Francis Jukes Collection

Highbury Place, Highbury, Islington, London, 1787. Artist: Robert Pollard
West view of Highbury Place, Highbury, London, 1787; with cattle in the foreground

Between Crogen & Llandrillo on the R. Dee, published 1793. Creator: Francis Jukes
Between Crogen & Llandrillo on the R. Dee, published 1793

A View Looking Up the River Thames to Richmond Bridge, n.d. Creator: Francis Jukes
A View Looking Up the River Thames to Richmond Bridge, n.d

View of Hillbank on the River Thames near London, published 1795. Creator: Francis Jukes
View of Hillbank on the River Thames near London, published 1795

View of Erbistock Church, published 1794. Creator: Francis Jukes
View of Erbistock Church, published 1794

The Doctor Dismissing Death, 1785. 1785. Creators: Peter Simon, Francis Jukes
The Doctor Dismissing Death, 1785

Vauxhall Gardens, Lambeth, c1785, (1942). Creators: Robert Pollard, Francis Jukes
Vauxhall Gardens, Lambeth, c1785, (1942). Vauxhall Gardens in south London was a pleasure ground open for public amusement, and filled with statues, landscaped walks, theatrical arches, a Rotunda

The Bilsden (Billesdon) Coplow Day, c18th century. Artist: Francis Jukes
The Bilsden (Billesdon) Coplow Day, c18th century. After Charles Loraine Smith (1751-1835). From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

The Doctor Dismissing Death, September 15, 1785. September 15, 1785
The Doctor Dismissing Death, September 15, 1785

Wet Parsons, 1785. 1785. Creators: Francis Jukes, Peter Simon
Wet Parsons, 1785

A Visit to the Uncle, December 20, 1794. December 20, 1794
A Visit to the Uncle, December 20, 1794

Back view of Salvadore House Academy, Tooting, Wandsworth, London, 1787. Scene showing parents or guardians with the boys of the academy involved in various activities, including kite flying

A View at Battersea, 1784. Artist: Francis Jukes
A View at Battersea, 1784. View looking across the Thames

A horse-drawn carriage disappearing over a hill on the Edgware Road, London, 1799

Satire on the national debt, 1782 (1785). Artist
Satire on the national debt, 1782 (1785). An historical, emblematical, patriotical and political print representing the English Balloon or National Debt in the year 1782

The interior of the Pantheon, Oxford Street, London, 1785. Artist: Francis Jukes
The interior of the Pantheon, Oxford Street, London, 1785. A view of the interior of the Pantheon, showing Mr Lunardis Balloon as exhibited in 1784

A view of Mr Metcalfs mill near Bromley, Bow, Poplar, London, 1785. Artist
A view of Mr Metcalfs mill near Bromley, Bow, Poplar, London, 1785

A view of St Jamess Church, Clerkenwell, Islington, London, 1789. Parts of the church lie exposed as builders go about construction work. Set within a circular composition

A view of the Tower and Arch of St Jamess Church, Clerkenwell, Islington, London, 1789. Parts of the church lie exposed as builders go about construction work. Set within a circular composition

Caen Wood, St Pancras, London, 1799. Artist: John Rathbone
View of Caen Wood from Hampstead Heath, London, 1799; shows Kenwood House in the distance

View near Brixton Causeway, Lambeth, London, 1785. Artist: Francis Jukes
View near Brixton Causeway, Lambeth, London, 1785; showing a cottage with a cart outside

Vincenzo Lunardis balloon ascending from Artillery Ground, City Road, Finsbury, London, 1784
City Road, Finsbury, London, 1784; scene of Vincenzo Lunardis balloon ascending from Artillery Ground, with crowds watching below

Highbury, Islington, London, 1787. Artist: Robert Pollard
Highbury, Islington, London, 1787; north view of Highbury and Canonbury House. In the foreground figures work in the field gathering hay

General view of Hampstead, London, 1794. Artist: Francis Jukes
General view of Hampstead, London, 1794 showing the North End

Somerset House, London, 1777. Artist: WG Moss
View of the entrance to Somerset House on the Strand, London, 1777; with a carriage and cart. Somerset House was designed by William Chambers and built between 1776 and 1786

Assassination attempt on King George III, 1786. Artist: Francis Jukes
Scene depicting the attempt made by Margaret Nicholson to assassinate King George III at the entrance to St Jamess Palace, London, on August 2, 1786; showing the assassin approaching the King

Now, Contract, Says Dick, By Jove Those D--d Quornites Shall Now See The Trick, 1790, (1922). Artist: Francis Jukes
Now, Contract, Says Dick, By Jove Those D--d Quornites Shall Now See The Trick, 1790, (1922). After Charles Loraine Smith (1751-1835)

Drawings Prints, Print, Wet Parsons, Artist, Subject, Aquatint, Designed, Etched
Drawings and Prints, Print, Wet Parsons, Artist, Artist, Subject, Aquatint by, Designed by, Etched by, Francis Jukes, Thomas Rowlandson, Peter Simon, William Parsons, British

AM170720 099999
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Francis Jukes: A Master of Capturing Life's Moments Step into the world of Francis Jukes, a talented artist who left an indelible mark on the art scene in 18th-century London. Known for his exquisite attention to detail and ability to capture life's fleeting moments, Jukes brought scenes from everyday life to vivid reality through his captivating works. In "The Doctor Dismissing Death, " created in 1785 alongside Peter Simon, we witness a powerful depiction of a doctor defying death itself. This thought-provoking piece challenges our perception of mortality and reminds us of the resilience and determination that can be found within the human spirit. Journeying further into Jukes' portfolio, we encounter "Vauxhall Gardens" from c1785. Teaming up with Robert Pollard, he transports us to this enchanting place where joyous laughter fills the air. The vibrant colors and meticulous details make it feel as if we are strolling through these gardens ourselves, immersing us in their lively atmosphere. Another notable work is "Wet Parsons" (1785), a collaboration between Francis Jukes and Peter Simon. Through this satirical piece, they humorously poke fun at clergymen caught in unfortunate situations caused by inclement weather. It serves as a reminder that even those held in high regard are not immune to life's little mishaps. Moving forward to December 20th, 1794, we find ourselves immersed in "A Visit to the Uncle. " In this heartwarming scene captured by Jukes himself, family bonds take center stage as loved ones come together during the holiday season. The warmth emanating from this painting evokes feelings of nostalgia and reminds us of the importance of cherishing our nearest and dearest. Juxtaposing these intimate moments with grandeur is "The Interior of Pantheon" (1785). With masterful strokes, Jukes transports us to the bustling streets of Oxford Street, London.