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Extravagance Collection (#3)

"Indulging in Opulence: A Glimpse into Extravagance" Step into a world of grandeur and excess, where luxury knows no bounds

Background imageExtravagance Collection: Capitol and Labor, 1881 (oil on canvas)

Capitol and Labor, 1881 (oil on canvas)
NYH188134 Capitol and Labor, 1881 (oil on canvas) by Henry, Edward Lamson (1841-1919); 31.8x38.7 cm; Collection of the New-York Historical Society, USA; eNew York Historical Society; American

Background imageExtravagance Collection: Les Merveilleuses, Anonymous. Copper engraving, watercolour, 1796. Private Collection

Les Merveilleuses, Anonymous. Copper engraving, watercolour, 1796. Private Collection
FIA5409586 Les Merveilleuses, Anonymous. Copper engraving, watercolour, 1796. Private Collection by Anonymous; Private Collection; Photo eFine Art Images; out of copyright

Background imageExtravagance Collection: Madame Justine Favart (1727-1772) par Anonymous, Late 18th cent

Madame Justine Favart (1727-1772) par Anonymous, Late 18th cent
FIA5402684 Madame Justine Favart (1727-1772) par Anonymous, Late 18th cent. - Copper engraving, watercolour - Private Collection by Anonymous; Private Collection; Photo eFine Art Images; out of

Background imageExtravagance Collection: Woman in dress with ribbon frills, era of Marie Antoinette

Woman in dress with ribbon frills, era of Marie Antoinette
5893155 Woman in dress with ribbon frills, era of Marie Antoinette. by Compte-Calix, Francois Claudius (1813-80); (add.info.: Woman in long white silk dress with blue ribbon frills)

Background imageExtravagance Collection: 'A Victim of Fashion'(colour litho)

"A Victim of Fashion"(colour litho)
6010805 " A Victim of Fashion" (colour litho) by Dadd, Frank (1851-1929) (after); Private Collection; (add.info)

Background imageExtravagance Collection: The dining room at the Hotel Dolphin, New York, 1915 (silver gelatin print)

The dining room at the Hotel Dolphin, New York, 1915 (silver gelatin print)
MNY380637 The dining room at the Hotel Dolphin, New York, 1915 (silver gelatin print) by Byron Company (fl.1890-1942); 27.9x35.6 cm; Museum of the City of New York

Background imageExtravagance Collection: The Loss of the Faro Bank, or The Rooks Pigeon d

The Loss of the Faro Bank, or The Rooks Pigeon d
NCO191286 The Loss of the Faro Bank, or The Rooks Pigeon d, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

Background imageExtravagance Collection: Matins at D-wn-ng College, Cambridge, pub. 1810 (hand coloured engraving)

Matins at D-wn-ng College, Cambridge, pub. 1810 (hand coloured engraving)
3051763 Matins at D-wn-ng College, Cambridge, pub. 1810 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageExtravagance Collection: Welcoming a guest to the party (colour litho)

Welcoming a guest to the party (colour litho)
3099454 Welcoming a guest to the party (colour litho) by English School, (19th century); Private Collection; (add.info.: Welcoming a guest to the party)

Background imageExtravagance Collection: 'I forbid you to come near me with those scissors '(engraving)

"I forbid you to come near me with those scissors "(engraving)
2809370 " I forbid you to come near me with those scissors " (engraving) by English School, (20th century); Private Collection; (add.info)

Background imageExtravagance Collection: Page from the catalogue of the Grand Depot de Porcelaines, Faiences et Verreries (colour litho)

Page from the catalogue of the Grand Depot de Porcelaines, Faiences et Verreries (colour litho)
1108179 Page from the catalogue of the Grand Depot de Porcelaines, Faiences et Verreries (colour litho) by French School, (19th century); Private Collection; (add.info)

Background imageExtravagance Collection: Page from Steinway & Sons Art Catalogue (colour litho)

Page from Steinway & Sons Art Catalogue (colour litho)
2775140 Page from Steinway & Sons Art Catalogue (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageExtravagance Collection: Page from Steinway & Sons Art Catalogue (colour litho)

