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Francisco De Goya Y Lucientes Collection

Francisco de Goya y Lucientes, a renowned Spanish artist of the 18th and 19th centuries, left an indelible mark on the art world with his captivating works

Background imageFrancisco De Goya Y Lucientes Collection: Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya

Plate 80 from Los Caprichos : It is time (Ya es hora. ), 1799. Creator: Francisco Goya
Plate 80 from Los Caprichos : It is time (Ya es hora.), 1799

Background imageFrancisco De Goya Y Lucientes Collection: Portrait of Asensio Julià, 1798. Creator: Francisco Goya

Portrait of Asensio Julià, 1798. Creator: Francisco Goya
Portrait of Asensio Julia, 1798.

Background imageFrancisco De Goya Y Lucientes Collection: Portrait of Ferdinand VII, 1814. Creator: Francisco Goya

Portrait of Ferdinand VII, 1814. Creator: Francisco Goya
Portrait of Ferdinand VII, 1814.

Background imageFrancisco De Goya Y Lucientes Collection: El tío Paquete, 1819. Creator: Francisco Goya

El tío Paquete, 1819. Creator: Francisco Goya
El tio Paquete, 1819. Tio Paquete was a well known blind man in Madrid who was to be found in the area of the church of San Felipe el Real

Background imageFrancisco De Goya Y Lucientes Collection: Pretty Teachings (Bellos Consejos), 1799, Printed 1868. Creator: Francisco Goya

Pretty Teachings (Bellos Consejos), 1799, Printed 1868. Creator: Francisco Goya
Pretty Teachings (Bellos Consejos), 1799, Printed 1868.

Background imageFrancisco De Goya Y Lucientes Collection: They Spruce Themselves Up (Se Repulen), 1799. Creator: Francisco Goya

They Spruce Themselves Up (Se Repulen), 1799. Creator: Francisco Goya
They Spruce Themselves Up (Se Repulen), 1799.

Background imageFrancisco De Goya Y Lucientes Collection: There Was No Remedy (No Hubo Remedio), 1799. Creator: Francisco Goya

There Was No Remedy (No Hubo Remedio), 1799. Creator: Francisco Goya
There Was No Remedy (No Hubo Remedio), 1799.

Background imageFrancisco De Goya Y Lucientes Collection: Blow (Sopla), 1799. Creator: Francisco Goya

Blow (Sopla), 1799. Creator: Francisco Goya
Blow (Sopla), 1799.

Background imageFrancisco De Goya Y Lucientes Collection: Truth, Time and History, late 18th-early 19th century. Creator: Francisco Goya

Truth, Time and History, late 18th-early 19th century. Creator: Francisco Goya
Truth, Time and History, late 18th-early 19th century

Background imageFrancisco De Goya Y Lucientes Collection: The Architect Ventura Rodriguez, 1784. Creator: Francisco Goya

The Architect Ventura Rodriguez, 1784. Creator: Francisco Goya
The Architect Ventura Rodriguez, 1784

Background imageFrancisco De Goya Y Lucientes Collection: Poetry and Poets, 1800s. Creator: Francisco Goya

Poetry and Poets, 1800s. Creator: Francisco Goya
Poetry and Poets, 1800s. Poetry is symbolised by a woman with a lyre. She is seated near the top of Mount Helicon, abode of the muses, goddesses of poetry

Background imageFrancisco De Goya Y Lucientes Collection: Portrait of Don Ramón Satué, 1823. Creator: Francisco Goya

Portrait of Don Ramón Satué, 1823. Creator: Francisco Goya
Portrait of Don Ramon Satue, 1823. Other Title(s): Portrait of Don Ramon Satue y Allue (1765-1824) Alcalde de Corte (Judge of the Fifth Chamber of the Council of Castile in La Corte)

Background imageFrancisco De Goya Y Lucientes Collection: Skinned Head of an Ox, 1688-1691. Creators: Francisco Goya, Felice Boselli

Skinned Head of an Ox, 1688-1691. Creators: Francisco Goya, Felice Boselli
Skinned Head of an Ox, 1688-1691

Background imageFrancisco De Goya Y Lucientes Collection: Costume of the Time of Goya, n.d. Creator: Mariano Jose Maria Bernardo Fortuny y Carbo

Costume of the Time of Goya, n.d. Creator: Mariano Jose Maria Bernardo Fortuny y Carbo
Costume of the Time of Goya, n.d

Background imageFrancisco De Goya Y Lucientes Collection: Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya

Pllate 60 from Los Caprichos : Trials (Ensayos. ), 1799. Creator: Francisco Goya
Pllate 60 from Los Caprichos : Trials (Ensayos.), 1799

Background imageFrancisco De Goya Y Lucientes Collection: Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799

Plate 25 from Los Caprichos : If he broke the pot (Si quebroel Cantaro. ), 1799
Plate 25 from Los Caprichos : If he broke the pot (Si quebro el Cantaro.), 1799

Background imageFrancisco De Goya Y Lucientes Collection: Majas on a Balcony, ca. 1800-1810. Creator: Francisco Goya

Majas on a Balcony, ca. 1800-1810. Creator: Francisco Goya
Majas on a Balcony, ca. 1800-1810

Background imageFrancisco De Goya Y Lucientes Collection: Winter Scene, c. 1786. Creator: Francisco Goya

Winter Scene, c. 1786. Creator: Francisco Goya
Winter Scene, c. 1786

Background imageFrancisco De Goya Y Lucientes Collection: Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco Goya

Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco Goya
Portrait of General Jose Manuel Romero, c. 1810

