English Seascape Collection

Fishing Craft off the Eddystone Lighthouse (oil on panel)
TW426855 Fishing Craft off the Eddystone Lighthouse (oil on panel) by Beavis, Richard (1824-96); 13.9x23.9 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

Beacon Rocks, Roker, Sunderland, 1885 (oil on canvas)
TW429376 Beacon Rocks, Roker, Sunderland, 1885 (oil on canvas) by Smith, John (1841-1917); 61x91.5 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; eSunderland Museums; British

Sea Study at Portscatho, Cornwall, 1901 (oil on board)
TW426947 Sea Study at Portscatho, Cornwall, 1901 (oil on board) by Hemy, Charles Napier (1841-1917); 35.1x48.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

Mouth of the Tyne (oil on canvas)
TW426513 Mouth of the Tyne (oil on canvas) by Swift, John Warkup (1815-69); 45.9x53.4 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; British, out of copyright

The Lifeboat Off, 1884 (oil on canvas)
TW426943 The Lifeboat Off, 1884 (oil on canvas) by Jobling, Robert (1841-1923); 50.8x76 cm; Laing Art Gallery, Newcastle-upon-Tyne

Launching the Cullerboats Lifeboat, 1902 (oil on canvas)
TW426864 Launching the Cullerboats Lifeboat, 1902 (oil on canvas) by Jobling, Robert (1841-1923); 50.7x76.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

The Brig Brotherly Love and Tug William, 1875 (oil on canvas)
TW427989 The Brig Brotherly Love and Tug William, 1875 (oil on canvas) by Scott, John (1802-82); 68.7x106.5 cm; South Shields Museum & Art Gallery, South Shields

S. S. Cogent of Sunderland, 1884-85 (oil on canvas)
TW429316 S.S. Cogent of Sunderland, 1884-85 (oil on canvas) by Hudson, John (1829-97); 65.4x122 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; (add.info.: The S.S)

Sunset Shadows, 1865 (oil on canvas)
TW426949 Sunset Shadows, 1865 (oil on canvas) by Hemy, Charles Napier (1841-1917); 43.2x66.4 cm; Laing Art Gallery, Newcastle-upon-Tyne

The Look Out, Shields Harbour, 1831 (oil on panel)
TW426546 The Look Out, Shields Harbour, 1831 (oil on panel) by Parker, Henry Perlee (1795-1873); 35.5x45.5 cm; Shipley Art Gallery, Gateshead, Tyne & Wear

Sunderland Piers, 1843, 1886 (oil on canvas)
TW429379 Sunderland Piers, 1843, 1886 (oil on canvas) by Syer, John James (1844-1912); 61x91 cm; Sunderland Museum & Winter Gardens, Tyne & Wear

Through Sea and Air, 1910 (oil on canvas)
TW426841 Through Sea and Air, 1910 (oil on canvas) by Hemy, Charles Napier (1841-1917); 122.3x183.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

Calm Water With Mountains And Trees Along The Shoreline, England

Hove Beach, c. 1824 (oil on paper on panel)
XYC174465 Hove Beach, c.1824 (oil on paper on panel) by Constable, John (1776-1837); 23x36 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

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"Capturing the Majesty of English Seascape: A Journey through Time and Nature" Immerse yourself in the breathtaking beauty as we explore a collection of captivating artworks. From the tranquil Fishing Craft off the Eddystone Lighthouse, where colorful boats dance upon azure waters, to the dramatic Beacon Rocks, Roker, Sunderland that showcases nature's raw power in 1885. Travel further along the coast to Portscatho, Cornwall in 1901 and witness an exquisite Sea Study that transports you to a serene coastal village. The artist's brushstrokes perfectly capture every ripple and reflection on this picturesque canvas. Experience the thrill of adventure with The Lifeboat Off in 1884; feel your heart race as brave souls battle treacherous waves to save lives. Then join them again in Launching the Cullerboats Lifeboat, 1902 - a testament to human resilience against nature's fury. Marvel at maritime history with The Brig Brotherly Love and Tug William from 1875; these majestic vessels stand tall against a backdrop of endless horizons. S. S. Cogent of Sunderland takes us back even further into shipbuilding heritage during its creation between 1884-85. As day turns into dusk, Sunset Shadows (1865) paints a mesmerizing scene where golden hues blend seamlessly with deep blues - an invitation for contemplation and tranquility. Meanwhile, The Look Out at Shields Harbour (1831) offers glimpses into seafaring life centuries ago when sailors relied on watchtowers for safety. Witness engineering marvels with Sunderland Piers depicted both in 1843 and later updated version from 1886; these structures symbolize man's ingenuity amidst ever-changing tides. Finally, Through Sea and Air (1910) invites us on an imaginary voyage across time as ships glide effortlessly through vast expanses while seabirds soar above - a testament to the enduring connection between land, sea, and sky.