Furnishings For Sacred Spaces Collection (#6)

Pulpit inside the church of San Giovannino degli Scolopi in via Martelli at the corner with via Gori in Florence Florence via Martelli, church of St

Door of the first chapel on the left side of the church of San Giovannino degli Scolopi in via Martelli at the corner with via Gori in Florence Florence via Martelli, church of St

Altar of the first chapel on the left side inside the church of San Giovannino degli Scolopi in via Martelli at the corner with via Gori in Florence Florence via Martelli, church of St

The counter-faade of the church of San Giovannino degli Scolopi in via Martelli at the corner with via Gori in Florence. The church was built according to the Ammannati project

Interior of the Parish Church of S. Donnino in Villamagna, Bagno a Ripoli, Florence Bagno a Ripoli Villamagna, Church of San Donnino Church Romanesque, Middle Ages, Europe

The faade and the bell tower of the Parish Church of S. Donnino in Villamagna, Bagno a ripoli, Florence. Bagno a Ripoli Villamagna Church Romanesque, Middle Ages, Europe

Two altars in the nave of the Church of San Francesco in Pistoia Pistoia Church of San Francesco, nave Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D

Transept of the Church of San Francesco in Pistoia Pistoia Church of San Francesco, transept Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

Interior of the Church of San Francesco in Pistoia Pistoia Church of San Francesco, nave Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

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Interior of Saint Martin's Parish Church in Vado near Strada, Castel San Niccol Castel San Niccolo Strada Church, Nave Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Right aisle of the Romanesque Pieve (chapel) of S.Maria Assunta, in Montemignaio. Casentino region. Montemignaio Pieve (chapel) of S.Maria Assunta, right aisle Church Romanesque, Middle Ages, Europe

Interior of the Romanesque Pieve (chapel) of S.Maria Assunta, in Montemignaio. Casentino region. Montemignaio Pieve (chapel) of S.Maria Assunta Church Romanesque, Middle Ages, Europe

The crypt of the parish church of Badia Prataglia, in the Casentino Poppi Badia Prataglia, parish church Crypt Romanesque, Middle Ages, Europe, First and Second Millennium A.D

View of the right side aisle of the Cathedral of Saint Petronius in Bologna. Bologna Basilica of S. Petronio Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D

View of the central nave of the Cathedral of Saint Petronius in Bologna. Bologna Basilica of S. Petronio Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D

Interior of the Church of St. Teodoro in Pavia Pavia Church of St. Teodoro Church, Nave Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

Interior of the Cathedral of Pavia Pavia Cathedral Church High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Right part of the balustrade of the presbytery, collocated in the Church of St. Michele in Pavia. Pavia Church of St. Michele Balaustrade Romanesque, Middle Ages, Europe

The presbytery and the central altar of the Church of St. Michele in Pavia. Pavia Church of St. Michele Tribune Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Altarfrontal in marble and semi precious stones, work by Carlo Battista Sacchi collocated in the chapel of St. Peter and Paul of church of the Carthusian Monastery in Pavia

The interior of the Church of San Paolo a Ripa d'Arno, in Pisa Pisa Church of San Paolo a Ripa d'Arno Church, Church - Facade Romanesque, Middle Ages, Europe

Interior of the church of Santa Maria della Spina in Pisa Pisa Church of Santa Maria della Spina, interior Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D

The interior of Malatesta's Temple, as seen from the chapel of Isotta, known as St Michele's chapel, in Rimini. Rimini Malatesta's Temple, chapel of St

The interior of Malatesta's Temple, as seen from the chapel of St. Sigismondo, in Rimini. Rimini Malatesta's Temple, chapel of St

Left side of the intrerior of Malatesta's Temple, Rimini Rimini Malatesta's Temple Church Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Right side of the interior of Malatesta's Temple, Rimini Rimini Malatesta's Temple Church Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Interior of Malatesta's Temple, Rimini Rimini Malatesta's Temple Church Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Holy water basin collocated in the Church of St. Girolamo in Rimini. Rimini Church of St. Girolamo Holy Water Font Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Cosmatesque ambo by Giovanni di Guittone, in the Church of Santa Maria di Castello in Tarquinia. Tarquinia Church of Santa Maria di Castello Ambo Romanesque, Middle Ages, Europe

Interior of the Church of Saint James the Apostle, called the "Camposanto Vecchio" (Old Cemetery) in Tarquinia. This aisleless church has one small apse

Ancient pulpit of the Santa Maria Maggiore Church in Tuscania. Tuscania Santa Maria Maggiore Church Pulpit Romanesque, Middle Ages, Europe, First and Second Millennium A.D

