Faaade Collection (#2)

The Romer at Frankfort-on-Main, Germany, 1879. Artist: Laplante
The Romer at Frankfort-on-Main, Germany, 1879. The stepped gables of the Roman town hall which dates from the 15th century

La Morgue (3rd State, 9 1 / 8 x 8 1 / 8 Inches), 1854, (1927). Artist: Charles Meryon
La Morgue (3rd State, 9 1/8 x 8 1/8 Inches), 1854, (1927). From Masters of Etching: Charles Meryon - No. 14. [The Studio, London, 1927]

Rue Des Toiles A Bourges (5th State, 8 1 / 2 x 4 3 / 4 Inches), 1853, (1927). Artist: Charles Meryon
Rue Des Toiles A Bourges (5th State, 8 1/2 x 4 3/4 Inches), 1853, (1927). From Masters of Etching: Charles Meryon - No. 14. [The Studio, London, 1927]

La Tour De L Horloge (3rd State, 10 5 / 16 x 7 1 / 4 Inches), 1852, (1927). Artist: Charles Meryon
La Tour De L Horloge (3rd State, 10 5/16 x 7 1/4 Inches), 1852, (1927). From Masters of Etching: Charles Meryon - No. 14. [The Studio, London, 1927]

La Pompe Notre-Dame (9th State, 6 3 / 4 x 9 7 / 8 Inches), 1852, (1927). Artist: Charles Meryon
La Pompe Notre-Dame (9th State, 6 3/4 x 9 7/8 Inches), 1852, (1927). From Masters of Etching: Charles Meryon - No. 14. [The Studio, London, 1927]

Hatfield House, Hertfordshire - South Front, c1890. Artist: Charles Wilkinson
Hatfield House, Hertfordshire - South Front, c1890. From Cassells History of England, by John Cassell. [A. W. Cowan, Cassell & Company Limited, London, Paris, Melbourne, c1890]

La Rue Des Mauvais Garcons (3rd State, 5 x 3 7 / 8 Inches), 1854, (1927). Artist: Charles Meryon
La Rue Des Mauvais Garcons (3rd State, 5 x 3 7/8 Inches), 1854, (1927). From Masters of Etching: Charles Meryon - No. 14. [The Studio, London, 1927]

Tourelle De La Rue De La Tixeranderie (2nd State, 9 3 / 4 x 5 3 / 16 Inches), 1852, (1927). Artist: Charles Meryon
Tourelle De La Rue De La Tixeranderie (2nd State, 9 3/4 x 5 3/16 Inches), 1852, (1927). From Masters of Etching: Charles Meryon - No. 14. [The Studio, London, 1927]

Chatsworth from the Derwent, c1890. Artist: Charles Wilkinson
Chatsworth from the Derwent, c1890. After a photograph of James Valentine (1815-1879) and Son. From Cassells History of England, by John Cassell. [A. W

Saint-Etienne-Du-Mont (5th State, 9 3 / 4 x 5 1 / 8 Inches), 1852, (1927). Artist: Charles Meryon
Saint-Etienne-Du-Mont (5th State, 9 3/4 x 5 1/8 Inches), 1852, (1927). From Masters of Etching: Charles Meryon - No. 14. [The Studio, London, 1927]

Holyrood Palace, c1890. Artist: Charles Wilkinson
Holyrood Palace, c1890. After a photograph by Poulton & Son. From Cassells History of England, by John Cassell. [A. W. Cowan, Cassell & Company Limited, London, Paris, Melbourne, c1890]

Chamberlain Square, Birmingham. Showing the High School for Girls, c1890. Artist: Charles Wilkinson
Chamberlain Square, Birmingham. Showing the High School for Girls, The Chamberlain Memorial, and the Art Gallery, c1890. After a photograph of William Pumphrey (1817-1905)

L Abside De Notre-Dame De Paris (4th State, 6 1 / 2 x 11 3 / 4 Inches), 1854, (1927). Artist: Charles Meryon
L Abside De Notre-Dame De Paris (4th State, 6 1/2 x 11 3/4 Inches), 1854, (1927). From Masters of Etching: Charles Meryon - No. 14. [The Studio, London, 1927]

New Buildings, Trinity College, Oxford, 1904. Artist: Gillman
New Buildings, Trinity College, Oxford, 1904. From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Quadrangle, Keble College, Oxford, 1904. From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1904]

Littlemore Church, near Oxford, 1904. From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1904]

St. Pancras Church, 1904. St Pancras Church is a Greek Revival church in St Pancras, London, built in 1819-22 to the designs of William and Henry William Inwood

Hursley Church and Rectory, 1904. From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1904]

The Soldiers Institute, Portsmouth, 1904. Artist: Symonds & Co
The Soldiers Institute, Portsmouth, 1904. The Soldiers Institute, Portsmouth, established by Miss Sarah Robinson. From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

