquet after Nicolas Lancret from
FLO4686082 Marquise, Reign of Louis XV, 1740. Handcoloured steel engraving by Polidor Pauquet after Nicolas Lancret from the Pauquet Brothers " Modes et Costumes Historique"

Background imageEmbroidery Collection: Ceremonial dresses, reign of Charles V, 1364. Handcoloured steel engraving by Polidor Pauquet

Ceremonial dresses, reign of Charles V, 1364. Handcoloured steel engraving by Polidor Pauquet from a drawing by Xavier
FLO4686001 Ceremonial dresses, reign of Charles V, 1364. Handcoloured steel engraving by Polidor Pauquet from a drawing by Xavier Willemin (1763-1833)

Background imageEmbroidery Collection: Fabric shop workers. Women in muslin dresses, bonnets and shawls embroidering, sewing

Fabric shop workers. Women in muslin dresses, bonnets and shawls embroidering, sewing
FLO4677956 Fabric shop workers. Women in muslin dresses, bonnets and shawls embroidering, sewing, cutting cloth and wrapping bolts of fabric

Background imageEmbroidery Collection: Woman in long veil over a pink dress in La Voilette costume. Lithograph by unknown artist with

Woman in long veil over a pink dress in La Voilette costume. Lithograph by unknown artist with stencil handcolouring
FLO4684605 Woman in long veil over a pink dress in La Voilette costume. Lithograph by unknown artist with stencil handcolouring from " Nos Travestis" (Our Fancy Dress Costumes), Paris

Background imageEmbroidery Collection: A group of Breton women and their embroideries

A group of Breton women and their embroideries
3078062 A group of Breton women and their embroideries; (add.info.: Photographic print of a group of Breton women, sat stitching)

Background imageEmbroidery Collection: Women winding hanks of embroidery silks

Women winding hanks of embroidery silks
2602740 Women winding hanks of embroidery silks; (add.info.: Women winding hanks of embroidery silks into convenient balls or onto spindles. Engraving, London, 1881.); Universal History Archive/UIG

Background imageEmbroidery Collection: Woman working on a piece of needlepoint

Woman working on a piece of needlepoint
2602735 Woman working on a piece of needlepoint; (add.info.: Woman working on a piece of needlepoint held in an embroidery frame. Engraving, London, 1891.); Universal History Archive/UIG

Background imageEmbroidery Collection: Chinese male embroiderer

Chinese male embroiderer
2602629 Chinese male embroiderer; (add.info.: Chinese male embroiderer seated at his embroidery frame. Engraving, London, 1812.); Universal History Archive/UIG

Background imageEmbroidery Collection: COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860

COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric)
3548496 COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric, cotton); 120x118 cm; Glasgow Museums

Background imageEmbroidery Collection: COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860

COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric)
3548493 COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric, cotton); 120x118 cm; Glasgow Museums

Background imageEmbroidery Collection: One of a pair of Portieres for the Marquand Music Room, c.1885-87 (silk & embroidery)

One of a pair of Portieres for the Marquand Music Room, c.1885-87 (silk & embroidery)
8698275 One of a pair of Portieres for the Marquand Music Room, c.1885-87 (silk & embroidery) by Alma-Tadema, Lawrence (1836-1912); Sterling and Francine Clark Art Institute, Williamstown

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701679 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701677 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701671 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701657 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Sampler, 1783 (linen & silk)

Sampler, 1783 (linen & silk)
8698352 Sampler, 1783 (linen & silk) by Richardson, Mary (1772-1824) ; 50.8x52.07 cm; Peabody Essex Museum, Salem, Massachusetts, USA; (add.info.: Sampler made by Mary Richardson. Needlework)

Background imageEmbroidery Collection: Cotton handkerchief with a satire on the effects of the coming of the Dutch railways, 1835

Cotton handkerchief with a satire on the effects of the coming of the Dutch railways, 1835
1577650 Cotton handkerchief with a satire on the effects of the coming of the Dutch railways, 1835; (add.info.: Cotton handkerchief with a satire on the effects of the coming of the Dutch railways)

Background imageEmbroidery Collection: A little dictionary of art in 100 pictures (litho)

A little dictionary of art in 100 pictures (litho)
8673176 A little dictionary of art in 100 pictures (litho) by English School, (20th century); Private Collection; (add.info.: A little dictionary of art in 100 pictures)

Background imageEmbroidery Collection: Scene with a musician playing the guhzeng. Embroidery on a Manila shawl

