Forest Areas Collection (#6)

Camping in the Woods "A Good Time Coming". By Arthur Tait (Currier & Ives), 1863 (lithograph)
5669488 Camping in the Woods "A Good Time Coming". By Arthur Tait (Currier & Ives), 1863 (lithograph) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Universal History Archive/UIG

No. 7: Eldorado Creek, Prospect Hole, Winter, 1896-1897-1912 (b/w photo)
3671321 No. 7: Eldorado Creek, Prospect Hole, Winter, 1896-1897-1912 (b/w photo) by Unknown photographer, (19th-20th century); Newberry Library, Chicago, Illinois

The Quantock Hills, c.1870 (watercolour on paper)
7528583 The Quantock Hills, c.1870 (watercolour on paper) by North, John William (1842-1924); 44.5x28 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By J.W)

Landscape, 1841 (watercolour on paper)
7528570 Landscape, 1841 (watercolour on paper) by Danby, Francis (1793-1861); 29x22 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By Francis Danby (1793-1861)

Scene from a Midsummer Night's Dream, c.1832 (watercolour on paper)
7528568 Scene from a Midsummer Night's Dream, c.1832 (watercolour on paper) by Danby, Francis (1793-1861); 28x19.5 cm; Gallery Oldham

Landscape, c.1840 (watercolour on paper)
7528515 Landscape, c.1840 (watercolour on paper) by Nicholson, Francis (1753-1844); 23x34.7 cm; Gallery Oldham, UK; (add.info)

Floris V, Count of Holland and Zeeland. (print)
7420022 Floris V, Count of Holland and Zeeland. (print) by Rochussen, Charles (1824-94) (after); (add.info.: Floris V, Count of Holland and Zeeland, 1256 - 1296)

The Earth in the liassic period, 1864 (engraving)
7355535 The Earth in the liassic period, 1864 (engraving) by Riou, Edouard (1833-1900); Private Collection; (add.info.: The Earth in the liassic period)

Frognerseter Forest, 1903 (painting)
7431598 Frognerseter Forest, 1903 (painting) by Onsager, Soren (1878-1946); 51x71 cm; Private Collection; (add.info.: Soren Onsager (1878-1946)); Photo © O. Vaering

Winter's Day at Uggleviken, 1900-1 (oil on canvas)
8610328 Winter's Day at Uggleviken, 1900-1 (oil on canvas) by Nordstrom, Karl Fredrick (1855-1923); Thiel Gallery, Stockholm, Sweden; (add.info.: Painting by Karl Fredrick Nordstrom)

The Penitent's Vision: The Owl, 1865 (oil on canvas)
NGW344330 The Penitent's Vision: The Owl, 1865 (oil on canvas) by Whaite, Henry Clarence (1828-1912); 30.1x22.8 cm; National Museum Wales; (add.info)

The Old Trysting Tree Or Waiting A Letter, 1877 (print)
3672974 The Old Trysting Tree Or Waiting A Letter, 1877 (print) by American School, (19th century); Newberry Library, Chicago, Illinois

Silver Heels, c.1770-1959 (print)
3674016 Silver Heels, c.1770-1959 (print) by Jerome H. Remick & Co. (early 20th century); Newberry Library, Chicago, Illinois

The Indian Hunter, c.1770-1959 (print)
3674006 The Indian Hunter, c.1770-1959 (print) by Firth, Hall & Pond (1833-1847); Newberry Library, Chicago, Illinois, USA; (add.info)

My Mothers Song, c.1770-1959 (print)
3673734 My Mothers Song, c.1770-1959 (print) by White, Smith & Company (19th-early 20th century); Newberry Library, Chicago, Illinois

Pioneer Limited, c.1770-1959 (print)
3673187 Pioneer Limited, c.1770-1959 (print) by Vandersloot Music Publishing Company (1899-1931); Newberry Library, Chicago, Illinois

Landscape [The Return Home], date unknown (watercolour on paper)
7528523 Landscape [The Return Home], date unknown (watercolour on paper) by Barret, George the Younger (1767-1842); 32x21.5 cm; Gallery Oldham

The Iguanodon and the Megalosaurus, 1864 (engraving)
7355543 The Iguanodon and the Megalosaurus, 1864 (engraving) by Riou, Edouard (1833-1900); Private Collection; (add.info.: Lower cretaceous period.The Iguanodon and the Megalosaurus Design by Riou)