The Bahama House, Key West, Florida, c1940s. From Souvenir Folder of Quaint Key West Fla.. [Tichnor Quality Views, Boston, c1940s]

The Oldest House, Key West, Florida - Built in 1825 Entirely of Cedar, c1940s. From Souvenir Folder of Quaint Key West Fla.. [Tichnor Quality Views, Boston, c1940s]

United States Weather Bureau, Key West, Florida, c1940s. From Souvenir Folder of Quaint Key West Fla.. [Tichnor Quality Views, Boston, c1940s]

Inside Ruins of Fort Jefferson Dry Tortugas, Key West, Florida, c1940s. From Souvenir Folder of Quaint Key West Fla.. [Tichnor Quality Views, Boston, c1940s]

International Airport, Tampa, Florida, c1940s. [Tichnor Quality Views, Boston]

Street Scene, Looking North on Franklin St. Tampa, Florida, c1940s. [Tichnor Quality Views, Boston]

New Tuberculosis Hospital, Tampa, Fla. c1940s. [Tichnor Quality Views, Boston]

Municipal Hospital, Tampa, Florida, c1940s
Municipal Hospital, Tampa, Florida. [Tichnor Quality Views, Boston]

Jai Alai Fronton - Tampa, Florida, c1940s. [Tichnor Quality Views, Boston]

Mansion, view of the north end, 1946. From Greetings from Mount Vernon V.A.. [Capitol Souvenir Company, Washington D.C. 1946]

Gardeners House and Office, 1946. From Greetings from Mount Vernon V.A.. [Capitol Souvenir Company, Washington D.C. 1946]

The Mansion and Court Yard, 1946. From Greetings from Mount Vernon V.A.. [Capitol Souvenir Company, Washington D.C. 1946]

Palm Beach Hotel, Palm Beach, Fla. c1940s. [Genuine Curteich-Chicago, ?C. T. Art ? Colortone?, Chicago]

The Sovereign. Miami Beach, Florida, c1940s. [Genuine Curteich-Chicago, C. T. Art Colortone, Chicago]

The U. S. Capitol, Washington D. C. c1940s
The U.S. Capitol, Washington D.C. c1940s. [B.S. Reynolds Co. Washington D.C. ]

Majestic Hotel on the Ocean. Miami Beach, Florida, c1940s. [Genuine Curteich-Chicago, ?C. T. Art ? Colortone?, Chicago]

Park Central Hotel - On the Ocean, Miami Beach, c1940s. [Colourpicture Publication, Boston]

San Roque Church, Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

The Modern Department Store Casa Vargas Ltda. Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

Nico Building, Owners: P. & M. Matera, Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

Internal Revenue Administration Building of the Department of Atlantico, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

Foto Volasco Building, Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

Alfredo Steckerl Building, Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

Industria Nacional de Grasas Vegetales S. A. Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

Milk Producers Cooperative, Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

La Americana Vegetable Oils and Fats Factory, c1940s
La Americana Vegetable Oils and Fats Factory. Owner: Generoso Mancini, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

La Insuperable Wheat Silos and Mills-Generoso Mancini y Cia. S. A. Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

Church of San Jose, Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

Fagrave Vegetable Fats and Oils Factory, Barranquilla c1940s
Fagrave Vegetable Fats and Oils Factory, Barranquilla, c1940s. From Barranquilla. [Raul de la Espriella B. Barranquilla]

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"Faading into the Past: A Glimpse of Timeless Artistic Beauty" Step back in time and immerse yourself in the captivating world of art with these stunning glimpses into history. From St. Albans in 1809 to Troon, Ayrshire in 1910, each artwork tells a unique story that transcends time. George Sidney Shepherd's masterpiece takes us to St. Albans in 1809, where we witness the artist's skillful brushstrokes capturing the essence of this historic town. Norman Wilkinson's advert for British Electricity transports us to a futuristic vision of power stations in 1951, showcasing the progress and innovation of that era. Traveling further back, Dartmouth - Dartmouth and Kingswear Castles by an unknown artist from 1895 evokes a sense of medieval grandeur against a backdrop of breathtaking coastal scenery. Frederick Vango Burridge's portrayal of The Mill in Wirral around 1900 invites us into a serene landscape where nature meets industry seamlessly. Cricket at Gads Hill Place captures a lively moment from Rochester circa 1868, allowing us to relish both the sport and its historical context. Henry Edridge's Rue De La Grosse Horloge transports us to Rouen in 1821 as we stroll through its charming streets adorned with architectural marvels. University College Nottingham stands tall amidst lush greenery captured beautifully by an anonymous artist from 1904 – an ode to knowledge and academia. The remains of Wolsey's Palace depicted by Esher in 1903 remind us that even great structures can fade away over time but leave behind their mark on history forever. Piazza di Venezia reveals Rome’s timeless beauty through Victor Emmanuel II Monument as envisioned by an artist from 1910 – reminding us that greatness endures throughout centuries past and present.