Skip to main content

Equestrian Collection (page 3)

"Equestrian: A Timeless Bond Between Man and Horse" From the majestic Marcus Aurelius Statue to Napoleon Crossing the Grand Saint-Bernard Pass

Background imageEquestrian Collection: GEORGIA: SHERMANs MARCH. Shermans March Through Georgia, 1864. Oil on canvas by Andrew B

GEORGIA: SHERMANs MARCH. Shermans March Through Georgia, 1864. Oil on canvas by Andrew B. Carlin, 1871

Background imageEquestrian Collection: MIDDLE AGES: KNIGHTHOOD. A knight arrayed for a tournament. Line engraving, 19th century

MIDDLE AGES: KNIGHTHOOD. A knight arrayed for a tournament. Line engraving, 19th century

Background imageEquestrian Collection: MEXICO: MONTERREY, c1846. Scene at Monterrey, Mexico. Line engraving, 19th century

MEXICO: MONTERREY, c1846. Scene at Monterrey, Mexico. Line engraving, 19th century

Background imageEquestrian Collection: REMINGTON: 10th CAVALRY. A Retiring Scout. Enlisted man of the 10th (Colored) Cavalry

REMINGTON: 10th CAVALRY. A Retiring Scout. Enlisted man of the 10th (Colored) Cavalry, known as Buffalo Soldiers, on maneuvers in Arizona. Wood engraving after Frederick Remington, 1888

Background imageEquestrian Collection: WORLD WAR I POSTER. Subscribe to the Sixth War Loan. Austrian World War I poster by Maximilian

WORLD WAR I POSTER. Subscribe to the Sixth War Loan. Austrian World War I poster by Maximilian Lenz, 1917

Background imageEquestrian Collection: BUFFALO BILL: POSTER, 1893. Buffalo Bill Wild West Show lithograph poster, c1893

BUFFALO BILL: POSTER, 1893. Buffalo Bill Wild West Show lithograph poster, c1893

Background imageEquestrian Collection: REMINGTON: SIGNAL, c1896. The Blanket Signal: oil on canvas, c1896, by Frederic Remington

REMINGTON: SIGNAL, c1896. The Blanket Signal: oil on canvas, c1896, by Frederic Remington

Background imageEquestrian Collection: CURTIS: SCOUT, 1908. The scout in winter. Photographed by Edward S. Curtis, 1908

CURTIS: SCOUT, 1908. The scout in winter. Photographed by Edward S. Curtis, 1908

Background imageEquestrian Collection: Memorial at Ulaanbaatar, Mongolia

Memorial at Ulaanbaatar, Mongolia
View of the Memorial of Suke Baatar (Mongolias national hero in the struggle for independence, Damdin Sukhbaatar, 1893-1923) in Sukhbaatar Square, with the Cultural Centre in the background

Background imageEquestrian Collection: Sinj - Two men during the Sinjska alka

Sinj - Two men during the Sinjska alka
The anniversary of the last victory over the Ottoman army in 1715 is celebrated yearly in the beginning of August by Sinjska alka

Background imageEquestrian Collection: Alexander the Great statue, Pella, Macedonia, Greece, Europe

Alexander the Great statue, Pella, Macedonia, Greece, Europe

Background imageEquestrian Collection: Horse - with foal grazing in field

Horse - with foal grazing in field
LA-4159 Horse - with foal grazing in field Jean Michel Labat Please note that prints are for personal display purposes only and may not be reproduced in any way

Background imageEquestrian Collection: The Fortune Teller, 1907 (oil on canvas)

The Fortune Teller, 1907 (oil on canvas)
658467 The Fortune Teller, 1907 (oil on canvas) by Hardy, Heywood (1842-1933); 68.5x100.3 cm; Private Collection; (add.info.: The Fortune Teller. Heywood Hardy (1842-1933). Oil on canvas

Background imageEquestrian Collection: Henry VIII, King of England (1491-1547) 1525, from Ancient Armour

