Florence Collection (#94)

Self-Portrait, 1858. Found in the Collection of Galleria degli Uffizi, Florence

Venus and Amor. Found in the Collection of Galleria degli Uffizi, Florence

Self-Portrait, 1628. Found in the Collection of Galleria degli Uffizi, Florence

Trees and clouds at Villa Borghese, 1906. Found in the Collection of Palazzo Pitti, Florence

Portrait of Eleonora Gonzaga della Rovere (1493-1550), Duchess of Urbino, ca 1538. Found in the Collection of Galleria degli Uffizi, Florence

Portrait of Caterina Cornaro (1454-1510) as Saint Catherine of Alexandria, 1542. Found in the Collection of Galleria degli Uffizi, Florence

Knight of Malta, 1510-1515. Found in the Collection of Galleria degli Uffizi, Florence

Portrait of Francesco Maria I della Rovere (1490-1538), Duke of Urbino, Between 1536 and 1538. Found in the Collection of Galleria degli Uffizi, Florence

Portrait of Ludovico Beccadelli (1501-1572), Bishop of Bologna, 1552. Found in the Collection of Galleria degli Uffizi, Florence

The Extraction of the Heart of Saint Ignatius (predella panel of the St Barnabas Altarpiece), ca 1487-1488. Found in the Collection of Galleria degli Uffizi, Florence

Florence leaflet, 1952. Creator: Shirley Markham
Florence leaflet, 1952. Design for a travel booklet on the city of Florence and surrounding countryside in Italy. Shirley Markham (1931-1999)

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel, c
3471145 Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel, c.1492 (tempera on wood) by Credi, Lorenzo di (1456-1536); 91.4 diameter cm; Metropolitan Museum of Art

Madonna and Child (tempera and gold on wood)
3471144 Madonna and Child (tempera and gold on wood) by Master of the Lanckoronski Annunciation (fl.1445-1500); 75.2x56.5 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

The Nativity, 1406-10 (tempera on wood, gold ground)
3471139 The Nativity, 1406-10 (tempera on wood, gold ground) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); 22.2x31.1 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist, c. 1523
3471137 Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist, c.1523 (oil on wood) by Bugiardini, Giuliano (1475-1554); 193.7x165.7 cm; Metropolitan Museum of Art, New York

Madonna and Child, c. 1520 (oil and gold on wood)
3471117 Madonna and Child, c.1520 (oil and gold on wood) by Bachiacca, Francesco Ubertini Verdi (c.1494-1557); 87x67.3 cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Virgin and Child, known as the Madonna del Libro, c. 1545-46 (oil on panel)
3367034 Virgin and Child, known as the Madonna del Libro, c.1545-46 (oil on panel) by Pontormo, Jacopo (1494-1557); 80.7x64.1 cm; Yale University Art Gallery, New Haven, CT

Count Gustav Mauritz Armfelt in Florence, 1793 (oil on canvas)
3087296 Count Gustav Mauritz Armfelt in Florence, 1793 (oil on canvas) by Gauffier, Louis (1761-1801); 50 x 65, 5 cm; Nationalmuseum, Stockholm

Allegory, c. 1485-90 (oil on panel)
2562885 Allegory, c.1485-90 (oil on panel) by Lippi, Filippino (c.1457-1504); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: No Plague is Worse Than an Enemy in the Family ; ); Italian

Near Florence, (c1900). Creator: Unknown
Near Florence, (c1900). Italian landscape at sunset, print after Florence from a Wood near the Cascine, painting made in the late 18th century by John Robert Cozens

Spa Resort near Florence, Tuscany, Italy - Postal Kiosk where you can buy postcards and send your messages. The Post Master (in uniform) is pictured. Date: 1905

Florence - Italy - Porta San Giorgio
The Porta San Giorgio - part of the walls of Florence, located in the Oltrarno district between Via San Leonardo and Costa San Giorgio. Date: 1901

Florence - Italy - San Miniato al Monte
San Miniato al Monte is a basilica in Florence, central Italy, standing atop one of the highest points in the city. It has been described as one of the finest Romanesque structures in Tuscany

Florence - Italy - Campanile of the Duomo
Florence - Italy - The Campanile of the Duomo. Date: 1901

