Florentine School Collection (#26)

Madonna of the Shadow or Virgin and Child between Saint Dominic, Cosmas, Damien, Mark
XIR900564 Madonna of the Shadow or Virgin and Child between Saint Dominic, Cosmas, Damien, Mark, John the Evangelist, Thomas of Aquinas

Virgin and Child also called Virgin and the Star (detail of the Virgin) (oil
XIR900552 Virgin and Child also called Virgin and the Star (detail of the Virgin) (oil and gold leaf on wood) by Angelico, Fra (Guido di Pietro) (c.1387-1455); Museo di San Marco, Florence

The Annunciation between Saint John the Baptist and Saint Andrew carrying his Cross
XIR899778 The Annunciation between Saint John the Baptist and Saint Andrew carrying his Cross (detail of the head of an angel), 1483-5 (oil on canvas) by Lippi

The Adoration of the Magi, c. 1320 (fresco)
XIR899927 The Adoration of the Magi, c.1320 (fresco) by Giotto di Bondone (c.1266-1337); Basilica of St. Francis, Assisi, Italy; (add.info.: (PF2000 AI5308 AND15400) Adoration des Mages); Italian

Allegory of Justice, before restoration (detail of two horsemen departing for the
XIR899870 Allegory of Justice, before restoration (detail of two horsemen departing for the hunt with a falcon), 1305 (fresco) by Giotto di Bondone (c.1266-1337); Scrovegni (Arena) Chapel, Padua

The Annunciation (detail of the Virgin), c. 1445 (fresco)
XIR899709 The Annunciation (detail of the Virgin), c.1445 (fresco) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence

The Annunciation (left section), 1481 (fresco)
XIR899710 The Annunciation (left section), 1481 (fresco) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 243x550 cm; Galleria degli Uffizi, Florence

The Annunciation (detail of right section), c. 1445 (fresco)
XIR899708 The Annunciation (detail of right section), c.1445 (fresco) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence

Virgin and child with Saint John the Baptist (tempera on panel)
XIR898128 Virgin and child with Saint John the Baptist (tempera on panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Gemaeldegalerie Alte Meister, Dresden

The Creation of Eve and Original Sin (detail of original sin), 1430 (fresco transferred
XIR897803 The Creation of Eve and Original Sin (detail of original sin), 1430 (fresco transferred to canvas) by Uccello, Paolo (1397-1475); Santa Maria Novella, Florence

Triptych depicting the Coronation of the Virgin, central panel: the Coronation of the Virgin
XIR897838 Triptych depicting the Coronation of the Virgin, central panel: the Coronation of the Virgin, 1441 (tempera on wood) by Lippi, Fra Filippo (c.1406-69); 167x69 cm; Pinacoteca Vaticana, Rome

The Sacrifice and Euphoria of Noah, 1446-8 (fresco)
XIR897807 The Sacrifice and Euphoria of Noah, 1446-8 (fresco) by Uccello, Paolo (1397-1475); 27.7x54 cm; Santa Maria Novella, Florence, Italy; (add.info.: Le Sacrifice et l ivresse de NoA©)

The Sacrifice and Euphoria of Noah (detail of the head of Sem), 1446-8 (fresco transferred
XIR897810 The Sacrifice and Euphoria of Noah (detail of the head of Sem), 1446-8 (fresco transferred onto canvas) by Uccello, Paolo (1397-1475); (add.info.: Le Sacrifice et l ivresse de NoA©)

The Great Flood and the Retreat of the Water (detail of the man in a barrel and Noah)
XIR897806 The Great Flood and the Retreat of the Water (detail of the man in a barrel and Noah), 1446-8 (fresco transferred onto canvas) by Uccello, Paolo (1397-1475); Santa Maria Novella, Florence

The Creation of the Animals and of Adam (detail of the creation of Adam), 1430 (fresco
XIR897802 The Creation of the Animals and of Adam (detail of the creation of Adam), 1430 (fresco transferred on to canvas) by Uccello, Paolo (1397-1475); Santa Maria Novella, Florence

The Creation of the Animals and of Adam, 1430 (fresco transferred on to canvas)
XIR897801 The Creation of the Animals and of Adam, 1430 (fresco transferred on to canvas) by Uccello, Paolo (1397-1475); 210x447 cm; Santa Maria Novella, Florence

St. Francis (fresco) (detail of 440729)
XIR440728 St. Francis (fresco) (detail of 440729) by Cimabue (Cenni di Pepo) (c.1240-c.1301); San Francesco, Assisi, Italy; (add.info.: St Francois; ); Italian, out of copyright

Virgin and Child, Angels and St. Francis of Assisi (fresco) (see also 741489)
XIR440729 Virgin and Child, Angels and St. Francis of Assisi (fresco) (see also 741489) by Cimabue (Cenni di Pepo) (c.1240-c.1301); San Francesco, Lower Church, Assisi

Nativity of John the Baptist (oil on canvas)
BAL128276 Nativity of John the Baptist (oil on canvas) by Naldini, Giovanni Battista (1537-91); 89x74 cm; Pushkin Museum, Moscow, Russia; (add.info.: infant held by the Virgin)

Christ in Limbo (oil on panel)
XIR109947 Christ in Limbo (oil on panel) by Italian School, (16th century); Real Monasterio de El Escorial, El Escorial, Spain; (add.info.: Descente du Christ aux Limbes; ); Italian, out of copyright

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The Florentine School, a renowned artistic movement that flourished during the Renaissance in Florence, Italy, produced some of the most iconic and influential works of art in history. This captivating collection showcases the diverse talents and masterpieces created by artists associated with this esteemed school. Dante Alighieri's epic poem, "The Divine Comedy, " served as a profound inspiration for many Florentine artists. Domenico di Michelino brilliantly captured Dante's vision in his painting titled "Dante and the Divine Comedy. " The vibrant colors and intricate details illuminate Florence's cultural significance during this period. Leonardo da Vinci, a true genius of his time, contributed immensely to the Florentine School. His topographic view of the countryside surrounding Arezzo and Val di Chiana demonstrates not only his artistic prowess but also his scientific curiosity. Leonardo's ability to merge art and science is evident in every stroke of this breathtaking piece. Another masterpiece attributed to Leonardo is "The Virgin and Child with Saint Anne. " This emotionally charged painting depicts tender maternal love while showcasing Leonardo's exceptional skill at capturing human emotions through subtle gestures. Andrea del Verrocchio, an influential artist within the Florentine School, crafted "Tobias and the Angel" with remarkable precision. The delicate expressions on their faces convey trust and guidance amidst adversity—a testament to Verrocchio's talent for storytelling through sculpture. Sandro Botticelli immortalized Simonetta Vespucci, known as one of Florence's most beautiful women during her time when he painted her idealized portrait titled "Portrait of Simonetta Vespucci. " Botticelli effortlessly captures her ethereal beauty while infusing it with an air of mystery. Piero di Cosimo added another layer to Simonetta Vespucci's enigmatic persona by portraying her as Cleopatra in his stunning artwork named "Portrait of Simonetta Vespucci (Cleopatra).