Henry VIII, King of England (1491-1547) 1525, from Ancient Armour
STC136925 Henry VIII, King of England (1491-1547) 1525, from Ancient Armour by Samuel Rush Meyrick, 1824 (colour litho) by English School

Background imageEquestrian Collection: A Parisian; Une Parisienne, (oil on canvas)

A Parisian; Une Parisienne, (oil on canvas)
827434 A Parisian; Une Parisienne, (oil on canvas) by Beraud, Jean (1849-1935); 36.8x26.7 cm; Private Collection; (add.info.: A Parisian; Une Parisienne. Jean Beraud (1849-1935). Oil on canvas

Background imageEquestrian Collection: Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas)

Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas)
1199561 Halt of Prince Charles Edward on the Banks of the Nairne, 1878 (oil on canvas) by Beavis, Richard (1824-96); 115.5x178 cm; Private Collection; Photo eChristies Images; English

Background imageEquestrian Collection: Bucking Bronco, 1903 (oil on canvas laid down on masonite)

Bucking Bronco, 1903 (oil on canvas laid down on masonite)
823227 Bucking Bronco, 1903 (oil on canvas laid down on masonite) by Wyeth, Newell Convers (1882-1945); 70.4x49.5 cm; Private Collection; (add.info.: Bucking Bronco. Newell Convers Wyeth (1882-1945)

Background imageEquestrian Collection: View of the Monument to Peter the Great in Senate Square, St

View of the Monument to Peter the Great in Senate Square, St
SRM92133 View of the Monument to Peter the Great in Senate Square, St. Petersburg, 1870 (oil on canvas) by Surikov, Vasilij Ivanovic (1848-1916); State Russian Museum, St

Background imageEquestrian Collection: Epsom Racecourse (coloured engraving)

Epsom Racecourse (coloured engraving)
729503 Epsom Racecourse (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Epsom Racecourse - The Coming In. Engraving by Smyth)

Background imageEquestrian Collection: A Puppy for My Lady, (oil on canvas)

A Puppy for My Lady, (oil on canvas)
659164 A Puppy for My Lady, (oil on canvas) by Hardy, Heywood (1842-1933); 25.4x68.5 cm; Private Collection; (add.info.: A Puppy for My Lady. Heywood Hardy (1842-1933). Oil on canvas

Background imageEquestrian Collection: The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847

The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847
1765061 The Wiltshire Great Coursing Meeting Held at Amesbury, March 16, 17, 18, 19 And 20, 1847, With Stonehenge Beyond, 1847 (oil on canvas) by Barraud, W. (1810-50) and Barraud, H

Background imageEquestrian Collection: Bronco Rider, 1908 (oil on canvas)

Bronco Rider, 1908 (oil on canvas)
823099 Bronco Rider, 1908 (oil on canvas) by Dunton, William Herbert Buck (1878-1936); 74.1x48.5 cm; Private Collection; (add.info.: Bronco Rider. William Herbert Buck Dunton (1878-1936)

Background imageEquestrian Collection: Her Majesty Queen Victorias First Entry into Brighton Oct

Her Majesty Queen Victorias First Entry into Brighton Oct
985719 Her Majesty Queen Victorias First Entry into Brighton Oct. 4th 1837, 1837 (watercolour, pen and ink, pencil) by Cruikshank

Background imageEquestrian Collection: Richard the Lionheart (colour litho)

Richard the Lionheart (colour litho)
2775125 Richard the Lionheart (colour litho) by European School, (19th century); Private Collection; (add.info.: Richard the Lionheart)

Background imageEquestrian Collection: Wild horses of Cappadocia

Wild horses of Cappadocia
Dan Mirica

Background imageEquestrian Collection: Slow motion horses

Slow motion horses
Xavier Ortega

Background imageEquestrian Collection: Lille, France - Place de la Republique with the Statue of Faidherbe

Lille, France - Place de la Republique with the Statue of Faidherbe and the Palace of Arts. Date: circa 1905