Florence - Italy - Palazzo Vecchio - Newspaper design
Florence - Italy - Palazzo Vecchio - Newspaper newsprint design Date: 1901

Florence, Tuscany, Italy - Ponte delle Grazie Date: 1898

Hotel Firenze - Milan, Italy Date: circa 1920s

Florence, Tuscany, Italy - Piazza Signoria - Palazzo Vecchio. Date: circa 1920

Florence, Italy - Duomo and Campanile (cathedral and Bell-tower). Date: circa 1920

Florence, Italy - Piazza e Chiesa di S. Maria Novella
Florence, Tuscany, Italy - Piazza e Chiesa di S. Maria Novella. Date: circa 1920

Florence, Tuscany, Italy - Palazzo dell Arte della Lana. Date: circa 1920

Florence, Tuscany, Italy - Piazza di S. Croce with Monument to Dante Alighieri. Date: circa 1920

Florence, Tuscany, Italy - Church of SS. Annunziata
The Basilica della Santissima Annunziata is a Renaissance-style, Roman Catholic minor basilica in Florence, region of Tuscany, Italy Date: circa 1920

Florence, Italy - Interior of the Lanzis Gallery. Date: circa 1920

Florence, Italy - Piazzale Michelangelo. Date: circa 1920

Florence, Italy - Fiesole - Panorama with Convent of Certosa. Date: circa 1920

Florence, Italy - Fiesole and the Ruins of the Roman Theatre, located near the cemetery. Date: circa 1920

Florence, Tuscany, Italy - Panorama of the City Date: circa 1920

Florence, Tuscany, Italy - Palazzo Vecchio Date: circa 1920

Florence, Tuscany, Italy - The Uffizi Gallery. Date: circa 1920

Florence, Tuscany, Italy - Campanile del Duomo. Date: circa 1920

Florence, Tuscany, Italy - Courtyard of the Palazzo Vecchio Date: circa 1920

Florence, Italy - Loggia di S. Maria della Misericordia. Date: circa 1920

Florence, Italy - The Baptistry
Florence, Italy - The octagonal marble Baptistry, renowned for its three sets of artistically important bronze doors with relief sculptures

Florence, Italy - River Arno and Bridges
Florence, Italy - Vie looking down the River Arno, with the Ponte Vecchio, Trinita Bridge and Ferro alle Cascine Date: circa 1920

Florence, Italy - Palazzo Pitti. Date: circa 1920

Florence, Italy - The River Arno - Ponte a S. Trinita. Date: circa 1920

Florence, Italy - The Staircase of the Palace of Podesta (Cortile e Scala del Palazzo del Podesta). Date: circa 1920

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Florence, a city steeped in history and art, has been a muse for countless creative minds throughout the ages. From the masterpieces of Gozzoli and Benozzo di Lese to the intricate Carta della Catena map, this enchanting place has inspired generations. In 1490, as depicted in the Map known as Della Catena by Francesco di Lorenzo Rosselli, one can witness the breathtaking view that captivated Dante Alighieri himself. The Italian poet gazes upon his beloved Beatrice with admiration and longing. The vibrant colours of a woodcut print bring to life the spirit of Florence. Just like Florence Nightingale, who earned her nickname "The Lady With The Lamp" for her tireless dedication to nursing during wartime. Her selflessness shines through centuries later. A princess peers into a mirror, perhaps reflecting on her own beauty amidst Florence's grandeur. And just like the elusive Ghost plant or Indian pipe that blooms mysteriously in its shadows, there is an air of mystique surrounding this captivating city. Perseus and Medusa statue at Loggia dei Lanzi stands tall as a testament to Florentine bravery and resilience. It echoes Michelangelo's David nearby – both sculptures embodying strength and grace that define Florence itself. Santi di Tito's portrait captures Niccolo's essence perfectly - his eyes filled with wisdom gained from living in this remarkable city where art thrives around every corner. Even beyond its borders, Florence leaves an indelible mark on popular culture. The Supremes' iconic image showcases not only their talent but also how far-reaching Florence's influence truly is - transcending time and geography. Florence remains timeless; it continues to inspire artists across various mediums even today. Its allure lies not only in its rich history but also in its ability to ignite creativity within those fortunate enough to experience its magic firsthand.