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Francesco 1791 1882 Collection

Francesco Hayez (1791-1882) was an Italian painter known for his captivating and emotionally charged artworks

Background imageFrancesco 1791 1882 Collection: Boat with Greek Fugitives, 1834. Creator: Hayez, Francesco (1791-1882)

Boat with Greek Fugitives, 1834. Creator: Hayez, Francesco (1791-1882)
Boat with Greek Fugitives, 1834. Private Collection

Background imageFrancesco 1791 1882 Collection: Triumphant Athlete, 1813

Triumphant Athlete, 1813. Found in the Collection of Accademia di San Luca

Background imageFrancesco 1791 1882 Collection: Matilde Bacon Pirovano Visconti, c.1837-1840. Creator: Hayez, Francesco (1791-1882)

Matilde Bacon Pirovano Visconti, c.1837-1840. Creator: Hayez, Francesco (1791-1882)
Matilde Bacon Pirovano Visconti, c.1837-1840. Private Collection

Background imageFrancesco 1791 1882 Collection: L'ultimo bacio dato a Giulietta da Romeo (The Last Kiss of Romeo and Juliet), 1823

L'ultimo bacio dato a Giulietta da Romeo (The Last Kiss of Romeo and Juliet), 1823. Found in the Collection of the Villa Carlotta, Tremezzo

Background imageFrancesco 1791 1882 Collection: Portrait of Count Francesco Borgia (1794-1861), before 1825. Creator: Hayez, Francesco (1791-1882)

Portrait of Count Francesco Borgia (1794-1861), before 1825. Creator: Hayez, Francesco (1791-1882)
Portrait of Count Francesco Borgia (1794-1861), before 1825. Found in the Collection of the Galerie Canesso

Background imageFrancesco 1791 1882 Collection: The doge Marino Faliero accusa il giovane Steno di essere the author of the writing... 1844

The doge Marino Faliero accusa il giovane Steno di essere the author of the writing... 1844
The doge Marino Faliero accusa il giovane Steno di essere the author of the writing infamante sul Doge e la Dogaressa, 1844. Found in the Collection of the Galerie Canesso

Background imageFrancesco 1791 1882 Collection: Portrait of sculptor Pompeo Marchesi (1789-1858), 1830. Creator: Hayez, Francesco (1791-1882)

Portrait of sculptor Pompeo Marchesi (1789-1858), 1830. Creator: Hayez, Francesco (1791-1882)
Portrait of sculptor Pompeo Marchesi (1789-1858), 1830. Found in the Collection of the Galleria d'arte moderna, Milano

Background imageFrancesco 1791 1882 Collection: Portrait of Giuseppe Roberti, 1819. Creator: Hayez, Francesco (1791-1882)

Portrait of Giuseppe Roberti, 1819. Creator: Hayez, Francesco (1791-1882)
Portrait of Giuseppe Roberti, 1819. Found in the Collection of the Museo Civico, Bassano del Grappa

Background imageFrancesco 1791 1882 Collection: Portrait of the opera singer Giulia Grisi (1811-1869). Creator: Hayez, Francesco (1791-1882)

Portrait of the opera singer Giulia Grisi (1811-1869). Creator: Hayez, Francesco (1791-1882)
Portrait of the opera singer Giulia Grisi (1811-1869). Private Collection

Background imageFrancesco 1791 1882 Collection: Portrait of Countess Teresa Zumali Marsili with her son Giuseppe, 1831-1833

Portrait of Countess Teresa Zumali Marsili with her son Giuseppe, 1831-1833. Creator: Hayez, Francesco (1791-1882)
Portrait of Countess Teresa Zumali Marsili with her son Giuseppe, 1831-1833. Found in the Collection of the Museo Civico, Lodi

Background imageFrancesco 1791 1882 Collection: Tamar, 1847. Creator: Hayez, Francesco (1791-1882)

Tamar, 1847. Creator: Hayez, Francesco (1791-1882)
Tamar, 1847. Found in the Collection of the Museo Civico, Varese

Background imageFrancesco 1791 1882 Collection: Romeo and Juliet, before 1881. Creator: Hayez, Francesco (1791-1882)

Romeo and Juliet, before 1881. Creator: Hayez, Francesco (1791-1882)
Romeo and Juliet, before 1881. Private Collection