Background imageFrancisco De Goya Y Lucientes Collection: El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

Background imageFrancisco De Goya Y Lucientes Collection: Portrait of Isidoro Maiquez, c. 1807. Creator: Francisco Goya

Portrait of Isidoro Maiquez, c. 1807. Creator: Francisco Goya
Portrait of Isidoro Maiquez, c. 1807

Background imageFrancisco De Goya Y Lucientes Collection: Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya

Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya
Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806

Background imageFrancisco De Goya Y Lucientes Collection: Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806

Background imageFrancisco De Goya Y Lucientes Collection: Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806. Creator: Francisco Goya

Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806. Creator: Francisco Goya
Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806

Background imageFrancisco De Goya Y Lucientes Collection: Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco Goya

Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco Goya
Friar Pedro Wrests the Gun from El Maragato, c. 1806

Background imageFrancisco De Goya Y Lucientes Collection: Boy on a Ram, 1786 / 87. Creator: Francisco Goya

Boy on a Ram, 1786 / 87. Creator: Francisco Goya
Boy on a Ram, 1786/87

Background imageFrancisco De Goya Y Lucientes Collection: Friar Pedro Binds El Maragato with a Rope, c. 1806. Creator: Francisco Goya

Friar Pedro Binds El Maragato with a Rope, c. 1806. Creator: Francisco Goya
Friar Pedro Binds El Maragato with a Rope, c. 1806

Background imageFrancisco De Goya Y Lucientes Collection: The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya

The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya
The Duke of Wellington, c. 1812

Background imageFrancisco De Goya Y Lucientes Collection: Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya

Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco Goya
Senora Sabasa Garcia, c. 1806/1811

Background imageFrancisco De Goya Y Lucientes Collection: Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya

Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya
Charles IV of Spain as Huntsman, c. 1799/1800

Background imageFrancisco De Goya Y Lucientes Collection: BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya

BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco Goya
Bartolome Sureda y Miserol, c. 1803/1804

Background imageFrancisco De Goya Y Lucientes Collection: Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya

Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco Goya
Young Lady Wearing a Mantilla and Basquina, c. 1800/1805

Background imageFrancisco De Goya Y Lucientes Collection: Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783

Background imageFrancisco De Goya Y Lucientes Collection: Victor Guye, 1810. Creator: Francisco Goya

Victor Guye, 1810. Creator: Francisco Goya
Victor Guye, 1810

Background imageFrancisco De Goya Y Lucientes Collection: Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya

Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco Goya
Therese Louise de Sureda, c. 1803/1804

Background imageFrancisco De Goya Y Lucientes Collection: Don Antonio Noriega, 1801. Creator: Francisco Goya

Don Antonio Noriega, 1801. Creator: Francisco Goya
Don Antonio Noriega, 1801

Background imageFrancisco De Goya Y Lucientes Collection: The Marquesa de Pontejos, c. 1786. Creator: Francisco Goya

The Marquesa de Pontejos, c. 1786. Creator: Francisco Goya
The Marquesa de Pontejos, c. 1786

Background imageFrancisco De Goya Y Lucientes Collection: Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya

Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to Goya
Portrait of a Young Man, ca. 1820

Background imageFrancisco De Goya Y Lucientes Collection: Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya

Philip IV on horseback, after Velazquez, 1778. Creator: Francisco Goya
Philip IV on horseback, after Velazquez, 1778

Background imageFrancisco De Goya Y Lucientes Collection: Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a

Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a
Plate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816

Background imageFrancisco De Goya Y Lucientes Collection: Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Background imageFrancisco De Goya Y Lucientes Collection: Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Background imageFrancisco De Goya Y Lucientes Collection: Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816

Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816

Background imageFrancisco De Goya Y Lucientes Collection: Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short

Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. 1816

Background imageFrancisco De Goya Y Lucientes Collection: Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]

Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]
Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816

Background imageFrancisco De Goya Y Lucientes Collection: Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Background imageFrancisco De Goya Y Lucientes Collection: Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Background imageFrancisco De Goya Y Lucientes Collection: Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears

Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816




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Francisco de Goya y Lucientes, a renowned Spanish artist of the 18th and 19th centuries, left an indelible mark on the art world with his captivating works. Plate 80 from Los Caprichos: It is time (Ya es hora. ) showcases Goya's ability to convey social commentary through his art. With this piece, he urges society to wake up and take action against injustice. In Plate 60 from Los Caprichos: Trials (Ensayos. ), Goya delves into the complexities of human nature. Through his intricate etching, he explores the trials and tribulations that individuals face in their pursuit of truth and justice. Plate 25 from Los Caprichos: If he broke the pot (Si quebro el Cantaro. ) presents a satirical critique of societal norms. Goya challenges conventional wisdom by questioning whether breaking away from tradition can lead to liberation or chaos. Majas on a Balcony captures the essence of everyday life during Goya's time. This painting depicts two women elegantly dressed, enjoying leisurely moments on a balcony. The scene exudes charm and offers insight into Spanish society at that time. Goya's etchings such as The Garrotted Man and The Hanged Monk delve into darker themes. These haunting images depict violence and suffering, reflecting Goya's fascination with human cruelty and its consequences. Winter Scene transports viewers to a serene snowy landscape where nature takes center stage. With delicate brushstrokes, Goya masterfully captures the beauty and tranquility of winter while showcasing his skillful technique. Through Portrait of General Jose Manuel Romero, we catch a glimpse into one man's character amidst political turmoil. This portrait reflects both power dynamics within society as well as individual resilience in times of uncertainty. El Maragato Threatens Friar Pedro de Zaldivia with His Gun portrays tension between two figures locked in confrontation.