Page from Steinway & Sons Art Catalogue (colour litho)
2775139 Page from Steinway & Sons Art Catalogue (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageExtravagance Collection: Portrait of Oopjen Coppit, 1634 (oil on canvas)

Portrait of Oopjen Coppit, 1634 (oil on canvas)
3545946 Portrait of Oopjen Coppit, 1634 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 207.5x132 cm; Rijksmuseum, Amsterdam

Background imageExtravagance Collection: Portrait of Marten Soolmans, 1634 (oil on canvas)

Portrait of Marten Soolmans, 1634 (oil on canvas)
3545936 Portrait of Marten Soolmans, 1634 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 207.5x132 cm; Rijksmuseum, Amsterdam

Background imageExtravagance Collection: A dish garnished with truffles being served in 18th century Paris (chromolitho)

A dish garnished with truffles being served in 18th century Paris (chromolitho)
736030 A dish garnished with truffles being served in 18th century Paris (chromolitho) by European School, (19th century); Private Collection; (add.info)

Background imageExtravagance Collection: Adolph Simpkins (colour litho)

Adolph Simpkins (colour litho)
610742 Adolph Simpkins (colour litho) by Concanen, Alfred (1835-86); Private Collection; (add.info.: Adolph Simpkins); Look and Learn / Peter Jackson Collection; English, out of copyright

Background imageExtravagance Collection: Musical score for The West End, a polka by Charles D Albert (colour litho)

Musical score for The West End, a polka by Charles D Albert (colour litho)
602569 Musical score for The West End, a polka by Charles D Albert (colour litho) by English School, (19th century); Private Collection; (add.info.: Musical score for The West End)

Background imageExtravagance Collection: Ridiculous taste or the ladies absurdity (engraving)

Ridiculous taste or the ladies absurdity (engraving)
560214 Ridiculous taste or the ladies absurdity (engraving) by English School, (18th century); Private Collection; (add.info)

Background imageExtravagance Collection: And catch the living Manners as they rise, published by Hannah Humphrey

And catch the living Manners as they rise, published by Hannah Humphrey
NCO191293 And catch the living Manners as they rise, published by Hannah Humphrey (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageExtravagance Collection: Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan

Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan
NCO191711 Lady Godivas Rout, or Peeping-Tom spying out Pope-Joan, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Background imageExtravagance Collection: Dinner party

Dinner party
LLM460539 Dinner party by English School, (19th century); Private Collection; (add.info.: Dinner party. Illustration for Warnes Picture Puzzle Toy Book (c 1880). Note cut-outs stuck onto pictures

Background imageExtravagance Collection: Cinq pour Une, plate 3 from the series Le Bon Genre

Cinq pour Une, plate 3 from the series Le Bon Genre
CHT187102 Cinq pour Une, plate 3 from the series Le Bon Genre, early 19th century (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageExtravagance Collection: MS Hazine 1563 fol. 47b Suleyman I (1495-1566) as a Young Man, from Semailname

MS Hazine 1563 fol. 47b Suleyman I (1495-1566) as a Young Man, from Semailname
TPG178298 MS Hazine 1563 fol.47b Suleyman I (1495-1566) as a Young Man, from Semailname, 1579 (ink and gold leaf on paper) by Nakkas Osman (fl.1579); Topkapi Palace Museum, Istanbul, Turkey; Turkish

Background imageExtravagance Collection: A Tale in Four Stories (engraving)

A Tale in Four Stories (engraving)
1590853 A Tale in Four Stories (engraving) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: A Tale in Four Stories)

Background imageExtravagance Collection: The folly on the Thames; favourite place of resort in the time of Charles II (engraving)

The folly on the Thames; favourite place of resort in the time of Charles II (engraving)
654517 The folly on the Thames; favourite place of resort in the time of Charles II (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageExtravagance Collection: Kenny Meadows: The Diner-Out (engraving)

Kenny Meadows: The Diner-Out (engraving)
5989593 Kenny Meadows: The Diner-Out (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: The Diner-Out)