Forty three drawings of Neapolitan costume, 18th century (print)
3671801 Forty three drawings of Neapolitan costume, 18th century (print) by Castelli, Costanzo (18th century); Newberry Library, Chicago, Illinois

Adelina Patti (1843-1919) (oil on canvas)
NGW184224 Adelina Patti (1843-1919) (oil on canvas) by Marko, Karoly II (1822-91); 95.2x76.9 cm; National Museum Wales; National Museums & Galleries of Wales

Bois de Boulogne, 1780 (pencil & ink)
901795 Bois de Boulogne, 1780 (pencil & ink) by Sarazin, Jean Philippe (1695-1795) ; Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: By Jean Philippe Sarazin)

The Truffle Seeker and His Pig, 19th century (colour engraving)
ELD4905096 The Truffle Seeker and His Pig, 19th century (colour engraving) by Decamps, Alexandre Gabriel (1803-60) (after); Private Collection; (add.info)

Field near Pencerrig, 1776 (oil on paper)
NGW405360 Field near Pencerrig, 1776 (oil on paper) by Jones, Thomas (1743-1803); 23x30.5 cm; National Museum Wales; National Museums & Galleries of Wales

Landscape with Arched Gateway, c.1654 (oil on canvas)
NGW238913 Landscape with Arched Gateway, c.1654 (oil on canvas) by Pynacker, Adam (1622-73); 97.5x129.5 cm; National Museum Wales; National Museums & Galleries of Wales

Sir Charles Kemeys, possibly with William Morgan (oil on panel)
NGW405343 Sir Charles Kemeys, possibly with William Morgan (oil on panel) by English School, (17th century); National Museum Wales; (add.info)

Autumn Sunlight after Rain, Fontainebleau (w/c & bodycolour on paper)
NGW387093 Autumn Sunlight after Rain, Fontainebleau (w/c & bodycolour on paper) by MacCallum, Andrew (1821-1902); 56x99 cm; National Museum Wales; National Museums & Galleries of Wales

The Penitent's Vision: The Storm, 1865 (oil on canvas)
NGW344338 The Penitent's Vision: The Storm, 1865 (oil on canvas) by Whaite, Henry Clarence (1828-1912); 71.4x22.8 cm; National Museum Wales; (add.info)

Stag at Bay - Scene near Taplow, Berks, c. 1795-1801 (pen, ink, w/c with touches of bodycolour on paper)
XYC239815 Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper) by Rowlandson, Thomas (1756-1827); 41.3x52.4 cm; Yale Center for British Art

Creation of Eve, 15th century (miniature)
7413398 Creation of Eve, 15th century (miniature) by Raquier, Louis (15th century); Bibliotheque Municipale, Troyes, France; (add.info.: Miniature by Louis Raquier, bishop of Troyes)

Sewessissing, chief of the Eowahs, N. America, Sioux nation, c. 1843-50 (watercolour)
3673251 Sewessissing, chief of the Eowahs, N. America, Sioux nation, c.1843-50 (watercolour) by Unknown Artist, (19th century); Newberry Library, Chicago, Illinois, USA; (add.info.: C.H.S)

Site of the Battle of Gaines Mill (litho)
KW353650 Site of the Battle of Gaines Mill (litho) by English School, (20th century); Private Collection; (add.info.: also known as the First Battle of Cold Harbour of the Battle of Chickahominy)

Landscape, 1892 (hanging scroll, colour on paper)
XOS5886556 Landscape, 1892 (hanging scroll, colour on paper) by Ren Yu (1853-1901); 149.8x40.7 cm; Cleveland Museum of Art, OH, USA; (add.info.: Ren Yu (Chinese, 1853-1901) China

The Vision of St Eustace, 1499-1503 (engraving)
7414923 The Vision of St Eustace, 1499-1503 (engraving) by Durer or Duerer, Albrecht (1471-1528); 35.9--26.1 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Albrecht Durer)

Little Tom Thumb, 1938 (print)
7415591 Little Tom Thumb, 1938 (print) by Tapissier, Edmond (E.Tap) (1861-1943); Private Collection; (add.info.: Cover of Charles Perrault's story "Le Petit Poucet", illustration by E)

3673280

Figures in the Woods, c. 1857-1862 (oil on fabric)
XOS5886602 Figures in the Woods, c. 1857-1862 (oil on fabric) by Monticelli, Adolphe Joseph Thomas (1824-86); 46.2x37.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Adolphe Monticelli)

