Feast Collection (#59)

Ms E-14 Reading Verse and a Banquet in a Garden from a Moraqqa (gouache on paper)
XIR192198 Ms E-14 Reading Verse and a Banquet in a Garden from a Moraqqa (gouache on paper) by Indian School, (18th century); Institute of Oriental Studies, St

Doge Alvise Mocenigo IV (1701-78) Giving a Banquet for the Ambassadors, 1776-78
XIR190378 Doge Alvise Mocenigo IV (1701-78) Giving a Banquet for the Ambassadors, 1776-78 (oil on canvas) by Guardi, Francesco (1712-93); 67x100 cm; Louvre, Paris

Tome 3 fol. 134, A Banquet, from Teatro de la Nueva Espana, late 18th century
XIR187740 Tome 3 fol.134, A Banquet, from Teatro de la Nueva Espana, late 18th century (w/c on paper) by Panes y Avellan, Diego Garcia (1730-1811); Biblioteca Nacional de Mexico

The Artists Meal (oil on canvas)
XIR237944 The Artists Meal (oil on canvas) by Coques, Gonzales (1614-84); Musee de la Ville de Paris, Musee du Petit-Palais, France; Flemish, out of copyright

The Village Festival (oil on panel)
XJL180973 The Village Festival (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); Musee Rolin, Autun, France; Flemish, out of copyright

The Banquet of Dido and Aeneas, model for a tapestry in the Story of Aeneas series, c
XKH179016 The Banquet of Dido and Aeneas, model for a tapestry in the Story of Aeneas series, c.1532 (pen & ink & wash on paper) by Vaga

The Supper at Emmaus (oil on canvas)
XIR177151 The Supper at Emmaus (oil on canvas) by Champaigne, Philippe de (1602-74); Musee des Beaux-Arts, Angers, France; French, out of copyright

The Parable of Lazarus and the Rich Man, 1618-28 (oil on panel)
XOS1766023 The Parable of Lazarus and the Rich Man, 1618-28 (oil on panel) by Fetti or Feti, Domenico (1589-1624); 61.6x45.4 cm; National Gallery of Art, Washington DC

Presentation and description of the appointment of Prince William III as captain-general of the Dutch armed forces, the prince takes an oath of loyalty to the Registrar of the States General Gaspar

February: Shrove Tuesday, print maker: Anonymous, Crispijn van de Passe I, Maerten de Vos, 1574 - 1687

Cleopatras Banquet, 1747-50 (fresco) (see 176768 for detail)
XAL176188 Cleopatras Banquet, 1747-50 (fresco) (see 176768 for detail) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 650x300 cm; Palazzo Labia, Venice, Italy; Italian, out of copyright

How to grill animals, from Brevis Narratio... published by Theodore de Bry
XIR175596 How to grill animals, from Brevis Narratio... published by Theodore de Bry, 1591 (coloured engraving) by Bry, Th

Christ in the House of Simon the Pharisee, c. 1656 (oil on canvas)
XIR173719 Christ in the House of Simon the Pharisee, c.1656 (oil on canvas) by Champaigne, Philippe de (1602-74); 292x399 cm; Musee des Beaux-Arts, Nantes

People go to the feast in honor of Cato, print maker: Lambertus Antonius Claessens, Jacques Kuyper, 1801

The Philosophers at Supper, c. 1775 (engraving) (b&w photo)
XJF105791 The Philosophers at Supper, c.1775 (engraving) (b&w photo) by Huber, Jean (1721-86); Private Collection; (add.info)

Dancing couple, walking left, Cornelis Bos, Anonymous, c. 1537 - c. 1555

Dancing couple, the woman with hands on her hips, Cornelis Bos, Anonymous, c. 1537 - c. 1555

Dancing couple, seen from the back, Cornelis Bos, Anonymous, c. 1537 - c. 1555

Dancing couple kissing each other, print maker: Cornelis Bos, Anonymous, c. 1537 - c. 1555 and/or 1546 - 1548

