Forest Land Collection (#4)

The pemmican, c.1910 (print)
7293357 The pemmican, c.1910 (print); (add.info.: Food and beverage. Trappers in North America eating pemmican (mixture of fat and dried meat, meal of the indigenous people of America)

Cinnamon harvest, c.1900 (b/w photo)
7293272 Cinnamon harvest, c.1900 (b/w photo); (add.info.: Agriculture. Harvest of the cinnamon in Indonesia. Photo, Netherlands, ca 1900.); Photo: © Archives Charmet

The Little Red Riding Hood, c.1910 (print)
7293247 The Little Red Riding Hood, c.1910 (print); (add.info.: Literature. Fairy Tales. Little Red Riding Hood and the Wolf. Fairy tale by Charles Perrault)

Collegiate church (Sint-Walburgakerk). Interior. Tapestry. Verdure from Oudenaarde. Wood landscape
7208949 Collegiate church (Sint-Walburgakerk). Interior. Tapestry. Verdure from Oudenaarde. Wood landscape. End 17th-begin 18th century

Parish church ("Parochiekerk Sint-Walburga"). Tapestry
7209751 Parish church ("Parochiekerk Sint-Walburga"). Tapestry.; Sint Walburgakerk, Oudenaarde, Belgium; (add.info.: Sint-Walburgakerk, Oudenaarde, Oost-Vlaanderen)

Hansel et Gretel, Hansel and Gretel (postcard)
3433890 Hansel et Gretel, Hansel and Gretel (postcard); (add.info.: Litterature. Contes de fees. Coll. part. Literature. Fairy Tale. Hansel and Gretel and the witch)

The Fernshaw colony, Woods Point, Victoria, Australia in the 19th century, from L'Univers Illustre pub. 1867
3506132 The Fernshaw colony, Woods Point, Victoria, Australia in the 19th century, from L'Univers Illustre pub. 1867; (add.info.: The Fernshaw colony, Woods Point, Victoria)

The Farm midst the Woods, near Haslemere (colour litho)
8667108 The Farm midst the Woods, near Haslemere (colour litho) by Palmer, Harold Sutton (1854-1933); Private Collection; (add.info.: The Farm midst the Woods, near Haslemere)

Old Mother Goose (chromolitho)
8664012 Old Mother Goose (chromolitho) by English School, (19th century); Private Collection; (add.info.: Old Mother Goose)

The Old Bear who Lived in a House of Sugar (chromolitho)
8664001 The Old Bear who Lived in a House of Sugar (chromolitho) by English School, (19th century); Private Collection; (add.info.: The Old Bear who Lived in a House of Sugar)

Longing to see you (b/w photo)
8655898 Longing to see you (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: "Longing to see you." Woman and a dog waiting by a fence in the woods)

Scene from Sleeping Beauty (chromolitho)
8677396 Scene from Sleeping Beauty (chromolitho) by French School, (20th century); Private Collection; (add.info.: Scene from Sleeping Beauty; the prince hunting in the forest and seeing the castle)

My dream (colour litho)
8672712 My dream (colour litho) by English School, (20th century); Private Collection; (add.info.: My dream. Boy asleep in the woods dreaming about fiaries and animals)

A forest in Guiana, showing the Victoria Regia and other plants (colour litho)
8644747 A forest in Guiana, showing the Victoria Regia and other plants (colour litho) by European School, (19th century); Private Collection; (add.info.: A forest in Guiana)

In the Forest, 1841 (oil on fabric)
XOS5879228 In the Forest, 1841 (oil on fabric) by Nanteuil, Celestin Francois (1813-73); 123.2x155.6 cm; Cleveland Museum of Art, OH

The Fables of La Fontaine: The Forest and the Woodman (engraving)
8669269 The Fables of La Fontaine: The Forest and the Woodman (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: The Forest and the Woodman)

Nonsense: Elephant crossing the wood (colour litho)
8636044 Nonsense: Elephant crossing the wood (colour litho) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Elephant crossing the wood)

Pheasant shooting - First of October (engraving)
8676521 Pheasant shooting - First of October (engraving) by English School, (19th century); Private Collection; (add.info.: Pheasant shooting - First of October)

British sculptor Jacob Epstein taking Peggy Jean for a walk in the forest (b/w photo)
8676120 British sculptor Jacob Epstein taking Peggy Jean for a walk in the forest (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

Beauties of Shakespeare: King Lear (coloured engraving)
8646727 Beauties of Shakespeare: King Lear (coloured engraving) by English School, (19th century); Private Collection; (add.info.: King Lear)