Background imageFrancesco 1791 1882 Collection: Rinaldo and Armida (Detail), 1812-1813. Creator: Hayez, Francesco (1791-1882)

Rinaldo and Armida (Detail), 1812-1813. Creator: Hayez, Francesco (1791-1882)
Rinaldo and Armida (Detail), 1812-1813. Found in the Collection of Gallerie dell Accademia, Venice

Background imageFrancesco 1791 1882 Collection: Rebecca at the Well, 1848. Creator: Hayez, Francesco (1791-1882)

Rebecca at the Well, 1848. Creator: Hayez, Francesco (1791-1882)
Rebecca at the Well, 1848. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Ritratto della moglie Vincenza Scaccia, 1816. Creator: Hayez, Francesco (1791-1882)

Ritratto della moglie Vincenza Scaccia, 1816. Creator: Hayez, Francesco (1791-1882)
Ritratto della moglie Vincenza Scaccia, 1816. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Portrait of Carlo Della Bianca, 1823. Creator: Hayez, Francesco (1791-1882)

Portrait of Carlo Della Bianca, 1823. Creator: Hayez, Francesco (1791-1882)
Portrait of Carlo Della Bianca, 1823. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: The Repentant Mary Magdalene, 1833. Creator: Hayez, Francesco (1791-1882)

The Repentant Mary Magdalene, 1833. Creator: Hayez, Francesco (1791-1882)
The Repentant Mary Magdalene, 1833. Found in the Collection of Galleria d arte moderna, Milano

Background imageFrancesco 1791 1882 Collection: Giovanni David as Agobar in Opera Gli arabi nelle Gallie by Giovanni Pacini, 1830

Giovanni David as Agobar in Opera Gli arabi nelle Gallie by Giovanni Pacini, 1830
Giovanni David as Agobar in Opera " Gli arabi nelle Gallie" by Giovanni Pacini, 1830. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Portrait of Camillo Benso, Count of Cavour, 1864

Portrait of Camillo Benso, Count of Cavour, 1864. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Bathseba im Bade, 1845

Bathseba im Bade, 1845. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Pietro Rossi, 1818-1820

Pietro Rossi, 1818-1820. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Melancholy, 1841-1842

Melancholy, 1841-1842. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Il doge Francesco Foscari destituito, 1844

Il doge Francesco Foscari destituito, 1844. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Portrait of Massimo d Azeglio (1798-1866), 1864

Portrait of Massimo d Azeglio (1798-1866), 1864. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Portrait of Franz Joseph I of Austria, Between 1857 and 1859

Portrait of Franz Joseph I of Austria, Between 1857 and 1859. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Portrait of the Cicognara family, with the bust of Antonio Canova, 1816-1817

Portrait of the Cicognara family, with the bust of Antonio Canova, 1816-1817. Private Collection

Background imageFrancesco 1791 1882 Collection: Rinaldo and Armida, 1812-1813

Rinaldo and Armida, 1812-1813. Found in the Collection of Gallerie dell Accademia, Venice

Background imageFrancesco 1791 1882 Collection: Self-Portrait in a group of friends, Between 1826 and 1828

Self-Portrait in a group of friends, Between 1826 and 1828. Found in the Collection of Museo Poldi Pezzoli, Milan

Background imageFrancesco 1791 1882 Collection: Caterina Cornaro Receives News of Deposition of Queen of Cyprus, ca 1857

Caterina Cornaro Receives News of Deposition of Queen of Cyprus, ca 1857. Private Collection

Background imageFrancesco 1791 1882 Collection: Self-Portrait, c1822

Self-Portrait, c1822. Private Collection

Background imageFrancesco 1791 1882 Collection: Ruth, 1853

Ruth, 1853. Found in the Collection of Collezioni Comunali d Arte, Bologna

Background imageFrancesco 1791 1882 Collection: Study of a sitting warrior, 1813-1814

Study of a sitting warrior, 1813-1814. Found in the Collection of Collezioni Comunali d Arte, Bologna

Background imageFrancesco 1791 1882 Collection: The Odalisque, 1839

The Odalisque, 1839. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: The Last Moments of Doge Marin Faliero, 1867

The Last Moments of Doge Marin Faliero, 1867. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Portrait of Teresa Manzoni Stampa Borri, 1847-1849

