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Envy Collection (#7)

Envy, a green-eyed monster that lurks within the depths of our souls, has long been a subject of fascination for artists and thinkers alike. From H. M

Background imageEnvy Collection: Vintage World War II poster of two sailors on the beach, one muscular, one skinny

Vintage World War II poster of two sailors on the beach, one muscular, one skinny
Vintage World War II poster of two sailors on the beach, one very muscular, one very skinny. It reads, Tuberculosis is no respecter of persons, don t miss your x-ray!

Background imageEnvy Collection: An Allegory of Intemperance, c. 1495-1500 (oil on panel)

An Allegory of Intemperance, c. 1495-1500 (oil on panel)
XOS996652 An Allegory of Intemperance, c.1495-1500 (oil on panel) by Bosch, Hieronymus (c.1450-1516); 35.9x31.4 cm; Yale University Art Gallery, New Haven, CT, USA; Netherlandish, out of copyright

Background imageEnvy Collection: Jacques Callot (French, 1592 - 1635), Envy, probably after 1621, etching and engraving

Jacques Callot (French, 1592 - 1635), Envy, probably after 1621, etching and engraving

Background imageEnvy Collection: Allegory of Fortune and the Vices (oil on canvas)

Allegory of Fortune and the Vices (oil on canvas)
XIR417065 Allegory of Fortune and the Vices (oil on canvas) by Flemish School, (16th century); 68x100 cm; Musee des Beaux-Arts, Nimes

Background imageEnvy Collection: Jealousy (oil on canvas)

Jealousy (oil on canvas)
XOT366564 Jealousy (oil on canvas) by Schiavoni, Natale (1777-1858); Museo Civico Revoltella, Trieste, Italy; Italian, out of copyright

Background imageEnvy Collection: Minerva Showing her Envy in the Polished Shield (oil on panel)

Minerva Showing her Envy in the Polished Shield (oil on panel)
XPH312449 Minerva Showing her Envy in the Polished Shield (oil on panel) by Rode, Christian Bernhard (1725-97); Staatliche Museen, Berlin

Background imageEnvy Collection: Minerva and Mercury Conduct the Duke of Buckingham (1592-1628) to the Temple of Virtue

Minerva and Mercury Conduct the Duke of Buckingham (1592-1628) to the Temple of Virtue
BAL30411 Minerva and Mercury Conduct the Duke of Buckingham (1592-1628) to the Temple of Virtue, before 1625 (oil on panel) by Rubens, Peter Paul (1577-1640); 64x63.7 cm; National Gallery, London

Background imageEnvy Collection: Minerva asks Envy to ignite jealousy in Aglauros, Hendrick Goltzius, Franco Estius, 1590

Minerva asks Envy to ignite jealousy in Aglauros, Hendrick Goltzius, Franco Estius, 1590

Background imageEnvy Collection: Envy, Jean de Weert, 1636 - 1700

Envy, Jean de Weert, 1636 - 1700

Background imageEnvy Collection: Severed heads for a prince on a throne, Arnold Houbraken, 1699

Severed heads for a prince on a throne, Arnold Houbraken, 1699

Background imageEnvy Collection: Pleading for unity and reconciliation, 1623, Jan van de Velde II, Jan Jansz Starter

Pleading for unity and reconciliation, 1623, Jan van de Velde II, Jan Jansz Starter, Jan Amelisz, 1623

Background imageEnvy Collection: Christian Knight, 1689, Jan Luyken, 1689

Christian Knight, 1689, Jan Luyken, 1689

Background imageEnvy Collection: Personification of painting on a pedestal, Arnold Houbraken, Nicolaes de Vries, 1688

Personification of painting on a pedestal, Arnold Houbraken, Nicolaes de Vries, 1688 - 1700

Background imageEnvy Collection: Envy, Pieter van der Heyden, Hieronymus Cock, unknown, 1558

Envy, Pieter van der Heyden, Hieronymus Cock, unknown, 1558

Background imageEnvy Collection: The Reading (oil on canvas)

The Reading (oil on canvas)
XIR162364 The Reading (oil on canvas) by Rotari, Pietro Antonio (1707-62); 88x75 cm; Tretyakov Gallery, Moscow, Russia; Italian, out of copyright

Background imageEnvy Collection: Jealousy (oil on canvas)

Jealousy (oil on canvas)
XIR155362 Jealousy (oil on canvas) by Guerin, Baron Pierre-Narcisse (1774-1833); Musee des Beaux-Arts, Angers, France; French, out of copyright

Background imageEnvy Collection: Portrait of Cornelis Jansenius, bishop of Ypres Belgium, Philip Fruytiers, 1620 - 1666

Portrait of Cornelis Jansenius, bishop of Ypres Belgium, Philip Fruytiers, 1620 - 1666

