Francisco Jose De 1746 1828 Collection (#6)

193-0082111 Lads making ready, plate 11 of Los caprichos, pub. 1799 (etching)
IND81630 193-0082111 Lads making ready, plate 11 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.4 cm; Private Collection; Index Fototeca

193-0082109 Tantalus, plate 9 of Los caprichos, pub. 1799 (etching)
IND81628 193-0082109 Tantalus, plate 9 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x15.2 cm; Private Collection; Index Fototeca

193-0082105 Two of a kind, possibly Queen Maria Luisa Teresa of Parma (1751-1819) and Manuel de Godoy (1767-1851)
IND81624 193-0082105 Two of a kind, possibly Queen Maria Luisa Teresa of Parma (1751-1819) and Manuel de Godoy (1767-1851), the Prime Minister of Spain, plate 5 of Los caprichos, pub

Mariano Ceballos, alias the Indian, kills the bull from his horse, plate 23 of The Art of Bullfighting, pub
IND81923 Mariano Ceballos, alias the Indian, kills the bull from his horse, plate 23 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

193-0082144 They spin finely, plate 44 of Los caprichos, 1799 (etching)
IND81663 193-0082144 They spin finely, plate 44 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection

As Far back as his Grandfather, plate 39 of Los caprichos, 1799 (aquatint)
IND81658 As Far back as his Grandfather, plate 39 of Los caprichos, 1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.4 cm; Private Collection; Index Fototeca

193-0082171 When day breaks we will be off, plate 71 of Los caprichos, 1799 (etching)
IND81690 193-0082171 When day breaks we will be off, plate 71 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.8x15.2 cm; Private Collection; Index Fototeca

193-0082163 Look how solemn they are!, plate 63 of Los caprichos, 1799 (etching)
IND81682 193-0082163 Look how solemn they are!, plate 63 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.5x16.3 cm; Private Collection; Index Fototeca

193-0082162 Who would have thought it!, plate 62 of Los caprichos, 1799 (etching)
IND81681 193-0082162 Who would have thought it!, plate 62 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.9x15.3 cm; Private Collection; Index Fototeca

193-0082148 Blasts of wind, plate 48 of Los caprichos, 1799 (etching)
IND81667 193-0082148 Blasts of wind, plate 48 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.8x15.3 cm; Private Collection; Index Fototeca

The men in sacks, plate 8 of Proverbs, 1819-23, pub. 1864 (etching)
IND82108 The men in sacks, plate 8 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.8x35.9 cm; Private Collection; Index Fototeca

193-0082124 Nothing could be done about it, plate 24 of Los caprichos, pub. 1799 (etching)
IND81643 193-0082124 Nothing could be done about it, plate 24 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

193-0082175 Can t anyone untie us?, plate 75 of Los caprichos, 1799 (etching)
IND81694 193-0082175 Can t anyone untie us?, plate 75 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; (add.info)

Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching)
IND81653 Sleep overcomes them, plate 34 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x13.2 cm; Private Collection; (add.info.: Dream of lies and inconstancy)

A Moor caught by the bull in the ring, plate 8 of The Art of Bullfighting, pub. 1816 (etching)
IND81908 A Moor caught by the bull in the ring, plate 8 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

193-0082157 The filiation, plate 57 of Los caprichos, 1799 (etching)
IND81676 193-0082157 The filiation, plate 57 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021)
IND81631 Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection; Index Fototeca

193-0082169 Blow, plate 69 of Los caprichos, 1799 (etching)
IND81688 193-0082169 Blow, plate 69 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.4x15.2 cm; Private Collection; Index Fototeca

193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching)
IND81678 193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; (add.info)

Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching)
IND82110 Abducting horse, plate 10 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25.3x35.9 cm; Private Collection; (add.info)

Ridiculous dream, plate 3 of Proverbs, 1819-23, pub. 1864 (etching)
IND82103 Ridiculous dream, plate 3 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.8 cm; Private Collection; Index Fototeca

193-0082150 The Chinchillas, plate 50 of Los caprichos, 1799 (etching)
IND81669 193-0082150 The Chinchillas, plate 50 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.7x15.1 cm; Private Collection; Index Fototeca

193-0082125 Yes, he broke the pot, plate 25 of Los caprichos, pub. 1799 (etching)
IND81644 193-0082125 Yes, he broke the pot, plate 25 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.9x15.2 cm; Private Collection; Index Fototeca

193-0082151 They spruce themselves up, plate 51 of Los caprichos, 1799 (etching)
IND81670 193-0082151 They spruce themselves up, plate 51 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.4x14.9 cm; Private Collection; Index Fototeca

