Fleischmann Collection

Cottage of Mr. Fleischmann, Fleischmann's, Catskill Mountains, N.Y. between 1900 and 1906. Creator: Unknown
Cottage of Mr. Fleischmann, Fleischmann's, Catskill Mountains, N.Y. between 1900 and 1906

Sunda pangolin, Manis javanica. Critically endangered
Sunda pangolin, Manis javanica Desmar. Critically endangered. Drawn from nature and engraved by A. Fleischmann. Handcoloured copperplate engraving from Johann Christian Daniel Schrebers Animal

Julius Fleischmann, c. 1920-1925. Creator: Frederick William Wright
Julius Fleischmann, c. 1920-1925

Amelie of Leuchtenberg (1812-1873), Empress of Brazil, 1830. Creator: Fleischmann
Amelie of Leuchtenberg (1812-1873), Empress of Brazil, 1830. Private Collection

Portrait of Elisabeth of Bavaria on horseback, 1853. Artist: Fleischmann, Andreas Johann (1811-1878)
Portrait of Elisabeth of Bavaria on horseback, 1853. From a private collection

None of the two (Ni L Un, Ni L Autre), Early 19th cen Artist: Fleischmann, Friedrich (1791-1834)
None of the two (Ni L Un, Ni L Autre), Early 19th cen.. From a private collection

Charlotte von Lengefeld, 1850s. Artist: Fleischmann, Andreas Johann (1811-1878)
Charlotte von Lengefeld, 1850s. From a private collection

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"Fleischmann: A Legacy of Art, Conservation, and Creativity" Fleischmann - a name that carries with it a rich tapestry of history, artistry, and dedication. While often associated with the renowned company bearing the same name, there are other facets to this intriguing surname. One such facet is the Sunda pangolin, scientifically known as Manis javanica. This remarkable creature finds itself teetering on the brink of extinction due to rampant poaching and habitat loss. The plight of these critically endangered pangolins serves as a reminder of our responsibility to protect and preserve our natural world. In another realm entirely, we encounter Julius Fleischmann from the early 20th century. Creator Frederick William Wright immortalized him through his artistry during those years. Perhaps Fleischmann's contributions were not limited solely to artistic endeavors but extended into realms yet unknown. Amelie of Leuchtenberg graces us with her presence next in history's grand stage. As Empress of Brazil in 1830, she left an indelible mark on society during her reign. It was none other than Fleischmann who captured her essence through his brushstrokes, forever preserving her beauty for generations to come. Elisabeth of Bavaria takes center stage astride a majestic horse in a portrait painted by Andreas Johann Fleischmann in 1853. This captivating artwork allows us glimpses into both Elisabeth's regal stature and Fleischmann's undeniable talent as an artist. The enigmatic piece titled "None of the two (Ni L Un, Ni L Autre)" transports us back to the early 19th century when Friedrich Fleischmann showcased his creative prowess through this thought-provoking work. Its meaning remains open-ended for interpretation by each beholder who encounters its mysterious allure. Charlotte von Lengefeld becomes another subject brought to life by Andreas Johann Fleischmann's skilled hand.