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Fonds Rondel Collection

"Fonds Rondel: A Captivating Glimpse into Classic French Theatre" Step into the enchanting world of French theatre with Fonds Rondel

Background imageFonds Rondel Collection: Phaedra, Theseus and Hippolytus, illustration from Act III Scene 5 of Phedre

Phaedra, Theseus and Hippolytus, illustration from Act III Scene 5 of Phedre
XIR239566 Phaedra, Theseus and Hippolytus, illustration from Act III Scene 5 of Phedre by Jean Racine (1639-99) engraved by Raphael Urbain Massard (1775-1843) 1824 (engraving) (b/w photo)

Background imageFonds Rondel Collection: Andromache at the feet of Pyrrhus, illustration from Act III Scene 7 of Andromaque

Andromache at the feet of Pyrrhus, illustration from Act III Scene 7 of Andromaque
XIR239570 Andromache at the feet of Pyrrhus, illustration from Act III Scene 7 of Andromaque by Jean Racine (1639-99) engraved by Henri Marais (b)

Background imageFonds Rondel Collection: Orestes and Pyrrhus, illustration from Act I Scene 2 of Andromaque by Jean Racine

Orestes and Pyrrhus, illustration from Act I Scene 2 of Andromaque by Jean Racine
XIR239569 Orestes and Pyrrhus, illustration from Act I Scene 2 of Andromaque by Jean Racine (1639-99) engraved by Mathieu (19th century) (engraving) (b/w photo) by Girodet de Roucy-Trioson

Background imageFonds Rondel Collection: Phaedra and Oenone, illustration from Act I Scene 3 of Phedre by Jean Racine

Phaedra and Oenone, illustration from Act I Scene 3 of Phedre by Jean Racine
XIR239567 Phaedra and Oenone, illustration from Act I Scene 3 of Phedre by Jean Racine (1639-99) engraved by Raphael Urbain Massard (1775-1843) 1824 (engraving) (b/w photo)

Background imageFonds Rondel Collection: Figaro, illustration from Act V Scene 3 of The Marriage of Figaro by Pierre

Figaro, illustration from Act V Scene 3 of The Marriage of Figaro by Pierre
XIR239541 Figaro, illustration from Act V Scene 3 of The Marriage of Figaro by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Eugene Gervais (19th century) (engraving) (b/w photo)

Background imageFonds Rondel Collection: Lindors letter, illustration from The Barber of Seville by Pierre

Lindors letter, illustration from The Barber of Seville by Pierre
XIR239540 Lindors letter, illustration from The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) (litho) (b/w photo) by Lemercier

Background imageFonds Rondel Collection: Rosine, Bartholo, Count Almaviva, illustration from The Barber of Seville

Rosine, Bartholo, Count Almaviva, illustration from The Barber of Seville
XIR239539 Rosine, Bartholo, Count Almaviva, illustration from The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) (litho) (b/w photo) by Lemercier

Background imageFonds Rondel Collection: Scene of the cousins letter, illustration from The Barber of Seville

Scene of the cousins letter, illustration from The Barber of Seville
XIR239538 Scene of the cousins letter, illustration from The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Alfred Leon Lemercier (19th century) (litho) (b/w photo)

Background imageFonds Rondel Collection: Brid oison, illustration from Act III Scene 14 of The Marriage of Figaro

Brid oison, illustration from Act III Scene 14 of The Marriage of Figaro
XIR239534 Brid oison, illustration from Act III Scene 14 of The Marriage of Figaro by Pierre Augustin Caron de Beaumarchais (1732-99) (engraving) (b/w photo) by Bayard

Background imageFonds Rondel Collection: Suzanne, illustration from Act II Scene 17 of The Marriage of Figaro by

Suzanne, illustration from Act II Scene 17 of The Marriage of Figaro by
XIR239533 Suzanne, illustration from Act II Scene 17 of The Marriage of Figaro by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Edouard Follet (19th century) (engraving) (b/w photo)

Background imageFonds Rondel Collection: Count Almaviva, illustration from Act V of The Barber of Seville by Pierre

Count Almaviva, illustration from Act V of The Barber of Seville by Pierre
XIR239530 Count Almaviva, illustration from Act V of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Jean Victor Dupin (b.1718) (engraving) (b/w photo)

Background imageFonds Rondel Collection: Rosine, illustration from Act I Scene 3 of The Barber of Seville by Pierre

Rosine, illustration from Act I Scene 3 of The Barber of Seville by Pierre
XIR239529 Rosine, illustration from Act I Scene 3 of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Fillet 1876 (engraving) (b/w photo) by Bayard

Background imageFonds Rondel Collection: Bazile, illustration from Act II Scene 8 of The Barber of Seville by Pierre

Bazile, illustration from Act II Scene 8 of The Barber of Seville by Pierre
XIR239528 Bazile, illustration from Act II Scene 8 of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Eugene Gervais (19th century)) 1876 (engraving) (b/w photo)

Background imageFonds Rondel Collection: Figaro, illustration from Act III Scene 12 of The Barber of Seville by

Figaro, illustration from Act III Scene 12 of The Barber of Seville by
XIR239527 Figaro, illustration from Act III Scene 12 of The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) engraved by Ferdinand Delanoy (fl.1850) 1874 (engraving) (b/w photo)



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"Fonds Rondel: A Captivating Glimpse into Classic French Theatre" Step into the enchanting world of French theatre with Fonds Rondel, a collection that showcases iconic scenes from some of the most beloved plays in history. From tragic tales to uproarious comedies, these illustrations transport us to the captivating realms created by renowned playwrights. In Act III Scene 5 of Phedre, we witness the intense emotional turmoil between Phaedra, Theseus, and Hippolytus. The illustration captures their tangled web of love and betrayal, leaving us spellbound by their complex relationships. Andromache at the feet of Pyrrhus takes center stage in Act III Scene 7 of Andromaque. This poignant image portrays her desperate plea for mercy as she seeks to protect her son's life amidst political intrigue and personal tragedy. Orestes and Pyrrhus engage in a dramatic confrontation in Act I Scene 2 of Andromaque. The illustration beautifully captures their fierce rivalry and sets the stage for an enthralling tale filled with passion and vengeance. Phaedra's profound connection with Oenone is brought to life in Act I Scene 3 of Phedre. Their intimate bond is depicted through this evocative illustration that hints at hidden desires and forbidden love. Figaro steals our hearts as he navigates his way through hilarious situations in Act V Scene 3 of The Marriage of Figaro. This comical depiction leaves us laughing out loud while marveling at Pierre's wit and comedic genius. Lindor's letter holds secrets untold in The Barber of Seville by Pierre. Through this intriguing illustration, we are drawn into a world where disguises abound, romance flourishes, and mischief ensues. The lively trio consisting of Rosine, Bartholo, and Count Almaviva captivates audiences throughout The Barber of Seville.