Francisco Goya Collection (#3)

Plate 17 from the Disparates : Loyalty, ca. 1816-23 (published 1864)

Plate 8 from the Disparates : The men in sacks, ca. 1816-23 (published 1864)

Disparates (Los Proverbios), ca. 1816-23 (published 1864). Creator: Francisco Goya
Disparates (Los Proverbios), ca. 1816-23 (published 1864)

Plate D from the Disparates : Fools- or Little Bulls - fo... ca
Plate D from the Disparates : Fools- or Little Bulls - folly, ca. 1816-23 (published before 1877)

Plate C from the Disparates : Animal Folly, ca. 1816-23 (published before 1877)

Plate B from the Disparates : Punctual Folly, ca. 1816-23 (published before 1877)
Plate B from the Disparates :Punctual Folly, ca. 1816-23 (published before 1877)

Plate A from the Disparates : Well-Known Folly, ca. 1816-23 (published before 1877)
Plate A from the Disparates :Well-Known Folly, ca. 1816-23 (published before 1877)

Plate 15 from the Disparates : Clear Folly, ca. 1816-23 (published 1864)

Plate 14 from the Disparates : Carnival Folly, ca. 1816-23 (published 1864)

Plate 13 from the Disparates : A Way of Flying, ca. 1816-23 (published 1864)

Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto. ), 1799
Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto.), 1799

Plate 78 from Los Caprichos : Be quick, they are waking up (Despacha, que dispiertan.), 1799

Plate 77 from Los Caprichos : What one does to another (Unos aotros. ), 1799
Plate 77 from Los Caprichos :What one does to another (Unos a otros.), 1799

Plate 76 from Los Caprichos : You understand?... well, as I say
Plate 76 from Los Caprichos :You understand?... well, as I say... eh! Look out! otherwise... (Esta Umd...pues, Como digo..eh! Cuidado! si no...), 1799

Plate 75 from Los Caprichos : Is there no one to untie us? (No hay quien nos desate?), 1799

Plate 74 from Los Caprichos : Don t scream, stupid (No grites, tonta), 1799

Plate 72, from Los Caprichos : You will not escape (No te escaparas. ), 1799
Plate 72, from Los Caprichos : You will not escape (No te escaparas.), 1799

Plate 71 from Los Caprichos : When day breaks we will be off (Si amanece; nos Vamos.), 1799

Plate 70 from Los Caprichos : Devout Profession (Devota profesion. ), 1799
Plate 70 from Los Caprichos : Devout Profession (Devota profesion.), 1799

Plate 67 from Los Caprichos : Wait till you ve been anointed (Aguarda que te unten.), 1799

Plate 65 from Los Caprichos : Where is mom going? (Donde vamama?), 1799
Plate 65 from Los Caprichos :Where is mom going? (Donde va mama?), 1799

Bon Voyage (Buen Viage), from The Caprices (Los Caprichos), plate 64, 1799

Plate 61 from Los Caprichos : They have flown (Volaverunt. ), 1799
Plate 61 from Los Caprichos : They have flown (Volaverunt.), 1799

Plate 56 from Los Caprichos : To rise and to fall (Subir y bajar. ), 1799
Plate 56 from Los Caprichos :To rise and to fall (Subir y bajar.), 1799

Plate 64 from Los Caprichos : Bon voyage (Buen Viage. ), 1799. Creator: Francisco Goya
Plate 64 from Los Caprichos : Bon voyage (Buen Viage.), 1799

Plate 62 from Los Caprichos : Who would have thought it? (Quien lo creyera!), 1799

Plate 59 from Los Caprichos : And still they don t go! (Y aun no se van!), 1799

Plate 57 from Los Caprichos : The filiation (La filiacion. ), 1799
Plate 57 from Los Caprichos :The filiation (La filiacion.), 1799

Plate 53 from Los Caprichos : What a golden beak! (Que pico de Oro!), 1799
Plate 53 from Los Caprichos :What a golden beak! (Que pico de Oro!), 1799

Plate 52 from Los Caprichos : What a tailor can do! (Lo que puede un Sastre!), 1799

Plate 51 from Los Caprichos : They spruce themselves up (Se repulen. ), 1799
Plate 51 from Los Caprichos : They spruce themselves up (Se repulen.), 1799

Plate 43 from Los Caprichos : The sleep of reason produces monsters (El sueno de la razon produce monstruos), 1799, published 1908-12

Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos. ), 1799
Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos.), 1799

Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas. ), 1799
Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas.), 1799

Plate 49 from Los Caprichos : Hobgoblins (Duendecitos. ), 1799. Creator: Francisco Goya
Plate 49 from Los Caprichos : Hobgoblins (Duendecitos.), 1799

Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones. ), 1799
Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones.), 1799

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Francisco Goya, a renowned Spanish artist, left an indelible mark on the art world with his diverse and captivating works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's ability to capture sensuality and beauty in a bold manner. In contrast, Goya also demonstrated his talent for portraiture with his painting of Field Marshal Arthur Wellesley, the 1st Duke of Wellington. Completed in 1814, this portrait exudes power and authority, showcasing Goya's skill in capturing the essence of his subjects. Goya's creativity knew no bounds as he delved into surrealism with "Ridiculous Dream" from 1819-1823. This artwork reflects the artist's exploration of dreams and subconscious thoughts through vivid imagery that challenges conventional reality. However, it was not only through paintings that Goya expressed himself; he also used printmaking to convey powerful messages. Plate 80 from Los Caprichos series titled "It is time" (Ya es hora) depicts societal criticism by highlighting the need for change during turbulent times in Spain. Similarly, Plate 60 from Los Caprichos called "Trials" (Ensayos) portrays human folly and ignorance through satirical illustrations that provoke contemplation about society's flaws. Plate 25 from Los Caprichos titled "If he broke the pot" (Si quebro el Cantaro) presents a cautionary tale about consequences resulting from one's actions or choices. Goya's fascination with female figures is evident in artworks such as "La Maja Desnuda" (The Naked Maja), painted between c. 1797-1800. This controversial masterpiece celebrates feminine beauty while challenging societal norms surrounding nudity at that time.