Pennsylvania Landscape 1862 (Oil on canvas)
8766641 Pennsylvania Landscape 1862 (Oil on canvas) by Weber, Paul (1823-1916); 104.1x157.5 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Forest of Fontainebleau, The "Reine Blanche" 1860 (Oil on canvas)
8766691 Forest of Fontainebleau, The "Reine Blanche" 1860 (Oil on canvas) by Barye, Antoine Louis (1796-1875); 30.5x39 cm; High Museum of Art, Atlanta, Georgia

Charge of the Rough Riders at The Battle of San Juan Hill, near Santiago de Cuba, Cuba, July 1, 1898
UIG5419660 Charge of the Rough Riders at The Battle of San Juan Hill, near Santiago de Cuba, Cuba, July 1, 1898, aka the battle for the San Juan Heights, decisive battle of the Spanish-American War

Prayer meeting in a forest near Vienna, Austria, historical picture, about 1893
UIG5413927 Prayer meeting in a forest near Vienna, Austria, historical picture, about 1893; UIG

Rosalind, Celia, Silvius and Phebe, Illustration for "As You Like It", by William Shakespeare (1564-1616)
AIS5354601 Rosalind, Celia, Silvius and Phebe, Illustration for "As You Like It", by William Shakespeare (1564-1616), 19th century (engraving); (add.info.: Rosalind, Celia)

An engraving depicting the tapping of a rubber tree in a Brazilian forest, 19th century
5311221 An engraving depicting the tapping of a rubber tree in a Brazilian forest, 19th century; (add.info.: Date: 1883); Universal History Archive/UIG

Wild boar hunting. Painting by Abraham Hondius (1625-1695), 1655. Oil on canvas, 87x107cm
BEN5468315 Wild boar hunting. Painting by Abraham Hondius (1625-1695), 1655. Oil on canvas, 87x107cm. Palatina Gallery, Pitti Palace, Florence. by Hondius, Abraham Danielsz

Parish church ("Parochiekerk Sint-Walburga"). Tapestry
7209750 Parish church ("Parochiekerk Sint-Walburga"). Tapestry.; Sint Walburgakerk, Oudenaarde, Belgium; (add.info.: Sint-Walburgakerk, Oudenaarde, Oost-Vlaanderen)

Vue du Rutli (watercolour)
7342116 Vue du Rutli (watercolour) by Karth, M. Nicolas (fl.1864); 20.1x29.5 cm; National Maritime Museum, London, UK; (add.info.: Creator: M)

Genevieve of Brabant, c.1850 (print)
7293355 Genevieve of Brabant, c.1850 (print); (add.info.: History. France. Genevieve of Brabant, heroine of medieval legend. Genevieve in the forest with her child and the deer)

A study in graphite of the bridge and trees from the west (verso), 1805 (watercolour, pen, ink, graphite)
7339896 A study in graphite of the bridge and trees from the west (verso), 1805 (watercolour, pen, ink, graphite) by Baxter, Thomas (1782-1821); 13x20.6 cm; National Maritime Museum, London

A view through trees towards a single-storey building (verso), 1802 (graphite)
7339891 A view through trees towards a single-storey building (verso), 1802 (graphite) by Baxter, Thomas (1782-1821); 14.3x9.7 cm; National Maritime Museum, London

The house and grounds at Merton from the south-east, 1805 (watercolour, graphite)
7339883 The house and grounds at Merton from the south-east, 1805 (watercolour, graphite) by Baxter, Thomas (1782-1821); 13x41.5 cm; National Maritime Museum, London

A young woman, perhaps Charlotte Nelson, seated in an arbour in a wooded landscape, 1804 (grey wash, graphite, pen)
7339880 A young woman, perhaps Charlotte Nelson, seated in an arbour in a wooded landscape, 1804 (grey wash, graphite, pen, ink) by Baxter, Thomas (1782-1821); 18.4x20 cm; National Maritime Museum

Part of the grounds at Merton with an arbour and trees, 1804 (watercolour, graphite)
7339877 Part of the grounds at Merton with an arbour and trees, 1804 (watercolour, graphite) by Baxter, Thomas (1782-1821); 3.6x29.1 cm; National Maritime Museum, London

Part of the grounds at Merton with an arbour and trees (recto), 1804 (watercolour, graphite)
7339875 Part of the grounds at Merton with an arbour and trees (recto), 1804 (watercolour, graphite) by Baxter, Thomas (1782-1821); 3.6x29.1 cm; National Maritime Museum, London

