Fantasy Collection (page 9)

Tootles shooting Wendy (colour litho)
3642215 Tootles shooting Wendy (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: Tootles shooting Wendy)

Goddess Hecate (engraving)
2603981 Goddess Hecate (engraving); (add.info.: Hecate, triple - bodied daughter of the Titan Perses and of Asteria. As goddess of the lower world, in Ancient Greek mythology she ruled over magic)

The smaller birds did not appear to be at all afraid of me. From Gulliver's voyage to Brobdingnag
2963132 The smaller birds did not appear to be at all afraid of me. From Gulliver's voyage to Brobdingnag. From Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan

These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput
2963121 These gentlemen made an exact inventory of everything they saw. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo ©

Producing his credentials under the signet royal. From Gulliver's voyage to Lilliput
2963118 Producing his credentials under the signet royal. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan

Three hundred tailors were employed to make me clothes. From Gulliver's voyage to Lilliput
2963116 Three hundred tailors were employed to make me clothes. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo © Hilary

I set sail at six in the morning. Gulliver leaving Lilliput. Illustration from Gullivers Travels published c.1875
2963114 I set sail at six in the morning. Gulliver leaving Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan

A mighty concourse of people appeared upon my arrival, full of wonder at the sight of so prodigious a vessel
2963109 A mighty concourse of people appeared upon my arrival, full of wonder at the sight of so prodigious a vessel. Gulliver arriving at the port of Blefuscu

This gracious princess held out her little finger towards me. From Gulliver's voyage to Brobdingnag
2963137 This gracious princess held out her little finger towards me. From Gulliver's voyage to Brobdingnag. From Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan

Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects during his voyage to
2963133 Some of them seized my cake and carried it piecemeal away. Gulliver attacked by giant insects during his voyage to Brobdingnag

He made me observe the several methods used by farmers in managing their lands. From Gulliver's voyage to Laputa
2963125 He made me observe the several methods used by farmers in managing their lands. From Gulliver's voyage to Laputa

Peter and the children flying through the night (colour litho)
3657580 Peter and the children flying through the night (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: Peter and the children flying through the night)

Yo-Ho, Pirates Singing (colour litho)
3642240 Yo-Ho, Pirates Singing (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: Yo-Ho, Pirates Singing)

Smee, the Bo'sun at work on his sewing machine (colour litho)
3642235 Smee, the Bo'sun at work on his sewing machine (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: Smee, the Bo'sun at work on his sewing machine)

Quarter Deck, where Hook walked alone (colour litho)
3642233 Quarter Deck, where Hook walked alone (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: Quarter Deck, where Hook walked alone)

Mermaids playing (colour litho)
3642229 Mermaids playing (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: Mermaids playing. Illustration for Peter Pan's ABC illustrated in colour by Flora White (OUP)

Kite to which Peter tied Wendy (colour litho)
3642226 Kite to which Peter tied Wendy (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: Kite to which Peter tied Wendy)

Crocodile going tick-tick (colour litho)
3642224 Crocodile going tick-tick (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: Crocodile going tick-tick)

Eliza looking to see whether children are asleep (colour litho)
3642223 Eliza looking to see whether children are asleep (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: Eliza looking to see whether children are asleep)

She took me in her own hand and carried me to the king. From Gulliver's voyage to Brobdingnag
2963136 She took me in her own hand and carried me to the king. From Gulliver's voyage to Brobdingnag. From Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan

They concluded unanimously that I was only relplum scalcath. Gulliver being examined by three philosophers
2963135 They concluded unanimously that I was only relplum scalcath. Gulliver being examined by three philosophers. From Gulliver's voyage to Brobdingnag

I could only revenge myself by calling him brother. From Gulliver's voyage to Brobdingnag
2963134 I could only revenge myself by calling him brother. From Gulliver's voyage to Brobdingnag. From Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan

Her Imperial Majesty was pleased to smile very graciously upon me. From Gulliver's voyage to Lilliput
2963123 Her Imperial Majesty was pleased to smile very graciously upon me. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo

The Diversions of the Court of Lilliput. From Gulliver's voyage to Lilliput
2963122 The Diversions of the Court of Lilliput. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875; Private Collection; Photo © Hilary Morgan

Pushing them forward with the butt ends of their pikes into my reach. From Gulliver's voyage to Lilliput
2963120 Pushing them forward with the butt ends of their pikes into my reach. From Gulliver's voyage to Lilliput. From Gullivers Travels published c.1875; Private Collection; Photo © Hilary

A new set of ghosts served up the meat and waited at the table. From Gulliver's voyage to Glubbdubdrib
2963111 A new set of ghosts served up the meat and waited at the table. From Gulliver's voyage to Glubbdubdrib, an island of sorcerers and magicians

One more step, Mr Hands, and I'll blow your brains out, 19th century (engraving)
7339224 One more step, Mr Hands, and I'll blow your brains out, 19th century (engraving) by Unknown Artist, (19th century); 9 cm; National Maritime Museum, London

Kidd on the Deck of the Adventure Galley, early 20th century (book illustration)
7339193 Kidd on the Deck of the Adventure Galley, early 20th century (book illustration) by Pyle, Howard (1853-1911); National Maritime Museum, London

The Buccaneer was a Picturesque Fellow, early 20th century (book illustration)
7339191 The Buccaneer was a Picturesque Fellow, early 20th century (book illustration) by Pyle, Howard (1853-1911); National Maritime Museum, London, UK; (add.info.: Creator: Howard Pyle A pirate)