A Village Banquet (oil on canvas)
XIR16839 A Village Banquet (oil on canvas) by Tilborgh, Gillis van (1625-78); 136x206 cm; Musee des Beaux-Arts, Rouen, France; Flemish, out of copyright

Stage design for Rimsky-Korsakovs opera the The Tsars bride, 1920
BAL231452 Stage design for Rimsky-Korsakovs opera the The Tsars bride, 1920 (w/c & gouache on paper) by Kustodiev, Boris Mihajlovic (1878-1927); 33x58.5 cm; Art Museum, Samara, Russia; Russian

Reformist Banquet at Amiens, 5th December 1847 (engraving)
XIR167597 Reformist Banquet at Amiens, 5th December 1847 (engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France; French, out of copyright

Saint Clare, print maker: Michael Snijders, 1610 - 1672

The Marriage at Cana (oil on panel)
XAL165552 The Marriage at Cana (oil on panel) by Italian School, (16th century); Museo Correr, Venice, Italy; Italian, out of copyright

Christ in the House of Simon the Pharisee, 1660 (oil on panel)
XIR229910 Christ in the House of Simon the Pharisee, 1660 (oil on panel) by Valdes Leal, Juan de (1622-90); 23.5x34 cm; Louvre, Paris

The Marriage at Cana, 1660 (oil on panel)
XIR229909 The Marriage at Cana, 1660 (oil on panel) by Valdes Leal, Juan de (1622-90); 23.5x34 cm; Louvre, Paris, France; Spanish, out of copyright

Dinner of Louis XIV (1638-1715) at the Hotel de ville, 30th January 1687, from Calendar
XIR164862 Dinner of Louis XIV (1638-1715) at the Hotel de ville, 30th January 1687, from Calendar of the year 1688 (engraving) (b/w photo) by French School

The Last Supper, 1495-97 (fresco) (post restoration)
BAL161739 The Last Supper, 1495-97 (fresco) (post restoration) by Vinci, Leonardo da (1452-1519); 460x880 cm; Santa Maria della Grazie, Milan, Italy; (add.info.: detail of 227198; ); Italian

The Hunting Party Meal, c. 1737 (oil on canvas)
XIR159258 The Hunting Party Meal, c. 1737 (oil on canvas) by Lancret, Nicolas (1690-1743); 90x123 cm; Louvre, Paris, France; French, out of copyright

Homecoming of the Prodigal Son, print maker: Nicolaes de Bruyn, Assuerus van Londerseel, 1581 - 1656

Christ on the last day of the Feast of Tabernacles, print maker: Jan Luyken, Pieter Mortier, 1705

The Village Fair, 17th century
BAL15540 The Village Fair, 17th century by Rombouts, Salomon (1652-1702); Private Collection; Johnny Van Haeften Ltd. London; Dutch, out of copyright

Oriental meal, Jan Cornelisz Vermeyen, 1513 - 1559

The Italian Comedians (oil on canvas)
XIR154972 The Italian Comedians (oil on canvas) by Flemish School, (16th century); Musee des Beaux-Arts, Calais, France; Flemish, out of copyright

Banquet Given by Bartolomeo Colleoni for King Christian I of Denmark, 1520-30 (fresco)
XIR154940 Banquet Given by Bartolomeo Colleoni for King Christian I of Denmark, 1520-30 (fresco) (detail) by Romanino, Girolamo (c.1485-c.1566) (attr.to); Castello di Malpaga, Bergamo

The sinful humanity before the flood, Johann Sadeler I, Anonymous, Francois van den Hoeye, 1601-1636

Dice Offering a Banquet to Francus, in the Presence of Hyante and Climene, from La
XIR154173 Dice Offering a Banquet to Francus, in the Presence of Hyante and Climene, from La Franciade by Pierre de Ronsard (1524-85) (oil on canvas) by Dubreuil, Toussaint (1561-1602); Louvre