Background imageExtravagance Collection: Punch cartoon: Oxford undergraduates living beyond their means (engraving)

Punch cartoon: Oxford undergraduates living beyond their means (engraving)
5237215 Punch cartoon: Oxford undergraduates living beyond their means (engraving) by English School, (19th century); Private Collection; (add.info.: Oxford undergraduates living beyond their means)

Background imageExtravagance Collection: Dandy with lorgnette, era of Marie Antoinette

Dandy with lorgnette, era of Marie Antoinette
5893157 Dandy with lorgnette, era of Marie Antoinette. by Compte-Calix, Francois Claudius (1813-80); (add.info.: Dandy in black suit, breeches and stockings)

Background imageExtravagance Collection: Man in large black bicorn hat, era of Marie Antoinette

Man in large black bicorn hat, era of Marie Antoinette
5893154 Man in large black bicorn hat, era of Marie Antoinette. by Compte-Calix, Francois Claudius (1813-80); (add.info.: Man in large black bicorn hat, white cravat, brown coat over cream breeches)

Background imageExtravagance Collection: Woman in flower-trimmed outfit, era of Marie Antoinette

Woman in flower-trimmed outfit, era of Marie Antoinette
5893152 Woman in flower-trimmed outfit, era of Marie Antoinette. by Compte-Calix, Francois Claudius (1813-80); (add.info.: Woman in extravagant tall floral bonnet, wearing a fichu and corsage)

Background imageExtravagance Collection: Page from Steinway & Sons Art Catalogue (colour litho)

Page from Steinway & Sons Art Catalogue (colour litho)
2775147 Page from Steinway & Sons Art Catalogue (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageExtravagance Collection: The Almighty Dollar and How to Get Rid of It (colour litho)

The Almighty Dollar and How to Get Rid of It (colour litho)
2795346 The Almighty Dollar and How to Get Rid of It (colour litho) by American School, (20th century); Private Collection; (add.info.: The Almighty Dollar and How to Get Rid of It)

Background imageExtravagance Collection: Page from the catalogue of the Grand Depot de Porcelaines, Faiences et Verreries (colour litho)

Page from the catalogue of the Grand Depot de Porcelaines, Faiences et Verreries (colour litho)
1108164 Page from the catalogue of the Grand Depot de Porcelaines, Faiences et Verreries (colour litho) by French School, (19th century); Private Collection; (add.info)

Background imageExtravagance Collection: Belshazzars Feast, c. 1610 (oil on panel)

Belshazzars Feast, c. 1610 (oil on panel)
990046 Belshazzars Feast, c.1610 (oil on panel) by Francken, Frans II the Younger (1581-1642); 54.5x76.7 cm; Private Collection; (add.info.: Belshazzars Feast)

Background imageExtravagance Collection: Ms 927 Fol. 52v Prodigality, Liberality and Greed, from Ethics

Ms 927 Fol. 52v Prodigality, Liberality and Greed, from Ethics
XIR165169 Ms 927 Fol.52v Prodigality, Liberality and Greed, from Ethics, Politics and Economics by Aristotle (384-322 BC) (vellum) by French School, (15th century); Bibliotheque Municipale, Rouen

Background imageExtravagance Collection: Lady Godivas Rout - or - Peeping Tom Spying out Pope Joan

Lady Godivas Rout - or - Peeping Tom Spying out Pope Joan
BAL42843 Lady Godivas Rout - or - Peeping Tom Spying out Pope Joan, 1796 (hand-coloured engraving) by Gillray, James (1757-1815); O Shea Gallery, London

Background imageExtravagance Collection: The Hand-Writing upon the Wall, published by Hannah Humphrey in 1803

The Hand-Writing upon the Wall, published by Hannah Humphrey in 1803
NCO190183 The Hand-Writing upon the Wall, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); 25x35.5 cm; Courtesy of the Warden and Scholars of New College

Background imageExtravagance Collection: A Rakes Progress II: The Rakes Levee, 1733 (oil on canvas)

