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Fettered Collection

"Fettered: A Captive World Unveiled" In a world plagued by the fettered war god, humanity's struggles are laid bare

Background imageFettered Collection: The fettered war god

The fettered war god. Illustration shows the god of war bound by garlands labeled Dreibund and Alliance; the ends of the garlands are pulled by Germany, Austria, and Italy on one side

Background imageFettered Collection: Montezuma before Cortes, illustration from The Book of Discovery by T. C

Montezuma before Cortes, illustration from The Book of Discovery by T. C. Bridges, published 1931 (colour litho)
IL241929 Montezuma before Cortes, illustration from The Book of Discovery by T.C. Bridges, published 1931 (colour litho) by Reid

Background imageFettered Collection: A Malefactor Chained to an Iron Bar, plate 12 from The Punishments of China

A Malefactor Chained to an Iron Bar, plate 12 from The Punishments of China
STC89882 A Malefactor Chained to an Iron Bar, plate 12 from The Punishments of China, engraved by J. Dadley, 1804 (engraving) by Mason

Background imageFettered Collection: Cooling the Brain or the Little Major shaving the Shaver, pub

Cooling the Brain or the Little Major shaving the Shaver, pub
2962478 Cooling the Brain or the Little Major shaving the Shaver, pub. 1789 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageFettered Collection: Fettered Camel and Keeper, Safavid Period (opaque watercolour, ink and gold on paper)

Fettered Camel and Keeper, Safavid Period (opaque watercolour, ink and gold on paper)
2657711 Fettered Camel and Keeper, Safavid Period (opaque watercolour, ink and gold on paper) by Persian School, (15th century); 11.5x14.5 cm; Freer Gallery of Art, Smithsonian Institution

Background imageFettered Collection: Two Chained Monkeys, 1562 (oil on oak)

Two Chained Monkeys, 1562 (oil on oak)
3619780 Two Chained Monkeys, 1562 (oil on oak) by Bruegel, Pieter the Elder (c.1525-69); 20x23 cm; Gemaldegalerie, Staatliche Museen zu Berlin, Germany; Flemish, out of copyright

Background imageFettered Collection: Murtough on his journey with the King of Munster in fetters, 941 (1913). Artist

Murtough on his journey with the King of Munster in fetters, 941 (1913). Artist
Murtough on his journey with the King of Munster in fetters, 941 (1913). Muirchertach mac Neill (d943), King of Ailech, took Cellachan Caisil (d954), King of Munster

Background imageFettered Collection: Jesus meets a man possessed by evil spirits. Codex of Predis

Jesus meets a man possessed by evil spirits. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageFettered Collection: Jesus arrives in Gethsemane and finds a man possessed by the

Jesus arrives in Gethsemane and finds a man possessed by the devil. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageFettered Collection: Convicts Exercising in Pentonville Prison, from The Criminal Prisons of London

Convicts Exercising in Pentonville Prison, from The Criminal Prisons of London
XJF488957 Convicts Exercising in Pentonville Prison, from The Criminal Prisons of London and Scenes of Prison Life by Henry Mayhew and John Binny, 1862 (engraving) by English School

Background imageFettered Collection: Thomas Nashe From a very scarce Pamphlet entitled The Trimming of Thomas Nashe Gentleman

Thomas Nashe From a very scarce Pamphlet entitled The Trimming of Thomas Nashe Gentleman
XJF488922 Thomas Nashe From a very scarce Pamphlet entitled The Trimming of Thomas Nashe Gentleman, published c.1819 (woodcut) by English School

Background imageFettered Collection: YOUNG PLAN

YOUNG PLAN
Germany fettered by the Young Plan - an American scheme to enable Germany to make war reparations payments. 1929

Background imageFettered Collection: JOHN STONE

JOHN STONE Highwayman, shown fettered in his cell, waiting to be hanged



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"Fettered: A Captive World Unveiled" In a world plagued by the fettered war god, humanity's struggles are laid bare. From ancient times to the present day, the concept of being fettered has taken on various forms and meanings. One such instance is depicted in the Codex of Predis, where Jesus meets a man possessed by evil spirits. The chains that bind him symbolize not only his physical captivity but also his spiritual torment. The haunting image of a slave coffle passing the unfinished Capitol in Washington before the Civil War serves as a stark reminder of America's dark history. Engraved with vivid colors, it portrays the dehumanizing reality faced by those held captive against their will. Solomon Northup's Twelve Years a Slave further exposes this grim truth through an illustration depicting scenes within a slave pen in Washington. The engraving captures both the physical restraints and emotional anguish endured by enslaved individuals during this era. A colored engraving showcasing a slave coffle marching across the USA before the Civil War emphasizes how widespread and deeply rooted slavery was throughout American society. It highlights how countless lives were fettered under oppressive systems that denied them basic human rights. Turning our gaze towards Montezuma before Cortes, we witness another form of bondage - one imposed upon indigenous peoples during colonization. T. C. Bridges' illustration from The Book of Discovery reveals Montezuma chained and subjugated, representing conquest and domination at its most brutal. Saint Bernard of Clairvaux's depiction shows us even spiritual entities can be fettered; here we see a powerful demon bound by chains painted on canvas. This artwork reminds us that even forces beyond our comprehension can be restrained when confronted with faith and determination. Traveling to China, we encounter yet another facet of confinement - punishment through chaining criminals to iron bars as seen in The Punishments of China series. These images offer insight into different cultural practices surrounding captivity and the enforcement of justice.