So the Treasure was Divided, early 20th century (book illustration)
7339189 So the Treasure was Divided, early 20th century (book illustration) by Pyle, Howard (1853-1911); 8x23x8.9 cm; National Maritime Museum, London

Depiction of witchcraft. 16th century (engraving)
672931 Depiction of witchcraft. 16th century (engraving); (add.info.: Witchcraft, in historical, anthropological, religious, and mythological contexts)

Depiction of witchcraft. 16th century (engraving)
672926 Depiction of witchcraft. 16th century (engraving); (add.info.: Witchcraft, in historical, anthropological, religious, and mythological contexts)

Depiction of witchcraft. 16th century (engraving)
672921 Depiction of witchcraft. 16th century (engraving); (add.info.: Witchcraft, in historical, anthropological, religious, and mythological contexts)

Peter Pan and Tinkerbel (colour litho)
8635408 Peter Pan and Tinkerbel (colour litho) by Miller, Hilda Theodora (1876-1939); Private Collection; (add.info.: Peter Pan and Tinkerbell. Postcard, early 20th century.); © Look and Learn

Illustration for Weldon's Children's Fancy Dress catalogue, 1940s (colour litho)
8634277 Illustration for Weldon's Children's Fancy Dress catalogue, 1940s (colour litho) by English School, (20th century); Private Collection; (add.info)

Illustration for Weldon's Children's Fancy Dress catalogue, 1940s (colour litho)
8634269 Illustration for Weldon's Children's Fancy Dress catalogue, 1940s (colour litho) by English School, (20th century); Private Collection; (add.info)

Illustration for Weldon's Children's Fancy Dress catalogue, 1940s (litho)
8634258 Illustration for Weldon's Children's Fancy Dress catalogue, 1940s (litho) by English School, (20th century); Private Collection; (add.info)

A dream of heaven (colour litho)
8656825 A dream of heaven (colour litho) by English School, (20th century); Private Collection; (add.info.: A dream of heaven. Special cuddling department. Admission free)

Lucian's A True History: The Cork-Footed Men (engraving)
8657852 Lucian's A True History: The Cork-Footed Men (engraving) by Garnett, Alfred Payne (1876-1909); Private Collection; (add.info.: The Cork-Footed Men)

Lucian's A True History: Entrance to the Isle of Torment (engraving)
8657844 Lucian's A True History: Entrance to the Isle of Torment (engraving) by Garnett, Alfred Payne (1876-1909); Private Collection; (add.info.: Entrance to the Isle of Torment)

Mephisto from the Opera Faust, 1870-86 (oil on panel)
5861393 Mephisto from the Opera Faust, 1870-86 (oil on panel) by Monticelli, Adolphe Joseph Thomas (1824-86); The Art Institute of Chicago, IL, USA; (add.info.: by Adolphe Joseph Thomas Monticelli)

The Aerial Steam Carriage or Ariel, 19th century
3847185 The Aerial Steam Carriage or Ariel, 19th century; (add.info.: The Ariel flying machine was patented in 1842 by William Samuel Henson (1812-88) and John Stringfellow (1799-1883)

French Maiden, (oil on canvas)
985329 French Maiden, (oil on canvas) by Shinn, Everett (1876-1953); 38.5x48.3 cm; Private Collection; (add.info.: French Maiden. Everett Shinn (1876-1953). Oil on canvas

The Bowling Game, 1929 (watercolour and pencil on paper)
822900 The Bowling Game, 1929 (watercolour and pencil on paper) by Shinn, Everett (1876-1953); 24.1x35.5 cm; Private Collection; (add.info.: The Bowling Game. Everett Shinn (1876-1953)

Castle wall, unknown (engraving)
7273650 Castle wall, unknown (engraving); 20.5x9.8 cm; JMK Archiv, Bremen, Germany; (add.info.: The picture shows a medieval fortress wall with a large watchtower)

Dream images of a lieutenant (colour litho)
8656458 Dream images of a lieutenant (colour litho) by German School, (20th century); Private Collection; (add.info.: Dream images of a lieutenant. Stomach in - chest out. A row of women soldiers)

Temptation of Saint Anthony (oil on copper)
8682955 Temptation of Saint Anthony (oil on copper) by Teniers, David the Younger (1610-90); (add.info.: By David Teniers the Younger)

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Step into a world of enchantment and wonder with these captivating fantasy illustrations. From the whimsical Folding Garden to the extraordinary Spare Room, William Heath Robinson's imagination knows no bounds. Norman Lindsay takes us on an interstellar journey as we witness A Star Explodes, leaving us in awe of the vastness of the universe. Space Economy At A Wedding Reception transports us to a futuristic setting where every inch is utilized for maximum efficiency. Alfred Bestall invites us to delve into The Ghost Story, sending shivers down our spines as we uncover eerie tales from beyond. Blossom and Decay remind us of the delicate balance between life and death, while Under the Protection of Gods offers solace in times of uncertainty. William Heat presents his ingenious creation - Top-Floor Chicken Farm - proving that even urban spaces can be transformed into thriving havens. In The Grasshopper and the Ant (1953), we learn valuable lessons about hard work and preparation. Helen Jacobs introduces us to Jack Frost himself in He was Jack Frost, revealing a frosty world filled with magic. Mabel Lucie Attwell unveils The Allies of Santa Claus, showcasing Santa's loyal companions who help bring joy during festive seasons. Lastly, Pauline Baynes mesmerizes with her interpretation of Goblin Market, taking readers on an unforgettable adventure through mystical realms. These incredible artworks transport us beyond reality's constraints and ignite our imaginations like never before. Join this visual feast where fantasies come alive.