Background imageEquestrian Collection: Full Cry - Tom Clarke, Huntsman of the Old Berkshire, c1879. Creator: Unknown

Full Cry - Tom Clarke, Huntsman of the Old Berkshire, c1879. Creator: Unknown
Full Cry" - Tom Clarke, Huntsman of the Old Berkshire, c1879. The Old Berkshire Hunt in Oxfordshire dates back to 1830. From " The Book of the Horse", by S. Sidney

Background imageEquestrian Collection: Queen Victoria at Osborne House, 1865 (1906)

Queen Victoria at Osborne House, 1865 (1906). From Cassells History of England, Vol. VI. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]. (Colorised black and white print)

Background imageEquestrian Collection: Kaiser Wilhelm monument, Dusseldorf, Germany

Kaiser Wilhelm monument, Dusseldorf, Germany
Kaiser Wilhelm monument and street scene, Dusseldorf, Germany

Background imageEquestrian Collection: Kakaraska held, scouts bringing back report under fire, WW1

Kakaraska held, scouts bringing back report under fire, WW1
The Surrey Yeomanry on the Struma Valley Front, Salonika 1917-1918. Kakaraska held, scouts bringing back report under fire, Spring 1918. By Frank Algernon Stewart (1877-1945). 1918

Background imageEquestrian Collection: Observation - Picket watching Salmah from the Worm, WW1

Observation - Picket watching Salmah from the Worm, WW1
The Surrey Yeomanry on the Struma Valley Front, Salonika 1917-1918. Observation - Picket watching Salmah from the Worm, North West corner of Gloucester Wood, Winter 1917-1918

Background imageEquestrian Collection: Starting the days war - the Gudeli Track, WW1

Starting the days war - the Gudeli Track, WW1
The Surrey Yeomanry on the Struma Valley Front, Salonika 1917-1918. Starting the days war - the Gudeli Track. By Frank Algernon Stewart (1877-1945). 1917-1918

Background imageEquestrian Collection: Portrait of Frederick William (1730-94) Baron von Steuben (litho)

Portrait of Frederick William (1730-94) Baron von Steuben (litho)
KW254777 Portrait of Frederick William (1730-94) Baron von Steuben (litho) by Chappel, Alonzo (1828-87) (after); Private Collection; (add.info)

Background imageEquestrian Collection: Illustration from The Anatomy of the Horse, including a particular description of the bones

Illustration from The Anatomy of the Horse, including a particular description of the bones
XYC237801 Illustration from The Anatomy of the Horse, including a particular description of the bones, cartilages, muscles...in eighteen tables, printed by J

Background imageEquestrian Collection: Soldier of the Imperial Guard on Horseback, 1898 (w / c on paper)

Soldier of the Imperial Guard on Horseback, 1898 (w / c on paper)
XIR177180 Soldier of the Imperial Guard on Horseback, 1898 (w/c on paper) by Chartier, Henri Georges Jacques (1859-1924); Musee de la Gendarmerie, Melun

Background imageEquestrian Collection: PROLOGUE: THE KNIGHT. Woodcut from the Prologue to Geoffrey Chaucers Canterbury Tales

PROLOGUE: THE KNIGHT. Woodcut from the Prologue to Geoffrey Chaucers Canterbury Tales, from William Caxtons second edition, c1484

Background imageEquestrian Collection: Picture No. 10874277

Picture No. 10874277
Appaloosa and black Quarterhorse Draft at winter pasture greeting each other (Equus caballus) Date:

Background imageEquestrian Collection: 14th Hussars - Colonel Brown Victoria Cross Re-enactment

14th Hussars - Colonel Brown Victoria Cross Re-enactment
Victoria Cross Re-enactment of the bravery of Colonel Edward Douglas Brown (Edward Douglas Browne-Synge-Hutchinson VC) (18611940) of the 14th Hussars - who

Background imageEquestrian Collection: JAPANESE CIRCUS POSTER. Japanese woodcut poster, 1886, for the Occidental Chariko Great Circus

