Enamelling Collection (#6)

The lion frieze from King Darius winter palace at Susa, Iran, 1933-1934. Enamelled tile. From Wonders of the Past, volume II, 1933-1934

The archers of Kiing Darius, Susa, Iran, 1933-1934
The archers of King Darius, Susa, Iran, 1933-1934. Enameled tiles. From Wonders of the Past, volume II, 1933-1934

Bracelet. 2nd c. BC. Gold and turquoises. From the Sarmatian tribes. Scythian Art. Jewelry. RUSSIA. SAINT PETERSBURG. Saint Petersburg. State Hermitage Museum

Detail from an enamelled dish, early 17th century, (1843). Artist: Henry Shaw
Detail from an enamelled dish, early 17th century, (1843). The rim of a dish made using the enamelled pottery technique invented by Bernard Palissy

The La Tene style Battersea shield
The Battersea Shield, Iron Age, c350-c50 BC. The La Tene-style scrolling decoration is made using the repousse technique, emphasized with engraving and stippling

Detail of the Battersea Shield, Iron Age, c350-c50 BC. The La Tene-style scrolling decoration is made using the repousse technique, emphasized with engraving and stippling

The Nativity, 15th century. Joseph sits next to the bed in which Mary lies with the infant Jesus beside her in swaddling bands

Suffrage Badge N. U. W. S. S
Simple bar badge in metal with red enamelling and Womens Suffrage in gold letters. Probably issued by the National Union of Womens Suffrage Societies. Date: circa 1910

Source Size = 1893 x 1677
Electro and Silver Plating, Sketched at the Works of Messrs. Elkington and Co. Visited by H.R.H. the Prince of Wales: Enamelling

The Flagellation of Christ, by Jean I. Penicaud (c. 1500-1530), c. 1510 (Limoges enamel)
BAL4008 The Flagellation of Christ, by Jean I. Penicaud (c.1500-1530), c.1510 (Limoges enamel) by French School, (16th century); Victoria & Albert Museum, London, UK; French, out of copyright

Limosin or Limousin, Leonard (c. 1505-c. 1575). Portrait of the Constable of Montmorency. 1556. Renaissance art. Cinquecento. Enamel. FRANCE. Paris. Louvre Museum

Artisans - Morocco
Moroccan street artisans, making decorative inlaid furniture items in wood and metal

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Enamelling, a centuries-old art form, has adorned various objects throughout history. From Catalan pharmacy pots to European women holding enamelled boxes, the beauty of ceramics and intricate designs have captivated many. The delicate strokes of gouache on paper depict an elegant woman in Dutch attire showcasing her prized possession - an enamelled box. Gothic-style enameled gold plaques showcase the craftsmanship and attention to detail prevalent during that era. A tikka from the mid-19th century dazzles with diamonds, emeralds, pearls, and enamel intricately woven together. Similarly, a pendant from the same period boasts sapphires, emeralds, rubies, diamonds, pearls - all set against a backdrop of gleaming gold. The Two Crowned Martyrs piece takes us back to c. 1200-10 with its enchanting blend of enamel on copper and glass. An enamelled gold belt buckle transports us to 1650-1700 when such accessories were highly sought after for their elegance and sophistication. Moving across continents to Iran's King Darius winter palace at Susa in 1933-1934 reveals a mesmerizing lion frieze crafted using enamel techniques. Meanwhile, a bracelet from the 2nd century BC showcases how even ancient civilizations recognized the allure of combining gold with turquoises through exquisite enamelling. Antique treasures continue to amaze as we encounter an enamel and pearl pendant featuring drop-shaped pearls surrounded by white, red green & blue enamel delicately applied onto golden lac core. Lastly but not leastly is Limoges' little reliquary chest from the 13th century; gilt copper combined with vibrant enamel creates an awe-inspiring masterpiece that preserves precious relics within its ornate design. Through these diverse examples spanning centuries and cultures alike, enamelling emerges as both an art form and testament to human creativity.