Background imageEnvy Collection: Dangers of wealth, Philips Galle, Hadrianus Junius, 1563

Dangers of wealth, Philips Galle, Hadrianus Junius, 1563

Background imageEnvy Collection: Negative emotions have an influence on humans, Philips Galle, 1563

Negative emotions have an influence on humans, Philips Galle, 1563

Background imageEnvy Collection: Destruction of the old Constitution, decoration on the Butter Market, Botermarkt, 1795, A

Destruction of the old Constitution, decoration on the Butter Market, Botermarkt, 1795, A. Verkerk, Johannes Roelof Poster, 1795

Background imageEnvy Collection: Allegorical sculpture, the Belgian Revolution in 1830, Carel Christiaan Anthony Last

Allegorical sculpture, the Belgian Revolution in 1830, Carel Christiaan Anthony Last, Desguerrois Co. 1831-1835

Background imageEnvy Collection: Jealousy, 1861 (oil on panel)

Jealousy, 1861 (oil on panel)
XKH223158 Jealousy, 1861 (oil on panel) by Knarren, Petrus Renier Hubertus (1826-69); 45.7x37 cm; Hamburger Kunsthalle, Hamburg, Germany; Belgian, out of copyright

Background imageEnvy Collection: Queen and a Roman soldier, Jan Luyken, Jan Claesz ten Hoorn, 1680

Queen and a Roman soldier, Jan Luyken, Jan Claesz ten Hoorn, 1680

Background imageEnvy Collection: Christian Knight, upper, Jan Luyken, Johannes Boekholt, 1689

Christian Knight, upper, Jan Luyken, Johannes Boekholt, 1689

Background imageEnvy Collection: The Love of Gold, 1844 (oil on canvas)

The Love of Gold, 1844 (oil on canvas)
XIR192874 The Love of Gold, 1844 (oil on canvas) by Couture, Thomas (1815-79); 154x188 cm; Musee des Augustins, Toulouse, France; (add.info.: Faust by Wolfgang van Goethe (1749-1832); ); French

Background imageEnvy Collection: Rosebud, or the Judgement of Paris, 1791 (w / c and bodycolour over graphite on paper)

Rosebud, or the Judgement of Paris, 1791 (w / c and bodycolour over graphite on paper)
XYC150259 Rosebud, or the Judgement of Paris, 1791 (w/c and bodycolour over graphite on paper) by Westall, Richard (1765-1836); 32.4x39.1 cm; Yale Center for British Art, Paul Mellon Collection

Background imageEnvy Collection: The International Fisheries Exhibition at South Kensington, London, Uk, 1883: 1

The International Fisheries Exhibition at South Kensington, London, Uk, 1883: 1
THE INTERNATIONAL FISHERIES EXHIBITION AT SOUTH KENSINGTON, LONDON, UK, 1883: 1. Is He Alive? 2. Boat in which Mr. B. Leigh Smith Escaped from the Wreck of his Arctic Exploring Ship "

Background imageEnvy Collection: Golden Eagle -Aquila chrysaetos- with bait and a Hooded Crow -Corvus corone cornix- during a

Golden Eagle -Aquila chrysaetos- with bait and a Hooded Crow -Corvus corone cornix- during a blizzard, Kainuu, Utajarvi, Nordfinnland, Finland

Background imageEnvy Collection: HELL: SEVEN DEADLY SINS. The Envious are immersed in freezing water as infernal

HELL: SEVEN DEADLY SINS. The Envious are immersed in freezing water as infernal punishment for one of the Seven Deadly Sins. French woodcut, 1496

Background imageEnvy Collection: SAUL THREATENS DAVID. (Left) Saul, madly jealous of David, tries to slay him with his spear

SAUL THREATENS DAVID. (Left) Saul, madly jealous of David, tries to slay him with his spear; (right) Saul makes David a captain over a thousand men (I Samuel xviii: 10-14)

Background imageEnvy Collection: School Holiday

School Holiday
circa 1905: London school children fishing during the holidays; the envy of the crowd has caught a gudgeon. (Photo by Topical Press Agency/Getty Images)

Background imageEnvy Collection: Hungry Chimp

Hungry Chimp
circa 1975: Brenda the chimpanzee eating some cabbage watched by her 2 year old son Freddie. (Photo by Evening Standard/Getty Images)

Background imageEnvy Collection: Can I Come In ?