Portrait of Teresa Manzoni Stampa Borri, 1847-1849. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Self-Portrait, Aged 57, 1848

Self-Portrait, Aged 57, 1848. Found in the Collection of Pinacoteca di Brera, Milan

Background imageFrancesco 1791 1882 Collection: Portrait of Sarah Louise Strachan (1818-1881), principessa di Sant Antimo, 1840-1844

Portrait of Sarah Louise Strachan (1818-1881), principessa di Sant Antimo, 1840-1844. Found in the Collection of Museo Nazionale di San Martino, Napoli

Background imageFrancesco 1791 1882 Collection: The Destruction of the Temple of Jerusalem

The Destruction of the Temple of Jerusalem. Found in the collection of Gallerie dell Accademia, Venice

Background imageFrancesco 1791 1882 Collection: Philoctetes, 1818-1820

Philoctetes, 1818-1820. Found in the Collection of Museo d Arte Moderna, Bologna

Background imageFrancesco 1791 1882 Collection: The Nun

The Nun. Private Collection

Background imageFrancesco 1791 1882 Collection: I due Foscari (The Two Foscari), 1838-1840

I due Foscari (The Two Foscari), 1838-1840. Found in the Collection of Fondazione Cariplo

Background imageFrancesco 1791 1882 Collection: I due Foscari (The Two Foscari), 1838

I due Foscari (The Two Foscari), 1838. Private Collection

Background imageFrancesco 1791 1882 Collection: I Vespri Siciliani (The Sicilian Vespers), 1844-1845

I Vespri Siciliani (The Sicilian Vespers), 1844-1845. Found in the collection of Museo Nazionale di San Martino, Napoli

Background imageFrancesco 1791 1882 Collection: Tamar

Tamar. Found in the Collection of Museo Civico, Varese

Background imageFrancesco 1791 1882 Collection: Pope Urban II Preaching the First Crusade in the Square of Clermont

Pope Urban II Preaching the First Crusade in the Square of Clermont. Found in the Collection of Gallerie di Piazza Scala, Milano

Background imageFrancesco 1791 1882 Collection: Death of Abradatas

Death of Abradatas. Found in the Collection of Gallerie di Piazza Scala, Milano

Background imageFrancesco 1791 1882 Collection: Valenza Gradenigo before the Inquisition

Valenza Gradenigo before the Inquisition. Found in the Collection of Gallerie di Piazza Scala, Milano

Background imageFrancesco 1791 1882 Collection: Venus Playing with Two Doves (Portrait of the Ballerina Carlotta Chabert)

Venus Playing with Two Doves (Portrait of the Ballerina Carlotta Chabert). Found in the Collection of Museo di arte moderna e contemporanea di Trento e Rovereto




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Francesco Hayez (1791-1882) was an Italian painter known for his captivating and emotionally charged artworks. His talent spanned various genres, from historical scenes to portraits, leaving a lasting impact on the art world. One of his notable works is "Boat with Greek Fugitives" painted in 1834. This painting depicts the plight of Greek refugees escaping their war-torn homeland, showcasing Hayez's ability to capture human suffering and resilience. In "Triumphant Athlete" created in 1813, Hayez portrays the victorious spirit of an athlete, highlighting his mastery in capturing movement and strength. Another famous piece by Hayez is "Romeo and Juliet, " believed to have been completed before 1881. This iconic portrayal of Shakespeare's tragic lovers showcases the artist's skill in conveying intense emotions through vivid brushstrokes. Hayez also delved into mythological themes as seen in "Rinaldo and Armida (Detail)" from 1812-1813. The painting captures a moment of passion between Rinaldo and Armida, demonstrating Hayez's ability to depict love stories beyond reality. His work extended beyond historical events; he also depicted biblical narratives like "Rebecca at the Well" painted in 1848. Through this artwork, Hayez brings forth religious symbolism while emphasizing natural beauty. Among his many portraits is "Ritratto della moglie Vincenza Scaccia" from 1816 which showcases his attention to detail and ability to capture individual personalities. "The Repentant Mary Magdalene, " completed in 1833, reveals Hayez's skillful portrayal of complex emotions through facial expressions and body language. Hayez even ventured into theatrical portraiture with pieces like "Giovanni David as Agobar. " Painted in 1830, it exemplifies how he captured not only physical likeness but also conveyed character traits.