Merton, July 1803 (recto), 1803 (pen, ink)
7339874 Merton, July 1803 (recto), 1803 (pen, ink) by Baxter, Thomas (1782-1821); 9.7x15.3 cm; National Maritime Museum, London

Study of a pine tree at Merton (recto), 1803 (graphite)
7339873 Study of a pine tree at Merton (recto), 1803 (graphite) by Baxter, Thomas (1782-1821); 14.7x9.7 cm; National Maritime Museum, London

Fairy tales of Charles Perrault, c.1880 (print)
7293354 Fairy tales of Charles Perrault, c.1880 (print); (add.info.: Literature. Fairy Tales. The characters of the fairy tales: little red riding hood, puss in boots, the wolf, the ogre)

The university collections. Flemish tapestry. A so called (Verdure). Oudenaarde (?)
7209791 The university collections. Flemish tapestry. A so called (Verdure). Oudenaarde (?).; Zaragoza Universidad, Zaragoza, Spain; (add.info.: Universidad, Zaragoza, Aragon, Zaragoza)

Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde
7208868 Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde. Scene with lovers in a garden

Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde
7207346 Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde. Scene with lovers in a garden

Illustration from Bureval, Issue 1, pub. St. Petersburg, 1906 (colour litho)
2906957 Illustration from Bureval, Issue 1, pub. St. Petersburg, 1906 (colour litho); Private Collection; The Stapleton Collection

Woodland Scene, c.1830-50 (pen, ink, w/c & oil on paper)
8696804 Woodland Scene, c.1830-50 (pen, ink, w/c & oil on paper) by Diaz de la Pena, Narcisse Virgile (1807-76); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Music. Opera. Max and Kaspar cast the magic bullets. Scene of the Wolf's Glen in: Der Freischutz
3434025 Music. Opera. Max and Kaspar cast the magic bullets. Scene of the Wolf's Glen in: Der Freischutz, by Carl Maria von Weber (1821). Illustration by G

Economy. The wood, woodcutters, carpenters..., c.1900 (chromo)
2636224 Economy. The wood, woodcutters, carpenters..., c.1900 (chromo); Private Collection; (add.info.: Economy. The wood, woodcutters, carpenters... Imagery, France, c.1900.); Photo © CCI

On Tuck's Farm, Tunley, 1925 (ink & w/c on paper pasted on card)
1214275 On Tuck's Farm, Tunley, 1925 (ink & w/c on paper pasted on card) by Rutherston, Albert Daniel (1881-1953); 35.1x24.6 cm; Laing Art Gallery, Newcastle-upon-Tyne

The three Tom boys, 1890
1579970 The three Tom boys, 1890; (add.info.: The three Tom boys, a painting in which three girls are stood on a swing playing.); Universal History Archive/UIG

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the Enchanting Forest Land: A Journey Through Art and History" Immerse yourself in the captivating world of forest land, where imagination meets reality. From Rudyard Kipling's Just So Stories to King Lear's Act 2 Scene III, this collection of artworks takes you on a visual odyssey through lush greenery and mystical landscapes. Ink on paper brings to life the intricate details of A Wood - an illustration that transports us into Shakespearean times, evoking a sense of intrigue and drama. Meanwhile, Stag at Bay captures a moment frozen in time, as pen strokes delicately depict nature's raw power amidst serene surroundings. Travel back centuries with Creation of Eve's miniature artwork from the 15th century. This masterpiece showcases divine beauty emerging from the heart of an ancient forest, reminding us of our connection to nature since time immemorial. Sewessissing, chief of the Eowahs, invites us into Native American culture through vibrant watercolors. The Sioux nation comes alive as we witness their deep reverence for forests and their harmonious existence within them. The Battle of Gaines Mill lithograph transports us to a different kind - one marred by conflict but still retaining its haunting beauty. It serves as a poignant reminder that even amidst chaos, nature endures with resilience. Landscape painting in 1892 offers tranquility and serenity; it is like stepping into a dreamy oasis where colors blend seamlessly on paper scrolls. The Vision of St Eustace engraving adds another layer to this journey with its ethereal depiction merging spirituality and natural elements effortlessly. Little Tom Thumb print reminds us that forests are not only grandiose but also home to enchanting tales woven by human imagination throughout history. Figures in the Woods oil painting further accentuates this notion by capturing mysterious silhouettes concealed among trees' embrace.