Can I Come In ?
20th March 1954: Pinto, a male kangaroo and father of baby Johnny looks through a window into the house but he is too rough to be allowed inside like his wife and son

Background imageEnvy Collection: Picture No. 10893991

Picture No. 10893991
Red Kite - attacking Black Kite on ground (Milvus migrans) due to food envy (Milvus milvus) Date:

Background imageEnvy Collection: France, Paris, Fathers Curse, Ungrateful Son

France, Paris, Fathers Curse, Ungrateful Son
Jean Baptiste Greuze (1725-1805), The Fathers Curse. The Ungrateful Son, 1777, oil on canvas, 130x162 cm

Background imageEnvy Collection: Hungary, Budapest, Jealousy, 1892

Hungary, Budapest, Jealousy, 1892
Tihamer Margitay (1859-1922), Jealousy, 1892

Background imageEnvy Collection: France, Saint-Omer, Old man or jealous lover, 1791

France, Saint-Omer, Old man or jealous lover, 1791
Louis-Leopold Boilly (1761-1845), The Old Man or The Jealous Lover, 1791

Background imageEnvy Collection: COMPETITION FOR A MAN. Scene from a production of the play Lady Flora at the Court Theatre in London

COMPETITION FOR A MAN. Scene from a production of the play Lady Flora at the Court Theatre in London. Wood engraving from an English newspaper, 1875

Background imageEnvy Collection: OTHELLO, 19th CENTURY. Iago poisons Othellos mind with suspicion against Desdemona

OTHELLO, 19th CENTURY. Iago poisons Othellos mind with suspicion against Desdemona: wood engraving after Sir John Gilbert (1817-1897) for Shakespeares " Othello" (Act III, Scene 3)

Background imageEnvy Collection: SHAKESPEARE: OTHELLO. Iago poisons Othellos mind with suspicion against Desdemona (Act III)

SHAKESPEARE: OTHELLO. Iago poisons Othellos mind with suspicion against Desdemona (Act III)
SHAKESPEARE: OTHELLO. Iago poisons Othellos mind with suspicion against Desdemona (Act III, Scene III) in William Shakespeares Othello. Wood engraving after Sir John Gilbert

Background imageEnvy Collection: SEVEN DEADLY SINS, 1558. The Latin motto below the picture reads: Envy is a horrid monster

SEVEN DEADLY SINS, 1558. The Latin motto below the picture reads: Envy is a horrid monster, a most ferocious plague. Copper engraving, 1558, by Pieter van der Heyden after a drawing, 1557

Background imageEnvy Collection: Music in the home, 1887

Music in the home, 1887
An accomplished German man eclipses the other talent at an evening party, to the disgust of the watching Englishmen. " Young Muller(from Hamburg)

Background imageEnvy Collection: Plastic surgery

Plastic surgery
Cosmetic surgery. Conceptual computer artwork of a rubiks cube covered with images of parts of womens faces. The sections of the cube can be rotated until the desired face is found

Background imageEnvy Collection: SILENT STILL: TRIANGLES. Silent film still

SILENT STILL: TRIANGLES. Silent film still

Background imageEnvy Collection: FILM: FASHION ROW, 1923. Mae Murray

FILM: FASHION ROW, 1923. Mae Murray

Background imageEnvy Collection: That Newest Step by Laurie Tayler

That Newest Step by Laurie Tayler
That Newest Step, by Laurie Tayler. Young couples on the dance floor comment jealously on the couple in the middle doing the latest dance

Background imageEnvy Collection: Oh! Lucky Jim! - Lawson Wood Postcard

Oh! Lucky Jim! - Lawson Wood Postcard
Oh! Lucky Jim! A young lad is less than delighted for his pal, who is seemingly having more success in wooing the object of both boys affections




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Envy, a green-eyed monster that lurks within the depths of our souls, has long been a subject of fascination for artists and thinkers alike. From H. M. Bateman's depiction of mental cruelty to Leonardo da Vinci's allegories of pleasure and pain, envy is portrayed as a destructive force that consumes its victims. In Posada's metal engraving, we witness a rich man being hounded by the Seven Deadly Sins, with envy standing out among them. This early 20th-century artwork serves as a reminder that they are corrode even the most prosperous lives. H. M. Bateman further explores this theme in his illustration titled "Jealousy, " capturing the torment and anguish caused by comparing oneself to others. The artist skillfully portrays how they are twist one's perception and lead to mental suffering. The Tabletop of the Seven Deadly Sins and the Four Last Things provides us with an intricate visual representation of these vices, including envy. In this oil painting detail, we glimpse into the showgirls' changing room where jealousy runs rampant amidst glittering costumes and whispered rivalries. But it is not only humans who fall victim to envy; animals too are susceptible to its grip. Cecil Aldin's illustration depicts monkeys pointing at each other under an umbrella—a comical yet poignant portrayal of how even creatures in nature can be consumed by comparison and covetousness. It also finds its way into popular culture through cartoons like Carl Anderson's Henry cartoon titled "Cone Envy. " Through humor, Anderson highlights how trivial matters can trigger feelings of inadequacy and jealousy amongst individuals. Religious texts have also explored this deadly sin extensively; La Bonne Presse presents The Archangel Michael Throwing Satan out of Heaven as depicted in their catechism publication—an eternal battle against envious desires that seeks to corrupt humanity.