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Etching And Aquatint Collection

"Etching and Aquatint: Exploring the Artistic Depths" Step into the world of etching and aquatint

Background imageEtching And Aquatint Collection: Bear and Elf (Bar und Elfe): pl. 1, published 1881. Creator: Max Klinger

Bear and Elf (Bar und Elfe): pl. 1, published 1881. Creator: Max Klinger
Bear and Elf (Bar und Elfe): pl.1, published 1881

Background imageEtching And Aquatint Collection: Petite sorcière, c1879. Creator: Félicien Rops

Petite sorcière, c1879. Creator: Félicien Rops
Petite sorciere, c1879

Background imageEtching And Aquatint Collection: Landscape with Castle and Shepherd Tending Flock, 1704. Creator: Cornelis Ploos van Amstel

Landscape with Castle and Shepherd Tending Flock, 1704. Creator: Cornelis Ploos van Amstel
Landscape with Castle and Shepherd Tending Flock, 1704

Background imageEtching And Aquatint Collection: James Tobynn, 1875. Creator: Félicien Rops

James Tobynn, 1875. Creator: Félicien Rops
James Tobynn, 1875

Background imageEtching And Aquatint Collection: Le Vice suprême (The Supreme Vice), 1884. Creator: Félicien Rops

Le Vice suprême (The Supreme Vice), 1884. Creator: Félicien Rops
Le Vice supreme (The Supreme Vice), 1884. From Le Vice supreme, frontispiece

Background imageEtching And Aquatint Collection: Old Woman, posthumous printing after 1919 by Felsing. Creator: Paula Modersohn-Becker

Old Woman, posthumous printing after 1919 by Felsing. Creator: Paula Modersohn-Becker
Old Woman, posthumous printing after 1919 by Felsing

Background imageEtching And Aquatint Collection: Title Page: Oval Design from the Church of San Michele de Bosco, Bologna, 1772

Title Page: Oval Design from the Church of San Michele de Bosco, Bologna, 1772. Creator: Jean Claude Richard Saint-Non
Title Page: Oval Design from the Church of San Michele de Bosco, Bologna, 1772

Background imageEtching And Aquatint Collection: Seascape, published 1782. Creator: Regina Schönecker

Seascape, published 1782. Creator: Regina Schönecker
Seascape, published 1782

Background imageEtching And Aquatint Collection: Seascape, published 1782. Creator: Maria Catharina Prestel

Seascape, published 1782. Creator: Maria Catharina Prestel
Seascape, published 1782

Background imageEtching And Aquatint Collection: Wooded Landscape with Herdsman and Cows, c. 1780-1785. Creator: Thomas Gainsborough (British)

Wooded Landscape with Herdsman and Cows, c. 1780-1785. Creator: Thomas Gainsborough (British)
Wooded Landscape with Herdsman and Cows, c. 1780-1785

Background imageEtching And Aquatint Collection: A Morrocan farrier at left accompanied by another figure attending to the hoof of a... ca. 1860-70

A Morrocan farrier at left accompanied by another figure attending to the hoof of a... ca. 1860-70
A Morrocan farrier at left accompanied by another figure attending to the hoof of a mule, ca. 1860-70

Background imageEtching And Aquatint Collection: Entrance to the church of St Joseph (San Jose), Madrid, figures seated on the groun... ca. 1860-70

Entrance to the church of St Joseph (San Jose), Madrid, figures seated on the groun... ca. 1860-70
Entrance to the church of St Joseph (San Jose), Madrid, figures seated on the ground in front, ca. 1860-70

Background imageEtching And Aquatint Collection: View of the Grand Basin of the Tuileries (behind the statue of Autumn), ca. 1803

View of the Grand Basin of the Tuileries (behind the statue of Autumn), ca. 1803. Creator: Johann Heinrich Troll
View of the Grand Basin of the Tuileries (behind the statue of Autumn), ca. 1803

Background imageEtching And Aquatint Collection: A Young Elephant, . n. d. Creator: Johann Heinrich Wilhelm Tischbein

A Young Elephant, . n. d. Creator: Johann Heinrich Wilhelm Tischbein
A Young Elephant, .n.d

Background imageEtching And Aquatint Collection: Man in Venetian costume standing before a large fireplace, right arm outstretched... ca

Man in Venetian costume standing before a large fireplace, right arm outstretched... ca. 1770-1800. Creator: Anon
Man in Venetian costume standing before a large fireplace, right arm outstretched, ca. 1770-1800

Background imageEtching And Aquatint Collection: Caerphilly Castle, from 'Remarks on a Tour to North and South Wales, in the year 1797, 1800

Caerphilly Castle, from "Remarks on a Tour to North and South Wales, in the year 1797, 1800. Creator: John Hill
Caerphilly Castle, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageEtching And Aquatint Collection: A Welsh Landlady, from 'Remarks on a Tour to North and South Wales, in the year 1797, 1800

A Welsh Landlady, from "Remarks on a Tour to North and South Wales, in the year 1797, 1800. Creator: John Hill
A Welsh Landlady, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageEtching And Aquatint Collection: Ragland, from 'Remarks on a Tour to North and South Wales, in the year 1797', February 1, 1800