A Rakes Progress II: The Rakes Levee, 1733 (oil on canvas)
SJS72327 A Rakes Progress II: The Rakes Levee, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

Background imageExtravagance Collection: As Mans Ingratitude (engraving)

As Mans Ingratitude (engraving)
5237254 As Mans Ingratitude (engraving) by Hopkins, Arthur (1848-1930) (after); Private Collection; (add.info.: As Mans Ingratitude)

Background imageExtravagance Collection: Woman in chapeau and redingote, era of Marie Antoinette

Woman in chapeau and redingote, era of Marie Antoinette
5893158 Woman in chapeau and redingote, era of Marie Antoinette. by Compte-Calix, Francois Claudius (1813-80); (add.info.: Fashionable woman in flowery chapeau and veil)

Background imageExtravagance Collection: Woman in fur-trimmed outfit, era of Marie Antoinette

Woman in fur-trimmed outfit, era of Marie Antoinette
5893156 Woman in fur-trimmed outfit, era of Marie Antoinette. by Compte-Calix, Francois Claudius (1813-80); (add.info.: Woman in floral bonnet)

Background imageExtravagance Collection: Woman reading a book, era of Marie Antoinette

Woman reading a book, era of Marie Antoinette
5893149 Woman reading a book, era of Marie Antoinette. by Compte-Calix, Francois Claudius (1813-80); (add.info.: Fashionable woman in pouf hairstyle with ribbon)

Background imageExtravagance Collection: Young French woman dressed in the fashion of the Wonderful of the 18th century

Young French woman dressed in the fashion of the Wonderful of the 18th century
FLO4616906 Young French woman dressed in the fashion of the Wonderful of the 18th century, after a painting by Carle Vernet (1758-1836)

Background imageExtravagance Collection: Extracts from the Diary of Samuel Willowmere, who with Jacob Porteous visits the Zuyder Zee

Extracts from the Diary of Samuel Willowmere, who with Jacob Porteous visits the Zuyder Zee (colour litho)
1040063 Extracts from the Diary of Samuel Willowmere, who with Jacob Porteous visits the Zuyder Zee (colour litho) by Browne

Background imageExtravagance Collection: The Savoy Cafe (colour litho)

The Savoy Cafe (colour litho)
972451 The Savoy Cafe (colour litho) by English School, (19th century); Private Collection; (add.info.: The Savoy Cafe. Illustration for Homes of the Passing Show (The Savoy Press, 1900)

Background imageExtravagance Collection: Pulling crackers (colour litho)

Pulling crackers (colour litho)
3099451 Pulling crackers (colour litho) by English School, (19th century); Private Collection; (add.info.: Pulling crackers)




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"Indulging in Opulence: A Glimpse into Extravagance" Step into a world of grandeur and excess, where luxury knows no bounds. From the majestic Coronation of the Shah of Iran to the sleek Aston Martin V8 Vantage, every detail exudes extravagance. In the enchanting Gardens and village of Chateau de Villandry in France's Loire Valley, opulence takes root amidst meticulously manicured landscapes. Meanwhile, Al-Husn Souq in Salalah beckons with local frankincense perfumes housed in ornate gold and glass bottles – a sensory delight fit for royalty. Behold the regal stamp bearing the image of Maharaja of Patiala, showcasing his reign over wealth and power. And as if one Porsche 911 (997) Carrera S wasn't enough to satisfy desires, indulge your automotive fantasies with another glimpse at this epitome of lavishness. As we sing a song reminiscent of times past, Reza Pahlavi's Crown Prince status during Shah Mohammad Reza Pahlavi's Coronation reminds us that often intertwined with monarchy. The very essence of Marie Antoinette's era comes alive through images capturing women adorned in jackets and skirts or fur-trimmed outfits – symbols of their privileged lifestyles. Extravagance transcends time and borders; it captivates our imagination while reminding us that sometimes indulgence can be an art form itself. So let these glimpses into opulent moments serve as inspiration to embrace life's luxuries when they come our way – after all, there is beauty even in excess.