Frederick Joseph Harvey Collection

Mother Julian, 1912. Julian of Norwich (c8 November 1342-c1416) was an English anchoress and an important Christian mystic and theologian. From The Mighty Army, by W. M

Saint Hugh of Lincoln and the Swan, 1912. Artist: Winifred Mary Letts
Saint Hugh of Lincoln and the Swan, 1912. Hugh of Lincoln (1135/40-1200), also known as Hugh of Avalon, was a French noble, Benedictine and Carthusian monk

Wells Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Lollards Tower, Lambeth Palace, 1912. Lambeth Palace is the official London residence of the Archbishop of Canterbury in England. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid

Bishop Ken and a Beggar, 1912. Thomas Ken (1637-1711) was an English cleric who was considered the most eminent of the English non-juring bishops, and one of the fathers of modern English hymnody

Norwich Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Laud entering the Barge at Lambeth to go to the Tower, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

King John signing Magna Charta at Runnydale, 1912. The Magna Carta was a charter agreed to by King John of England at Runnymede, near Windsor, on 15 June 1215

William of Wykeham Building Winchester, 1912. William of Wykeham (1320 or 1324- 1404) was Bishop of Winchester and Chancellor of England

Langstons interview with King John, 1912. Stephen Langton (c. 1150 - 9 July 1228) was an English Cardinal of the Roman Catholic Church and Archbishop of Canterbury. From The Mighty Army, by W. M

Lincoln Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

The Scene of Saint Thomas, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Ruins of the Abbey of Bec, Normandy, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Anselm refusing the Archbishopric, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Hildas Abbey, Whitby, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Durham Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Caedmon before Saint Hilda, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

The Ruins of Iona, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Oswald at Hevenfelth, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Columba and the White Horse, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Canterbury, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

The Reception of Saint Augustine by Ethelbert, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Winchester Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

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Frederick Joseph Harvey, a renowned artist of the early 20th century, captured the essence of history and spirituality through his magnificent artworks. In his painting "Saint Hugh of Lincoln and the Swan, " created in 1912, Harvey beautifully portrays the legendary story of Saint Hugh taming a wild swan with his gentle touch. Another masterpiece by Harvey is "Mother Julian" from the same year. This painting depicts Mother Julian, an influential Christian mystic known for her profound writings on divine love and compassion. Harvey's talent extended to architectural landscapes as well. His portrayal of Wells Cathedral showcases its stunning Gothic architecture in all its glory. The intricate details he captures transport viewers into this sacred space, evoking a sense of awe and reverence. In "Lollards Tower, Lambeth Palace, " Harvey takes us back to medieval England where religious dissenters were imprisoned. This haunting image reminds us of the struggles faced by those who dared to challenge established norms during that time. "Bishop Ken and a Beggar" offers an intimate glimpse into an act of kindness between two individuals from different walks of life. Through this artwork, Harvey emphasizes compassion as an essential virtue for spiritual leaders. Norwich Cathedral comes alive under Frederick Joseph Harvey's brush strokes in another captivating piece from 1912. The grandeur and majesty are palpable as he skillfully captures every archway and stained glass window with meticulous detail. "Laud entering the Barge at Lambeth to go to the Tower" transports us back to one fateful moment in history when Archbishop William Laud was taken prisoner during political turmoil. The painting encapsulates both vulnerability and resilience amidst turbulent times. One cannot overlook King John signing Magna Charta at Runnymede - a pivotal event that shaped English constitutional law forevermore - depicted masterfully by Harvey in 1912. His attention to historical accuracy brings this significant moment vividly to life on canvas.