Ragland, from "Remarks on a Tour to North and South Wales, in the year 1797", February 1, 1800
Ragland, from " Remarks on a Tour to North and South Wales, in the year 1797", February 1, 1800

Background imageEtching And Aquatint Collection: The Craft in Danger, 1817. Creator: John Kay

The Craft in Danger, 1817. Creator: John Kay
The Craft in Danger, 1817

Background imageEtching And Aquatint Collection: Festiniog, from 'Remarks on a Tour to North and South Wales, in the year 1797', September 1, 1799

Festiniog, from "Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799
Festiniog, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageEtching And Aquatint Collection: The Union of the Wye with the Severn from Chepstow, from 'Remarks on a Tour to Wales', 1799

The Union of the Wye with the Severn from Chepstow, from "Remarks on a Tour to Wales", 1799
The Union of the Wye with the Severn from Chepstow, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1799

Background imageEtching And Aquatint Collection: Woolverhampton, from 'Remarks on a Tour to North and South Wales, in the year 1797, August 26, 1799

Woolverhampton, from "Remarks on a Tour to North and South Wales, in the year 1797, August 26, 1799
Woolverhampton, from " Remarks on a Tour to North and South Wales, in the year 1797", August 26, 1799

Background imageEtching And Aquatint Collection: Coventry, from 'Remarks on a Tour to North and South Wales, in the year 1797', August 27, 1799

Coventry, from "Remarks on a Tour to North and South Wales, in the year 1797", August 27, 1799
Coventry, from " Remarks on a Tour to North and South Wales, in the year 1797", August 27, 1799

Background imageEtching And Aquatint Collection: Langollen, from 'Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799

Langollen, from "Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799
Langollen, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageEtching And Aquatint Collection: The Kings Apartments Conway Castle, from 'Remarks on a Tour to North and South Wales, 1799-1800

The Kings Apartments Conway Castle, from "Remarks on a Tour to North and South Wales, 1799-1800
The Kings Apartments Conway Castle, from " Remarks on a Tour to North and South Wales, in the year 1797", 1799-1800

Background imageEtching And Aquatint Collection: Cardiff Castle, from 'Remarks on a Tour to North and South Wales, in the year 1797, August 26, 1799

Cardiff Castle, from "Remarks on a Tour to North and South Wales, in the year 1797, August 26, 1799
Cardiff Castle, from " Remarks on a Tour to North and South Wales, in the year 1797", August 26, 1799

Background imageEtching And Aquatint Collection: Inside of a Kitchen at Newcastle, from 'Remarks on a Tour to North and South Wales', 1800

Inside of a Kitchen at Newcastle, from "Remarks on a Tour to North and South Wales", 1800. Creator: John Hill
Inside of a Kitchen at Newcastle, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageEtching And Aquatint Collection: Swansey, from 'Remarks on a Tour to North and South Wales, in the year 1797', February 1, 1800

Swansey, from "Remarks on a Tour to North and South Wales, in the year 1797", February 1, 1800
Swansey, from " Remarks on a Tour to North and South Wales, in the year 1797", February 1, 1800

Background imageEtching And Aquatint Collection: Caernarvon, from 'Remarks on a Tour to North and South Wales, in the year 1797, November 2, 1799

Caernarvon, from "Remarks on a Tour to North and South Wales, in the year 1797, November 2, 1799
Caernarvon, from " Remarks on a Tour to North and South Wales, in the year 1797", November 2, 1799

Background imageEtching And Aquatint Collection: Tintern Abbey, from 'Remarks on a Tour to North and South Wales, in the year 1797', January 1, 1800

Tintern Abbey, from "Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800
Tintern Abbey, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageEtching And Aquatint Collection: The Hanging Tower at Caerphilly, from 'Remarks on a Tour to North and South Wales, 1800

The Hanging Tower at Caerphilly, from "Remarks on a Tour to North and South Wales, 1800. Creator: John Hill
The Hanging Tower at Caerphilly, from " Remarks on a Tour to North and South Wales, in the year 1797", January 1, 1800

Background imageEtching And Aquatint Collection: Penmanmawr, from 'Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799

Penmanmawr, from "Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799
Penmanmawr, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageEtching And Aquatint Collection: Snowdon from Llanberris Lake, from 'Remarks on a Tour to North and South Wales, 1799

Snowdon from Llanberris Lake, from "Remarks on a Tour to North and South Wales, 1799. Creator: John Hill
Snowdon from Llanberris Lake, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageEtching And Aquatint Collection: Pont Aberglasslyn, from 'Remarks on a Tour to North and South Wales, in the year 1797, 1799

Pont Aberglasslyn, from "Remarks on a Tour to North and South Wales, in the year 1797, 1799. Creator: John Hill
Pont Aberglasslyn, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageEtching And Aquatint Collection: Nantz Mill, from 'Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799

Nantz Mill, from "Remarks on a Tour to North and South Wales, in the year 1797, September 1, 1799
Nantz Mill, from " Remarks on a Tour to North and South Wales, in the year 1797", September 1, 1799

