Fur Hat Collection (#8)

Emperor Sigismund (1368-1437), 1433
XAM68676 Emperor Sigismund (1368-1437), 1433 by Pisanello, Antonio (1395-1455); 64x49 cm; Kunsthistorisches Museum, Vienna, Austria; Italian, out of copyright

A century ago, Napoleon at Montereau on the 18th February 1814, back cover illustration
XIR661390 A century ago, Napoleon at Montereau on the 18th February 1814, back cover illustration from Le Petit Journal, supplement illustre, 22nd February 1914 (colour photo) by French School

Jean Jacques Rousseau (oil on canvas)
XIR43750 Jean Jacques Rousseau (oil on canvas) by Ramsay, Allan (1713-84); Chateau de Coppet, Paris, France; (add.info.: Jean-Jacques Rousseau (1712-78) French philosopher.); Scottish

Precautions taken to prevent cholera, disinfection at the Serbian border, illustration
XIR346505 Precautions taken to prevent cholera, disinfection at the Serbian border, illustration from Le Petit Journal, 1st January 1911 (colour litho) by French School

Man at a Window, 1653 (oil on canvas)
XAM72443 Man at a Window, 1653 (oil on canvas) by Hoogstraten, Samuel van (1627-78); 111x86.5 cm; Kunsthistorisches Museum, Vienna, Austria; Dutch, out of copyright

Jan van Eyck, illustration from 75 Portraits Of Celebrated Painters From Authentic
KW285409 Jan van Eyck, illustration from 75 Portraits Of Celebrated Painters From Authentic Originals, published in London, 1817 (engraving) by Girtin

Portrait of Benjamin Franklin, 1777 (litho) (b / w photo)
XJF271655 Portrait of Benjamin Franklin, 1777 (litho) (b/w photo) by Cochin, Charles Nicolas II (1715-90) (after); Private Collection; (add.info)

Catherine II, engraved by Stephane Pannemaker (1847-1930) from Histoire de la
KW271272 Catherine II, engraved by Stephane Pannemaker (1847-1930) from Histoire de la Revolution Francaise by Louis Blanc (1811-82) (engraving) by Viollat

Man with fur hat pulled to his ear, Francoys Dancx, 1646 - 1703

mans head with fur hat, Hendrik Kobell, 1761 - 1779

Portrait of an unknown man with fur hat, Simon Klapmuts, 1744 - 1780

Ivan IV (1530-84) the Terrible (engraving) (b / w photo)
XIR190245 Ivan IV (1530-84) the Terrible (engraving) (b/w photo) by Russian School, (16th century); Private Collection; Russian, out of copyright

Portrait of an old man with a fur hat, print maker: Pieter Jansz. Quast, 1615 - 1647

Old and young man at a table, Johann Liss, 1600 - 1629

An Allegory of Winter, 1631 (oil on canvas)
BAL178002 An Allegory of Winter, 1631 (oil on canvas) by Bloemaert, Hendrick (1601-72); 105.9x84.8 cm; Private Collection; (add.info)

Musicerende children and two pivotal studies, Marie Lambertine Coclers, 1776 - 1815

The Miser (oil on panel)
BAL160833 The Miser (oil on panel) by Steen, Jan Havicksz. (1625/26-79); 23.8x20.6 cm; Private Collection; Johnny Van Haeften Ltd. London; Dutch, out of copyright

Quack, Jan van de Velde (II), 1603 - 1641

Young woman holding rope of toy horses

Man biting womans arm

March Calendar Postcard with Little Girl Wearing Stole and Muff. 1906, March Calendar Postcard with Little Girl Wearing Stole and Muff

France, Paris, Costume sketch for Bilibine in Boris Godunov by Modest Petrovic Musorgskij for performance at Paris
Modest Petrovic Musorgskij (1839-1881), Boris Godunov, 1874. Costume sketch for Bilibine for the performance at Paris Palais Garnier, May 19, 1908

France, Paris, Feodor Ivanovich Chaliapin (Kazan, 1873 - Paris, 1938), bass opera singer
Feodor Ivanovich Chaliapin (Kazan, 1873 - Paris, 1938), bass opera singer, in the title role of Boris Godunov by Modest Mussorgsky, June 1913

Men at the Altai Eagle Festival (MR)

Man with his eagle at Altai Eagle Festival (MR)

Men with eagles at Altai Eagle Festival (MR)

Man with eagles at Altai Eagle Festival (MR)

Kazakh hunter at Eagle Festival (MR)

Kazakh hunter at Eagle Festival, Xyahncye (MR)

Kazakh man at Altai Eagle Festival, Khujek. (MR)

Kazakh man at Altai Eagle Festival (MR)

GEUR2A-00121
Russian palace guards, or Streltsi, of the time of Peter the Great. Hand-colored woodcut

PEXP2A-00055
Louis Joliet, with his autograph. Hand-colored 19th-century woodcut of an illustration

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"Fur Hat: A Symbol of Cultural Diversity and Timeless Style" From the Siberian Tartar woman to the Russian Mongol couple, the fur hat has transcended time and geography as a cherished accessory. In the 1800s, Dutch skaters on the Zuider Zee embraced its warmth while gliding across frozen waters. Even political figures like Vladimir Ilich Lenin, the Russian Bolshevik revolutionary leader, found solace under its protective brim as he passionately addressed crowds from a rostrum in 1917. The fur hat's allure reached even literary circles, with Fyodor Fyodorevich Dostoyevsky's son sporting one in the 1870s. It became an emblem of elegance and sophistication for those strolling in front of Palais de l'Industrie after exhilarating races in 1866. Crossroads met fashion when Noele Gordon donned her fur hat at Carlisle or perhaps it was Crossroads that adapted to her impeccable style during that era. Princess Diana herself knew how to charm Shrewsbury's people in Shropshire while wearing this timeless headpiece. The fur hat became a symbol of grace and connection between royalty and commoners alike. In Mongolia's Orkhon Valley at sunrise, a man approached on horseback with his trusty fur hat shielding him from nature's elements. This versatile accessory proved essential for both protection and cultural identity. Frederick A. Lyons captured Temkali, the Circassian adventurer in Lazestan back in 1875; his proud stance adorned by a magnificent fur hat reflected bravery intertwined with fashion-forward choices. A farmer tending to his camel understood that practicality could be stylish too – his rugged yet fashionable choice showcased resilience against harsh climates without compromising flair. James Bretherton immortalized a man holding a musket while gazing upwards; his regal appearance enhanced by the fur hat, symbolizing strength and determination. Hon.