Matrimonial nightmare, plate 7 of Proverbs, 1819-23, pub. 1864 (etching)
IND82107 Matrimonial nightmare, plate 7 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801
IND81921 Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801, plate 21 of The Art of Bullfighting, pub

Here comes the bogeyman, plate 3 of Los caprichos, pub. 1799 (etching)
IND81622 Here comes the bogeyman, plate 3 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.4 cm; Private Collection; Index Fototeca

Another madness of his (Martincho, probably Antonio Ebassum) in the same ring, plate 19 of The Art of Bullfighting
IND81919 Another madness of his (Martincho, probably Antonio Ebassum) in the same ring, plate 19 of The Art of Bullfighting, 1815, pub

To rise and to fall, plate 56 of Los caprichos, 1799 (etching)
IND81675 To rise and to fall, plate 56 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082138 Bravo!, a caricature of musical evenings organized by the Spanish Prime Minister
IND81657 193-0082138 Bravo!, a caricature of musical evenings organized by the Spanish Prime Minister, Manuel de Godoy (1767-1851) for King Charles IV of Spain (1748-1819), plate 38 of Los caprichos

193-0082123 Those specks of dust: Perico the cripple, who was caught giving love potions to lovers
IND81642 193-0082123 Those specks of dust: Perico the cripple, who was caught giving love potions to lovers, plate 23 of Los caprichos, pub

Swallow it, dog, plate 58 of Los caprichos, 1799 (etching)
IND81677 Swallow it, dog, plate 58 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; (add.info)

193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching)
IND81668 193-0082149 Hobgoblins, plate 49 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching)
IND81647 193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.9 cm; Private Collection; Index Fototeca

The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub
IND81920 The agility and audacity of Juanito Apinani in the ring at Madrid, plate 20 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching)
IND82102 Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.5x35.7 cm; Private Collection; Index Fototeca

193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching)
IND81661 193-0082142 You who cannot, plate 42 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching)
IND81659 193-0082140 Of what ill will he die? plate 40 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.6x15.2 cm; Private Collection; Index Fototeca

193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching)
IND81691 193-0082172 You will not escape, plate 72 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching)
IND81674 193-0082155 Until death, plate 55 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching)
IND81656 193-0082137 Might not the pupil know more?, plate 37 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; (add.info)

A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching)
IND82113 A way of flying, plate 13 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint)
IND81662 The sleep of reason produces monsters, plate 43 of Los caprichos, 1799 (etching and aquatint) by Goya y Lucientes

Those specks of dust, Plate 23 from "Los Caprichos", 1799 (etching with hand colouring on laid paper)
996092 Those specks of dust, Plate 23 from " Los Caprichos", 1799 (etching with hand colouring on laid paper) by Goya y Lucientes

Merry folly (Disparate alegre), Plate 12 from "Los Proverbios", c
996082 Merry folly (Disparate alegre), Plate 12 from " Los Proverbios", c.1819-24 (etching, aquatint, lavis, burnisher, drypoint & burin on paper) by Goya y Lucientes

For sale as Licensed Images

Choose your image, Select your licence and Download the media

Francisco Jose de Goya y Lucientes (1746-1828) was a renowned Spanish artist whose works spanned various genres and styles. From his early paintings like "Boys Playing at Soldiers" to his provocative etchings in "The Disasters of War, " Goya's art captured the essence of human emotions and societal issues. In his famous painting, "La maja desnuda (The Nude Maja), " Goya challenged traditional norms by depicting a naked woman with unabashed confidence. This bold portrayal showcased his rebellious spirit and artistic prowess. Goya also delved into bullfighting, capturing the intensity and drama of this Spanish tradition. In "Pedro Romero killing the halted bull, " he immortalized the skillful bullfighter Pedro Romero in an intricate etching that exuded power and grace. Another notable work is "The family of the infant Don Luis of Bourbon. " This grand oil painting depicted a noble family, showcasing Goya's ability to capture both individual personalities and familial dynamics with great detail. Goya's engravings were equally captivating, such as in "Proverbs, " where he explored riddles through female figures. These enigmatic images left viewers pondering their hidden meanings while appreciating Goya's masterful technique. His talent extended beyond portraiture and genre scenes; he also created stunning equestrian portraits like "Equestrian Portrait of Philip III of Spain. " Through meticulous drawing copies, he paid homage to Velazquez while adding his own touch to Baroque artistry. However, it was in his series called "Los Caprichos" that Goya truly pushed boundaries. Works like "Wrong. Until Death" revealed social critiques through haunting imagery, challenging societal norms with biting satire. Goya continued exploring dark themes in works like "Dreadful events in the front rows of the ring at Madrid, " which depicted tragic incidents during bullfights.