Ensor Collection

The Entry of Christ into Brussels in 1889, 1888. Creator: Ensor, James (1860-1949)
The Entry of Christ into Brussels in 1889, 1888. Found in the Collection of J. Paul Getty Museum, Los Angeles

Tribulations of Saint Anthony, 1887. Artist: James Ensor
Tribulations of Saint Anthony, 1887. Museum of Modern Art, New York City. St. Anthony is the patron saint and helper of persons who are looking for things they lost

Masks Confronting Death, 1888. Artist: James Ensor
Masks Confronting Death, 1888. Museum of Modern Art, New York City

Baptême de masques (Baptism of masks), 1925-1930. Creator: Ensor, James (1860-1949)
Bapteme de masques (Baptism of masks), 1925-1930. Private Collection

Salon Bourgeois
A painting of a bourgeois lounge interior, with fine furniture and ornately framed paintings and mirror, two figures are seated around the table. Date: circa 1922

LORNA DOONE/BLACKMORE
John Ridd and Lorna are called before Ensor Doone, who says Fools you are - be fools for ever, before he dies later. Date: First published: 1869

Bapteme de masques, 1891. Creator: Ensor, James (1860-1949)
Bapteme de masques, 1891. Private Collection

Scenes de la Vie du Christ (Scenes from the Life of Christ), 1910-1915. Private Collection

Theatre of Masks, 1908. Artist: Ensor, James (1860-1949)
Theatre of Masks, 1908. Found in the collection of the Thyssen-Bornemisza Collections

The Skate, 1892. Found in the Collection of Musees royaux des Beaux-Arts de Belgique, Brussels

Bapteme de masques, ca 1925-1928. Private Collection

Self-Portrait with Flowered Hat, 1883. Found in the Collection of Mu.Zee, Ostende

Still Life in the studio, 1889. Found in the collection of Neue Pinakothek, Munich

Old Lady with Masks, 1889. Artist: Ensor, James (1860-1949)
Old Lady with Masks, 1889. Found in the collection of the Museum voor Schone Kunsten, Ghent

The Intrigue, 1890. Artist: Ensor, James (1860-1949)
The Intrigue, 1890. Found in the collection of the Royal Museum of Fine Arts, Antwerp

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"Ensor: A Master of Masks and Intrigue" Step into the world of James Ensor, a Belgian artist whose works captivate with their enigmatic beauty. From his iconic painting "The Entry of Christ into Brussels in 1889" to the mesmerizing "Bapteme de masques, " Ensor's art transports viewers to a realm where reality intertwines with fantasy. In his Salon Bourgeois, Ensor unveils an opulent scene that exposes the decadence and hypocrisy of society. Meanwhile, his interpretation of LORNA DOONE/BLACKMORE takes us on a journey through literature, blending fiction and visual art seamlessly. One cannot overlook the allure of Bapteme de masques from 1891 or its later rendition from ca 1925-1928. These compositions showcase Ensor's fascination with masks as symbols of hidden identities and societal facades. The Theatre of Masks further explores this theme, inviting us to question our own roles in life's grand performance. Scenes de la Vie du Christ offers a unique perspective on biblical narratives, presenting them through Ensor's distinct lens. His portrayal captures both the divinity and humanity within these sacred stories, evoking deep contemplation. Yet amidst these profound themes lies whimsy and playfulness. The Skate depicts joyous figures gliding across ice while Self-Portrait with Flowered Hat showcases Ensor himself adorned in vibrant blooms—a celebration of individuality and self-expression. Still Life in the studio reveals Ensor's mastery over composition and color palette, breathing life into everyday objects. And who can resist the charm exuded by Old Lady with Masks? This captivating portrait invites us to ponder the layers beneath every face we encounter. Finally, The Intrigue entices viewers into an enigmatic narrative filled with mystery—an invitation to unravel secrets concealed within each brushstroke. James Ensor leaves behind a legacy that challenges conventions while embracing human complexities.