Flirtation Collection (page 5)

The Drawing Lesson, 1777. Creator: Francois-Andre Vincent
The Drawing Lesson, 1777

A passing flirtation, 1899. Creator: Jay Campbell Phillips
A passing flirtation, 1899

The Ball, 1500. Creator: Master MZ
The Ball, 1500

Evening, c.1595-1598. Creator: Jan Saenredam
Evening, c.1595-1598

Young Woman Flirting with a Man, 1765. Creator: Johann Eleazar Schenau
Young Woman Flirting with a Man, 1765

Sight. Creator: Jan Saenredam
Sight

"Gladys" after A. Seifert, 1890. Creator: F.Feldweg. "Gladys" after A. Seifert, 1890
"Gladys" after A. Seifert, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890

None so Deaf as those who won't Hear'; after E. Blair Leighton, 1890. Creator: Unknown
None so Deaf as those who won't Hear'; after E. Blair Leighton, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 41. January to June, 1890

Uncle Toby and the Widow Wadman'; after C.R.Leslie, R.A. C.1830, 1890. Creator: Unknown
Uncle Toby and the Widow Wadman'; after C.R.Leslie, R.A. C.1830, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 41. January to June, 1890

Portrait de Juliette Récamier, née Bernard (1777-1849), between 1802 and 1805. Creator: Francois Pascal Simon Gerard
Portrait de Juliette Recamier, nee Bernard (1777-1849), between 1802 and 1805

Gallant Conversation, between 1652 and 1654. Creator: Gerard ter Borch
Gallant Conversation, between 1652 and 1654

Gentleman in the shop, after Frans van Mieris, c.1660. Creator: Unknown
Gentleman in the shop, after Frans van Mieris, c.1660

La toilette, 1771. Creators: Nicolas Ponce, Charles Nicolas Cochin
La toilette, 1771

Les cerises. Cherries. Creator: Nicolas Ponce
Les cerises. Cherries

Portrait de Juliette Récamier, née Bernard (1777-1849), between 1802 and 1805. Creator: Francois Pascal Simon Gerard
Portrait de Juliette Recamier, nee Bernard (1777-1849), between 1802 and 1805

Frivolous love, c1780-1789. Creators: Jean Frederic Schall, Nicolas Lavreince
Frivolous love, c1780-1789

Prodigal child among courtesans, c1530. Creator: Flemish School
Prodigal child among courtesans, c1530

Love in love, between 1695 and 1778. Creator: Franois Eisen
Love in love, between 1695 and 1778

The gallant gardener, c1770. Creator: Ecole Francaise
The gallant gardener, c1770

So: A Coquettish Woman, from the series "Tales of Ise in Fashionable Brocade Pictures... c.1772/73
So: A Coquettish Woman, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)", Japan, c. 1772/73

Spring, from The Four Seasons, 1601. Creator: Jan Saenredam
Spring, from The Four Seasons, 1601

The Rivals - painted by J. Sant, 1850. Creator: Unknown
The Rivals - painted by J. Sant, 1850. Exhibition of the British Institution. The scene is on the ice. The object of the Rivals is a coquettish little lady, in her sledge

May, August 30, 1793. Creator: Francesco Bartolozzi
May, August 30, 1793

The Good Pope: Time, 1836 (illustration)
7485453 The Good Pope: Time, 1836 (illustration) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: Le Bon Pape: Le Temps)

Woman disguised as a devil, ca 1900 (illustration)
7422825 Woman disguised as a devil, ca 1900 (illustration) by Pla Gallardo, Cecilio (1860-1934); (add.info.: Paranormal. Woman disguised as a devil)

Loves Message, c.1770-1959 (print)
3673654 Loves Message, c.1770-1959 (print) by White, Smith & Company (19th-early 20th century); Newberry Library, Chicago, Illinois

Theres Lots of Stations On My Railroad Track, c.1770-1959 (print)
3673180 Theres Lots of Stations On My Railroad Track, c.1770-1959 (print) by Leo Feist, Inc. (1897-1934); Newberry Library, Chicago, Illinois

The mermaid, 1866 (engraving)
7147160 The mermaid, 1866 (engraving) by Bayard, Emile Antoine (1837-91); Private Collection; (add.info.: The mermaid, by french poet Beranger ( 1780-1857 ) Design by Emile Bayard 1866

The French Comedy (engraving)
3774527 The French Comedy (engraving) by Watteau, Francois Louis Joseph (1758-1823) (after); (add.info.: L'Amour au theatre francais'-a shepherd and shepherdess dancing in a park)