Scene with a musician playing the guhzeng. Embroidery on a Manila shawl, 19th century (embroidered textile)
AIS5370608 Scene with a musician playing the guhzeng. Embroidery on a Manila shawl, 19th century (embroidered textile); Textile Museum (Museu Textil i d'Indumentaria), Barcelona

Background imageEmbroidery Collection: An unidentified young lady of the time of Charles I, c.1635 (oil painting)

An unidentified young lady of the time of Charles I, c.1635 (oil painting)
7340626 An unidentified young lady of the time of Charles I, c.1635 (oil painting) by English School, (17th century); 72x61 cm; National Maritime Museum, London

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701690 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701681 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701674 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701673 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701663 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century

Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end. Detail
7142449 Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end. Detail.; (add.info.: Tresor de la cathedrale, Tournai, Hainaut)

Background imageEmbroidery Collection: A stumpwork basket or toilet box, mid 17th century (stumpwork)

A stumpwork basket or toilet box, mid 17th century (stumpwork)
7141194 A stumpwork basket or toilet box, mid 17th century (stumpwork); 16.5x23.5x19.5 cm; Parham House, West Sussex, UK; (add.info)

Background imageEmbroidery Collection: Detail of a British Royal Navy uniform, model from 1795-1812

Detail of a British Royal Navy uniform, model from 1795-1812 (wool and silk and gold alloy embroidered decorations)
MMM5475203 Detail of a British Royal Navy uniform, model from 1795-1812 (wool and silk and gold alloy embroidered decorations); National Maritime Museum, London

Background imageEmbroidery Collection: Costumes of Kyrgyz men with their distinctive hats, and a rear view of a woman in robes with

Costumes of Kyrgyz men with their distinctive hats, and a rear view of a woman in robes with shawl, embroidery
FLO4624788 Costumes of Kyrgyz men with their distinctive hats, and a rear view of a woman in robes with shawl, embroidery, fringes, etc

Background imageEmbroidery Collection: COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860

COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric)
3548492 COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric, cotton); 120x118 cm; Glasgow Museums

Background imageEmbroidery Collection: Mohammed Ibrahim, General of the King of Golconda or Golconda (India) - Mohammed Ibrahim

Mohammed Ibrahim, General of the King of Golconda or Golconda (India) - Mohammed Ibrahim
FLO4686472 Mohammed Ibrahim, General of the King of Golconda or Golconda (India) - Mohammed Ibrahim, General of the King of Golconda, 17th century

Background imageEmbroidery Collection: Michael Sutzos (1784-1864), Prince of Moldova - Michael Sutzos, Prince of Moldova, 1820, after L

Michael Sutzos (1784-1864), Prince of Moldova - Michael Sutzos, Prince of Moldova, 1820, after L. Dupre
FLO4686618 Michael Sutzos (1784-1864), Prince of Moldova - Michael Sutzos, Prince of Moldova, 1820, after L. Dupre. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers "




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"Unraveling the Threads of History: Embroidery as a Timeless Art" Embroidery, a craft that has woven its way through centuries, holds within it stories of valor and culture. Just like King Harold's foot soldiers with their spears and battle axes depicted in the Bayeux Tapestry, embroidery serves as a visual narrative of our past. From Central America to Panama, Cristobal to Kuna Indian traditional molas, embroidery showcases the rich tapestry of diverse cultures. It transcends borders and continents, connecting us all through intricate stitches and vibrant threads. In Normandy, France, Europe stands The Bayeux Tapestry - an iconic masterpiece that depicts pivotal moments in history. A feast for the eyes captured on fabric; it transports us back to late 11th century battles and reveals unknown creators who left their mark for eternity. Costa Rican art from Central America adds another layer to this artistic journey. Its vibrant colors mirror the lush landscapes while telling tales unique to Costa Rica's heritage. Frans Hals' "The Laughing Cavalier, " created in 1624 but still resonating today (1943), reminds us that embroidery is not confined solely to fabric and can be found even in oil paintings where every brushstroke weaves together a story worth cherishing. As ships were built in preparation for war according to the Bayeux Tapestry's depiction at Bayeux, Normandy, France; we see how embroidery captures not only beauty but also historical events etched into our collective memory. The death of King Harold portrayed with an arrow piercing his eye symbolizes both tragedy and bravery. This scene immortalized by needlework speaks volumes about human resilience amidst conflict. Just as Norman cavalry clashed with Harold's foot soldiers forming shield walls on embroidered cloth; so too do different elements collide harmoniously within this ancient art form – creating something truly remarkable.