The last stand of Major Allan Wilson on the Shangani River, Matabeleland, during the First Matabele War in 1893
KW371012 The last stand of Major Allan Wilson on the Shangani River, Matabeleland, during the First Matabele War in 1893, after the painting by Allan Stewart

Path Near the Pond of Vipers, Fontainebleau Forest, c. 1860s (oil on wood panel)
XOS5886600 Path Near the Pond of Vipers, Fontainebleau Forest, c. 1860s (oil on wood panel) by Diaz de la Pena, Narcisse Virgile (1807-76); 26.7x36.2 cm; Cleveland Museum of Art, OH

7413372

3673211

Greek Cavalry Men Resting in Forest, 1858 (oil on fabric)
XOS5886584 Greek Cavalry Men Resting in Forest, 1858 (oil on fabric) by Delacroix, Ferdinand Victor Eugene (1798-1863); 76x87.5 cm; Cleveland Museum of Art, OH

Union soldiers on the plateau at the first Battle of Bull Run (litho)
KW353645 Union soldiers on the plateau at the first Battle of Bull Run (litho) by English School, (20th century); Private Collection; (add.info.: the Battle of Bull Run took place on 21st July)

Diana and Callisto (black chalk on paper)
7419529 Diana and Callisto (black chalk on paper) by Boucher, Francois (1703-70); 23.5x34 cm; Private Collection; (add.info.: by Francois Boucher); Photo © Christie's Images

Untitled (colour litho)
MAN464417 Untitled (colour litho) by Newbould, Frank (1887-1951); Manchester Art Gallery, UK; (add.info.: commissioned by the Empire Marketing Board)

The Lady Of The Woods, 1876 (oil on canvas)
6360437 The Lady Of The Woods, 1876 (oil on canvas) by MacWhirter, John (1839-1911); 152.7 x 105 cm; Manchester Art Gallery, UK; © Manchester Art Gallery ; Manchester Art Gallery

The Holy Family With The Infant Baptist, c. 1565 (oil on panel)
6336722 The Holy Family With The Infant Baptist, c.1565 (oil on panel) by Soens, Jan (c.1553-c.1614) (attr. to); 158.3cm x 110.8 cm; Manchester Art Gallery

The Bright Cloud, 1833-34 (oil on panel)
3055576 The Bright Cloud, 1833-34 (oil on panel) by Palmer, Samuel (1805-81); 23x32 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Erminia and the Shepherds, c. 1600 (pen & ink on paper)
2956581 Erminia and the Shepherds, c.1600 (pen & ink on paper) by Carracci, Ludovico (1555-1619); Manchester Art Gallery, UK; (add.info.: uv photo of original); © Manchester Art Gallery

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"Exploring the Enchanting Forest Areas: A Captivating Journey Through Art and History" Immerse yourself in the mesmerizing world as depicted in various artworks throughout history. From Rudyard Kipling's vivid descriptions in "Just So Stories" to intricate illustrations like "A Wood - Illustration for King Lear, Act 2 Scene III, " these depictions transport us into the heart of nature's wonders. In "Stag at Bay - Scene near Taplow, Berks, " we witness a thrilling encounter between man and beast, capturing the raw beauty and power of wildlife within forested landscapes. Meanwhile, the delicate strokes of ink and watercolor bring to life scenes such as "Creation of Eve" or Sewessissing, chief of the Eowahs' portrait from North America's Sioux nation. Delving deeper into history, lithographs like "Site of the Battle of Gaines Mill" offer glimpses into significant events that unfolded amidst dense woodland settings. The battle-scarred landscape serves as a reminder that forests have witnessed both triumphs and tragedies throughout time. The allure continues with masterpieces like "Landscape, " an exquisite hanging scroll showcasing vibrant colors dancing across paper. In contrast, engravings such as "The Vision of St Eustace" evoke a sense of mysticism through their intricate details. Artistic interpretations also take us on whimsical adventures; prints like "Little Tom Thumb" invite us to explore enchanted forests where anything is possible. Similarly, paintings such as "Figures in the Woods" capture moments frozen in time—a glimpse into hidden narratives waiting to be discovered. History intertwines with art once again through Major Allan Wilson's heroic last stand during the First Matabele War depicted by Allan Stewart. This poignant portrayal reminds us not only of bravery but also how forests can bear witness to human struggles against adversity.