The King is Drinking (oil on canvas)
XIR154134 The King is Drinking (oil on canvas) by Jordaens, Jacob (1593-1678); Musee des Beaux-Arts, Tournai, Belgium; Flemish, out of copyright

Gluttony, detail from the Table of the Seven Deadly Sins and the Four Last Things, c
XIR154096 Gluttony, detail from the Table of the Seven Deadly Sins and the Four Last Things, c.1480 (oil on panel) (see also 169586) by Bosch, Hieronymus (c.1450-1516); 119.9x149.9 cm; Prado, Madrid

The Five Senses - Taste (oil on canvas)
XIR153978 The Five Senses - Taste (oil on canvas) by Bosse, Abraham (1602-76) (after); 104x137 cm; Musee des Beaux-Arts, Tours, France; (add.info.: Les Cinq Sens, Le Gout; ); French, out of copyright

The Court Ball (fresco) (detail)
XIR153757 The Court Ball (fresco) (detail) by Bosse, Abraham (1602-76) (attr. to); Chateau de Gros-Bois, Boissy-Saint-Leger, France; French, out of copyright

Allegory of Taste (oil on canvas)
XIR153752 Allegory of Taste (oil on canvas) by Brueghel, Jan the Elder (1568-1625); Musee Jeanne d Aboville, La Fere, France; Flemish, out of copyright

Feast of Belshazzar, Jan Harmensz. Muller, 1596 - 1600

The Marriage at Cana, 1819 (oil on canvas)
XKH149006 The Marriage at Cana, 1819 (oil on canvas) by Schnorr von Carolsfeld, Julius (1794-1872); 138.5x208 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Annunciation to the Shepherds and the Marriage at Cana, from the right wing of
XKH145295 The Annunciation to the Shepherds and the Marriage at Cana, from the right wing of the Buxtehude Altar, 1400-10 (tempera on oak) by Master Bertram of Minden (c.1345-c.1415)

Picking corn on the Sabbath, Adriaen Collaert, Eduwart van Hoeswinckel, 1582 - 1586

The Assumption, c. 1653-5 (oil on canvas)
XOS1448815 The Assumption, c.1653-5 (oil on canvas) by La Hire or La Hyre, Laurent de (1606-56); 74.9x52.7 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: ); French, out of copyright

Return of the prodigal son, Claes Jansz. Visscher (II), David Vinckboons, 1608

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"Feasting Through Time: A Celebration of Food and Culture" Step into the world of art and history as we explore the theme of "feast" through various iconic artworks. From religious gatherings to cultural traditions, these captivating depictions invite us to indulge in the rich tapestry of human celebration. Travel back to biblical times with Paolo Veronese's masterpiece, "The Wedding Feast at Cana, " where a lavish banquet symbolizes abundance and joy. In Rivera's mural, "Day of the Dead, " witness the vibrant Mexican tradition as families gather to honor their ancestors with an elaborate feast filled with colorful sugar skulls and marigolds. Jennie A. Brownscombe's oil painting transports us to Plymouth, Massachusetts during the first Thanksgiving. Joining Native Americans and Pilgrims around a bountiful table, we can almost taste the gratitude shared on that historic day. Intriguingly detailed is "The Peasants Wedding, " capturing a lively scene from rural life where peasants come together for merriment and feasting. The Bayeux Tapestry offers a glimpse into medieval revelry as it depicts a festive gathering complete with food-laden tables amidst battle scenes. William Heath Robinson takes us on an imaginative journey in his whimsical artwork titled "Wedding Feast. " With intricate contraptions serving dishes fit for royalty, this humorous piece reminds us that they can be both extravagant and entertaining. Thomas Couture's romanticized portrayal of ancient Rome in "A Roman Feast" showcases opulence at its finest - draped fabrics, sumptuous delicacies, and wine flowing freely - inviting viewers to partake in this grand spectacle. Satirical commentary comes alive in John Bull taking Luncheon by exposing British culinary habits while Jean Duke Berry's illuminated manuscript reveals aristocratic indulgence during gift exchanges accompanied by lavish banquets.