Eracle Collection

Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco)
2384750 Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco) by Italian School, (16th century); Rocca Meli Lupi, Soragna, Parma, Italy; (add.info.: Parma, Soragna)

Hercules killing the Cretan bull, Yellow Room, 16th century (fresco)
2384747 Hercules killing the Cretan bull, Yellow Room, 16th century (fresco) by Italian School, (16th century); Rocca Meli Lupi, Soragna, Parma, Italy; (add.info.: Parma, Soragna, Rocca Meli Lupi)

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336329 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze) by Bertoldo

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336328 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze) by Bertoldo

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336326 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, detail, 1473 (bronze) by Bertoldo

Head of Heracles
6263023 Head of Heracles by Etruscan; Museo Claudio Faina, Orvieto, Italy; (add.info.: Orvieto, Museo Faina: Testa di Ercole.); Ghigo Roli; out of copyright

Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper)
6343059 Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Giants killed by Hercules as they had dared to challenge Zeus (mosaic)
3961235 Giants killed by Hercules as they had dared to challenge Zeus (mosaic) by Roman, (4th century AD); Villa Romana del Casale, Piazza Armerina, Sicily, Italy; (add.info.: Piazza Armerina)

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336330 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze) by Bertoldo

Infant Hercules strangling the snakes, from the Yellow Room, Rocca Meli Lupi, Soragna, Parma, 16th century (fresco)
2384748 Infant Hercules strangling the snakes, from the Yellow Room, Rocca Meli Lupi, Soragna, Parma, 16th century (fresco) by Italian School, (16th century); Rocca Meli Lupi, Soragna, Parma

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Unleashing the Strength of Eracle: A Mythical Journey through Art" Step into the world of Eracle, also known as Hercules, as we explore captivating artworks that depict his legendary feats. In the first fresco, "Hercules slaying Antaeus, " we witness the mighty hero overpowering a formidable opponent with sheer determination and skill. Moving on to another vibrant fresco from the Yellow Room, we find ourselves immersed in "Hercules killing the Cretan bull. " The artist's brushstrokes bring to life this intense moment as Eracle fearlessly confronts and conquers yet another mythical creature. A bronze sculpture captures our attention next – "Hercules, after slaying bare-handed the Nemean lion. " Here, Eracle stands triumphant, donning the fearsome lion's skin while firmly grasping its open mouth. This masterpiece showcases not only his physical strength but also his indomitable spirit. Delving deeper into this extraordinary sculpture's details reveals an exquisite portrayal of power and bravery. Every curve and contour emphasizes Hercules' heroic stature and unwavering resolve. The head of Heracles emerges as a striking testament to artistic craftsmanship. Its intricate features convey both intensity and wisdom—qualities befitting a demigod who faced countless challenges throughout his mythological journey. Antonio Canova's lithograph transports us to an arena where Heroic Subjects come alive. Among them is none other than Hercules himself—a symbol of courage inspiring all who gaze upon this remarkable artwork. Intricate mosaics reveal another chapter in Hercules' saga – "Giants killed by Hercules. " These audacious beings dared challenge Zeus but were swiftly vanquished by our valiant hero. Their defeat serves as a reminder that even gods must face consequences for their arrogance. Returning to frescoes within Rocca Meli Lupi's Yellow Room, we encounter two more awe-inspiring depictions.