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Frederick Sackrider Remington Collection

Frederick Sackrider Remington, a renowned American artist and sculptor, captured the essence of history through his various masterpieces

Background imageFrederick Sackrider Remington Collection: After the Battle, (ink and wash on paper laid on board)

After the Battle, (ink and wash on paper laid on board)
651007 After the Battle, (ink and wash on paper laid on board) by Remington, Frederic (1861-1909); 44.5x69.7 cm; Private Collection; (add.info.: After the Battle. Frederic Remington (1861-1909)

Background imageFrederick Sackrider Remington Collection: Battle of Washita, 1887-88 (oil en grisaille on board)

Battle of Washita, 1887-88 (oil en grisaille on board)
985143 Battle of Washita, 1887-88 (oil en grisaille on board) by Remington, Frederic (1861-1909); 47x62.3 cm; Private Collection; (add.info.: Battle of Washita. Frederic Remington (1861-1909)

Background imageFrederick Sackrider Remington Collection: The Frozen Sheepherder, 1900 (oil on canvas)

The Frozen Sheepherder, 1900 (oil on canvas)
650437 The Frozen Sheepherder, 1900 (oil on canvas) by Remington, Frederic (1861-1909); 69.6x101.6 cm; Private Collection; (add.info.: The Frozen Sheepherder. Frederic Remington (1861-1909)

Background imageFrederick Sackrider Remington Collection: Comanche Brave, Fort Reno, Indian Territory (oil on canvas)

Comanche Brave, Fort Reno, Indian Territory (oil on canvas)
1764687 Comanche Brave, Fort Reno, Indian Territory (oil on canvas) by Remington, Frederic (1861-1909); 61x50.8 cm; Private Collection; (add.info.: Comanche Brave, Fort Reno, Indian Territory)

Background imageFrederick Sackrider Remington Collection: The Outlaw (bronze with brownish-green patina)

The Outlaw (bronze with brownish-green patina)
1767462 The Outlaw (bronze with brownish-green patina) by Remington, Frederic (1861-1909); 58.4 (height) cm; Private Collection; (add.info.: The Outlaw. Frederic Remington (1861-1909)

Background imageFrederick Sackrider Remington Collection: Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid

Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid
650904 Mexican Gendarmes asking the Way, 1890 (pen and brush and black ink on paper laid on board) by Remington, Frederic (1861-1909); 35.6x59.6 cm; Private Collection; (add.info)

Background imageFrederick Sackrider Remington Collection: Scare in a Pack Train, 1908 (oil on canvas)

Scare in a Pack Train, 1908 (oil on canvas)
1764684 Scare in a Pack Train, 1908 (oil on canvas) by Remington, Frederic (1861-1909); 68.6x1091.6 cm; Private Collection; (add.info.: Scare in a Pack Train. Frederic Remington (1861-1909)

Background imageFrederick Sackrider Remington Collection: The Mountain Man (bronze with greenish-brown patina)

The Mountain Man (bronze with greenish-brown patina)
1767465 The Mountain Man (bronze with greenish-brown patina) by Remington, Frederic (1861-1909); 73.7 (height) cm; Private Collection; (add.info.: The Mountain Man. Frederic Remington (1861-1909)

Background imageFrederick Sackrider Remington Collection: The Cheyenne (bronze with brown patina)

The Cheyenne (bronze with brown patina)
1767496 The Cheyenne (bronze with brown patina) by Remington, Frederic (1861-1909); 57.2 (height) cm; Private Collection; (add.info.: The Cheyenne. Frederic Remington (1861-1909)

Background imageFrederick Sackrider Remington Collection: The Broncho Buster, 1895 (bronze with brown patina)

The Broncho Buster, 1895 (bronze with brown patina)
1767495 The Broncho Buster, 1895 (bronze with brown patina) by Remington, Frederic (1861-1909); 61 (height) cm; Private Collection; (add.info.: The Broncho Buster. Frederic Remington (1861-1909)

Background imageFrederick Sackrider Remington Collection: Jacks Man William, A Modern Sancho Panza, (brush and ink wash

Jacks Man William, A Modern Sancho Panza, (brush and ink wash
651126 Jacks Man William, A Modern Sancho Panza, (brush and ink wash, pen and ink on gouache on paper) by Remington, Frederic (1861-1909); 54.3x47.5

Background imageFrederick Sackrider Remington Collection: Bugler of the Cavalry, 1889 (oil on canvas laid on panel)

Bugler of the Cavalry, 1889 (oil on canvas laid on panel)
650444 Bugler of the Cavalry, 1889 (oil on canvas laid on panel) by Remington, Frederic (1861-1909); 71.1x45.7 cm; Private Collection; (add.info.: Bugler of the Cavalry)

Background imageFrederick Sackrider Remington Collection: Fencing at Dickels Academy, (brush and black ink and pencil on board)

Fencing at Dickels Academy, (brush and black ink and pencil on board)
823188 Fencing at Dickels Academy, (brush and black ink and pencil on board) by Remington, Frederic (1861-1909); 27.6x53.3 cm; Private Collection; (add.info.: Fencing at Dickels Academy)

Background imageFrederick Sackrider Remington Collection: The Bronco Buster, (bronze with greenish brown patina)

The Bronco Buster, (bronze with greenish brown patina)
985509 The Bronco Buster, (bronze with greenish brown patina) by Remington, Frederic (1861-1909); 56.8 cm; Private Collection; (add.info.: The Bronco Buster. Frederic Remington (1861-1909)

Background imageFrederick Sackrider Remington Collection: A Manchurian Bandit, c. 1904 (oil en grisaille on canvas)

A Manchurian Bandit, c. 1904 (oil en grisaille on canvas)
1767690 A Manchurian Bandit, c.1904 (oil en grisaille on canvas) by Remington, Frederic (1861-1909); 76.2x51.4 cm; Private Collection; (add.info.: A Manchurian Bandit. Frederic Remington (1861-1909)



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Frederick Sackrider Remington, a renowned American artist and sculptor, captured the essence of history through his various masterpieces. In "After the Battle, " he skillfully depicted the aftermath of a fierce conflict with ink and wash on paper laid on board. The intensity of warfare continued to be showcased in "Battle of Washita, 1887-88, " where Remington employed oil en grisaille on board to portray the raw emotions that lingered after this significant event. Remington's artistic prowess extended beyond battle scenes as seen in "The Frozen Sheepherder. " This captivating oil painting on canvas transports viewers into a wintry landscape, evoking feelings of solitude and resilience. Similarly, his masterpiece titled "Comanche Brave, Fort Reno, Indian Territory" brings forth an intimate portrayal of Native American culture through vibrant strokes of oil on canvas. "The Outlaw, " crafted in bronze with a brownish-green patina, showcases Remington's talent for sculpture. This piece captures the spirit and ruggedness associated with outlaws from the Wild West era. Another example is "The Mountain Man, " which features a bronze sculpture adorned with a greenish-brown patina that pays homage to those who braved harsh terrains during their expeditions. Remington's ability to capture everyday life is evident in works such as "Mexican Gendarmes asking the Way" and "One of Williamsons Stages. " Through pen and brush techniques combined with black ink on paper laid down or cursive strokes depicting stagecoaches respectively; these pieces transport us back to simpler times when travel was arduous yet filled with adventure. In contrast, Remington also delved into action-packed narratives like "Scare in a Pack Train. " Using oil paints on canvas allowed him to convey movement while showcasing chaos within pack trains traversing treacherous landscapes.