Fetching Water From The Well, c.1770-1959 (print)
3673824 Fetching Water From The Well, c.1770-1959 (print) by Firth, Pond & Co. (19th century); Newberry Library, Chicago, Illinois

The old bachelor, 1836 (illustration)
7485443 The old bachelor, 1836 (illustration) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: The old bachelor)

Who Are You With To-Night?, c.1770-1959 (print)
3673081 Who Are You With To-Night?, c.1770-1959 (print) by Jerome H. Remick & Co. (early 20th century); Newberry Library, Chicago, Illinois

Oh Say! Can I See You To-Night, c.1770-1959 (print)
3673047 Oh Say! Can I See You To-Night, c.1770-1959 (print) by Jerome H. Remick & Co. (early 20th century); Newberry Library, Chicago, Illinois

The Great Lover, c.1770-1959 (print)
3673143 The Great Lover, c.1770-1959 (print) by Leo Feist, Inc. (1897-1934); Newberry Library, Chicago, Illinois, USA; (add.info)

That Aeroplane Rag, c.1770-1959 (print)
3672774 That Aeroplane Rag, c.1770-1959 (print) by Jerome H. Remick & Co. (early 20th century); Newberry Library, Chicago, Illinois

Maybe (She'll Write Me, - She'll Phone ME), c.1770-1959 (print)
3673036 Maybe (She'll Write Me, - She'll Phone ME), c.1770-1959 (print) by Waterson, Berlin & Snyder Co. (early 20th century); Newberry Library, Chicago, Illinois

Keep Away From the Fellow Who Owns An Automobile, 1912 (print)
3672557 Keep Away From the Fellow Who Owns An Automobile, 1912 (print) by Waterson, Berlin & Snyder Co. (early 20th century); Newberry Library, Chicago, Illinois

The Cathedral (plaster)
PWI83664 The Cathedral (plaster) by Rodin, Auguste (1840-1917); Musee Rodin, Paris, France; (add.info.: By Auguste Rodin (1840-1917)); © Peter Willi

JAPAN 9
Japan/ Kyoto/ Gion area the neighbourhood where Geishas live, study and perform. Geishas and Maikos attending a class at " Mia Garatso" school of Geisha

JAPAN 4
Japan/ Kyoto/ Gion area, neighbourhood where Geishas live and perform. Face portrait of a smiling Maiko with combed hair, white make up, head ornaments and traditional kimono

JAPAN 32
Japan/ Kyoto/ Gion area, neighbourhood where Geishas live and perform. Geisha with white make up on her face, combed hair, head ornaments and traditional kimono

Geisha by Cherry Trees at 3:00 p.m. 10th month, 1880. Creator: Tsukioka Yoshitoshi
Geisha by Cherry Trees at 3:00 p.m. 10th month, 1880. Series: Twenty-four Hours in Shinabashi and Yanagibashi

Mrs. Gronland, 1813. Creator: Conrad Christian Bohndel
Mrs. Gronland, 1813

Shepherds, 1701-1800. Creator: Unknown
Shepherds, 1701-1800

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"Flirtation: A Delicate Dance of Seduction and Charm" In the realm of social interactions, it has long been regarded as a captivating art form. Just like the intricate patterns on a polo shirt, it weaves together subtle hints and playful gestures to create an enchanting atmosphere. As depicted in Alphonse Mucha's French lithograph advertisement for Biscuits Lefevre-Utile they can be as sweet and enticing as a delicious biscuit. The elegant figures portrayed in this artwork exude grace and allure, leaving viewers yearning for more. Charles Dana Gibson's pen and ink drawing titled "The Latest Nobleman" captures the essence with its depiction of a dashing gentleman charming his way into a lady's heart. This timeless image reminds us that chivalry is not lost but rather an essential element in the delicate dance between two individuals. Just like traditional costumes worn in Burma (Myanmar), flirtation embraces cultural nuances while adding an air of mystery. It celebrates diversity by incorporating different customs into its repertoire, making each encounter unique and exciting. Charmingly portrayed in William Barribal's painting "The Farce, " flirtation often involves humor and lightheartedness. Laughter becomes the secret language shared between two souls engaged in this delightful game, transcending barriers that words alone cannot overcome. Edgar Selden's comedic play "McKennas Flirtation" highlights how even comedians understand the power of flirting to captivate audiences. Like actors on stage, those who engage in flirtatious banter become masters at capturing attention through their wit and charisma. A door adorned with drawings by A. Rinder serves as a reminder that sometimes even simple acts can carry profound meanings when it comes to flirtation. Each stroke represents anticipation, curiosity, or perhaps even vulnerability - all ingredients necessary for this tantalizing dance to commence.