The central nave of the Duomo dell'Assunta (Cathedral of Our Lady of the Assumption) in Sutri. The interior of the Church is divided into three aisles by pilasters

Small chapel with tuff walls, of the Madonna del Parto in Sutri. Sutri. Date of Photograph:1900-1910 ca

Interior of the Church of Saints Cosmas and Damian in Rome. Rome Nave Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900-1910 ca

Pedroni Chapel by the engineer Pedroni at the Monumental Cemetery in Milan. Milan Monumental Cemetery Chapel Arts and handicrafts of XIX century, Nineteenth century, 19th century, Europe

Esengrini Chapel by the engineer Gadola at the Monumental Cemetery in Milan. Milan Monumental Cemetery Chapel Arts and handicrafts of XIX century, Nineteenth century, 19th century, Europe

Daelli Tomb by the sculptor Peliti in Milan's Monumental Cemetery. Milan Monumental Cemetery Chapel Arts and handicrafts of XIX century, Nineteenth century, 19th century, Europe

Colombo Chapel by the engineer Michele Speranza in Milan's Monumental Cemetery. Milan Monumental Cemetery Chapel Arts and handicrafts of XIX century, Nineteenth century, 19th century, Europe

The Balzaretti Family Tomb by the engineer Giuseppe Brolis, in Milan's Monumental Cemetery. Milan Monumental Cemetery Shrine, Tabernacle Arts and handicrafts of XIX century, Nineteenth century

Reliquary and two chalices, in the church of San Niccol in Randazzo, in the province of Catania Randazzo Church of San Niccol Chalice Middle Ages, Europe, First and Second Millennium A.D

Choir detail of Milan's Cathedral. Milan Cathedral, choir Chorus Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1386-1940 ca

Detail with choir of the interior of Milan's Cathedral. Milan Nave International Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca

Statue depicting St. Abbondio flanked by two episodes of his life. Detail of the carved wooden altarpiece by the workshop of Giovan Angelo del Maino

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Como Cathedral of Santa Maria Maggiore Nave Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915 - 1920 ca.. Date of Artwork:1396 - 1744

Interior of the Sanctuary of Santa Maria del Rosario, Pompeii. Architectural work by Antonio Cua. Pompeii Sanctuary of Santa Maria del Rosario

Sacristy of the church of S. Domenico Maggiore in Naples. Over the wardrobes are the coffins of the Aragona Princes and other famous figures. Naples Church of S

Interior of the Chapel of S. Gennaro also called del Tesoro (of the Treasure) inside the Cathedral of S. Gennaro in Naples. Naples Cathedral of S

Interior of Prato's Cathedral consisting of three naves with powerful columns and lovely Romanesque style capitals. The lively rhythm of the arcades is characterized by the two colored decorative

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"Furnishings for Sacred Spaces: A Glimpse into Divine Beauty" Step into a world where art and spirituality intertwine, where every detail is meticulously crafted to create an atmosphere of reverence and awe. In this captivating journey through sacred spaces, we encounter a symphony of exquisite furnishings that elevate the divine experience. Our first stop takes us to Venice's Galleria dell'Accademia, where Vittore Carpaccio's masterpiece "Presentation of Jesus at the Temple" unveils an angelic musician. The delicate strokes bring forth heavenly melodies that resonate within these hallowed walls. Moving on to Siena's Palazzo Pubblico, Simone Martini's "Maestà" enchants with its portrayal of the Virgin and Child. Every brushstroke captures their ethereal presence as they grace the Sala del Mappamondo with serenity and grace. Fra' Giovanni da Verona invites us deeper into the heart of sacred rituals through his trompe-l'oeil works in Siena Cathedral. Within a cabinet lies a chalice, paten, and musical score - symbols of devotion intertwined with harmonious melodies that transport worshippers beyond earthly realms. Candles flicker softly alongside candlesticks while an hourglass measures time within another cabinet by Fra' Giovanni da Verona. These objects serve as reminders of fleeting moments in our mortal existence amidst eternal spiritual contemplation. Continuing our exploration, we discover more treasures tucked away in cabinets adorned by Fra' Giovanni da Verona's masterful trompe-l'oeil work. Books stand tall beside reliquaries and tiaras - testaments to knowledge sought after and revered relics cherished within sacred walls. Venturing outside Siena, we find ourselves captivated by Lando di Pietro's golden craftsmanship in the Metropolitan Works Museum. The reliquary containing St. Galgano’s head stands as a testament to faith’s enduring power, a tangible connection to the divine.