JAPANESE CIRCUS POSTER. Japanese woodcut poster, 1886, for the Occidental Chariko Great Circus

Background imageEquestrian Collection: Equestrian Competition at Sinj, Croatia

Equestrian Competition at Sinj, Croatia
The anniversary of the last victory over the Ottoman army in 1715 is celebrated yearly in the beginning of August by Sinjska alka

Background imageEquestrian Collection: A Bay Horse at a manger, with a grey horse in a rug

A Bay Horse at a manger, with a grey horse in a rug
BAL66721 A Bay Horse at a manger, with a grey horse in a rug by Gericault, Theodore (1791-1824); Private Collection; French, out of copyright

Background imageEquestrian Collection: Magenta, 4th June 1859 (oil on canvas)

Magenta, 4th June 1859 (oil on canvas)
XIR243447 Magenta, 4th June 1859 (oil on canvas) by Yvon, Adolphe (1817-93); Musee des Beaux-Arts, Nantes, France; (add.info.: defeat of French and Piedmontese by Austrians; ); French

Background imageEquestrian Collection: FOXHALL KEENE (1867-1941). American polo player. Engraving, 1891

FOXHALL KEENE (1867-1941). American polo player. Engraving, 1891

Background imageEquestrian Collection: Equestrian Event at Fort Sheridan

Equestrian Event at Fort Sheridan
Photo of two men standing on horseback riding through a ring of fire

Background imageEquestrian Collection: ENGLAND: FOX HUNT, 1832. Going to cover. Line engraving, English, 1832

ENGLAND: FOX HUNT, 1832. Going to cover. Line engraving, English, 1832

Background imageEquestrian Collection: MARCUS AURELIUS (121-180). Roman emperor, 161-180. Roman equestrian statue

MARCUS AURELIUS (121-180). Roman emperor, 161-180. Roman equestrian statue, the only such remaining of a Roman emperor. Wood engraving, American, 19th century

Background imageEquestrian Collection: Dr. Zanders apparatus, 1897

Dr. Zanders apparatus, 1897
Dr Zanders apparatus: a lady rides side saddle on a horse simulator. A fixed saddle is attached to a cast iron frame, simulating similar vibrations to those experienced when riding a horse. 1897




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Equestrian: A Timeless Bond Between Man and Horse" From the majestic Marcus Aurelius Statue to Napoleon Crossing the Grand Saint-Bernard Pass, equestrianism has been an art form that transcends time. The canvas of history is adorned with remarkable moments like the Battle of Agincourt, where archers stood in front while cavalry massed behind them, showcasing the strategic power of horse-mounted warriors. Intriguingly, even folklore finds its place within this realm. Ichabod Crane and the Headless Horseman come alive through William John Wilgus' oil painting, capturing a chilling tale that sends shivers down our spines. Artists like Hogarth depict different times of day through their masterpieces; however, it is during Suffolk Punch Horse's mating ritual that we witness nature's own artistic expression. Legends also find their way into this captivating world. Sir Gawain beheading the Green Knight symbolizes bravery and honor amidst mythical challenges. The Crimean War brings forth images of valor as we envision Lord Alfred Tennyson's poem "Charge of the Light Brigade, " immortalizing those who fearlessly charged into battle on horseback. The Charge of the British Light Cavalry Brigade further exemplifies courage as they galloped fearlessly towards victory against all odds. Yet amidst these grand tales lies a simple beauty - a Palomino pony on rein reminds us of the intimate connection between rider and steed. It speaks volumes about trust and companionship forged over centuries. Beyond historical narratives lie vibrant locations such as Plaza Mayor in Madrid or Windsor Great Park's Copper Horse. These places serve as reminders that equestrian culture extends far beyond battles and legends; it permeates everyday life across diverse landscapes around the globe. Equestrianism embodies more than just horsemanship; it represents a harmonious partnership between humans and horses throughout history. It celebrates strength, grace, loyalty, and the unbreakable bond between two beings.