Background imageEtching And Aquatint Collection: The Closet, January 28, 1778. January 28, 1778. Creator: Anon

The Closet, January 28, 1778. January 28, 1778. Creator: Anon
The Closet, January 28, 1778

Background imageEtching And Aquatint Collection: Pauvre Annette, 1795. Creator: Philibert Louis Debucourt

Pauvre Annette, 1795. Creator: Philibert Louis Debucourt
Pauvre Annette, 1795

Background imageEtching And Aquatint Collection: Frontispiece to 'Hero and Leander', 1801. Creator: Philibert Louis Debucourt

Frontispiece to "Hero and Leander", 1801. Creator: Philibert Louis Debucourt
Frontispiece to " Hero and Leander", 1801

Background imageEtching And Aquatint Collection: The Sacrifice of Polyxena, 1776. Creator: Giovanni David

The Sacrifice of Polyxena, 1776. Creator: Giovanni David
The Sacrifice of Polyxena, 1776. King Priams daughter Polyxena is sacrificed for her betrayal of Achilles after her brothers shot a poisoned arrow in his heel

Background imageEtching And Aquatint Collection: A man wearing a mask drinking a cup of coffee (Le Masque au Caffe), 1775

A man wearing a mask drinking a cup of coffee (Le Masque au Caffe), 1775. Title page to Divers Portraits

Background imageEtching And Aquatint Collection: Curious Psyche, mid-1770s. Creator: Giovanni David

Curious Psyche, mid-1770s. Creator: Giovanni David
Curious Psyche, mid-1770s

Background imageEtching And Aquatint Collection: Soldiers Attacking, April 1, 1798. Creator: Heinrich Schutz

Soldiers Attacking, April 1, 1798. Creator: Heinrich Schutz
Soldiers Attacking, April 1, 1798

Background imageEtching And Aquatint Collection: Soldiers Recreating, April 1, 1798. Creator: Heinrich Schutz

Soldiers Recreating, April 1, 1798. Creator: Heinrich Schutz
Soldiers Recreating, April 1, 1798

Background imageEtching And Aquatint Collection: La Deesse des Mers, 1775-1832. Creator: Philibert Louis Debucourt

La Deesse des Mers, 1775-1832. Creator: Philibert Louis Debucourt
La Deesse des Mers, 1775-1832

Background imageEtching And Aquatint Collection: Private Drilling, No 5, June 1, 1798. Creator: Heinrich Schutz

Private Drilling, No 5, June 1, 1798. Creator: Heinrich Schutz
Private Drilling, No 5, June 1, 1798

Background imageEtching And Aquatint Collection: Smuggling In, or A College Trick, August 8, 1810. August 8, 1810. Creator: Heinrich Schutz

Smuggling In, or A College Trick, August 8, 1810. August 8, 1810. Creator: Heinrich Schutz
Smuggling In, or A College Trick, August 8, 1810

Background imageEtching And Aquatint Collection: Soldiers Marching, April 1, 1798. Creator: Heinrich Schutz

Soldiers Marching, April 1, 1798. Creator: Heinrich Schutz
Soldiers Marching, April 1, 1798

Background imageEtching And Aquatint Collection: Soldiers Cooking, April 1, 1798. Creator: Heinrich Schutz

Soldiers Cooking, April 1, 1798. Creator: Heinrich Schutz
Soldiers Cooking, April 1, 1798




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"Etching and Aquatint: Exploring the Artistic Depths" Step into the world of etching and aquatint, where masterpieces come to life through intricate lines and captivating textures. In Max Klinger's "Bear and Elf (Bar und Elfe): pl. 1, " published in 1881, we witness a whimsical encounter between two enchanting creatures that sparks our imagination. Travel back in time to the late 18th century with Thomas Gainsborough's "Wooded Landscape with Herdsman and Cows. " This British artist transports us to a serene pastoral scene, where nature harmoniously coexists with human presence. Mariano Jose Maria Bernardo Fortuny y Carbo takes us on an exotic journey with his Moroccan farrier attending to a horse's hoof in the mid-19th century. The attention to detail captures the essence of this cultural moment. Fortuny y Carbo continues his exploration of human connection in "Entrance to the church of St Joseph (San Jose), Madrid. " Figures seated on the ground create an atmosphere of contemplation as they engage with their surroundings. Johann Heinrich Troll invites us into Paris' Tuileries Garden circa 1803, offering a breathtaking view of its grand basin behind Autumn's statue. The play between light and shadow adds depth to this picturesque landscape. Johann Heinrich Wilhelm Tischbein presents us with "A Young Elephant, " capturing both its innocence and strength. Through delicate etching strokes, he brings forth every wrinkle and contour, allowing us to marvel at this majestic creature. An anonymous artist transports us to Venice during the late 18th century through "Man in Venetian costume standing before a large fireplace. " With outstretched arm, he exudes confidence against an opulent backdrop. John Hill takes us on a tour through Wales' rich history in his series "Remarks on a Tour to North and South Wales.