Furor Collection (#9)

Husband discovering and punishing his wifes lover (copper engraving)
7201579 Husband discovering and punishing his wifes lover (copper engraving) by French School, (17th century) (after); Private Collection; (add.info)

Punishment of an adulterous couple (woodcut)
7201494 Punishment of an adulterous couple (woodcut) by German School, (15th century) (after); Private Collection; (add.info.: Punishment of an adulterous couple)

Le Dormeur Surpris (engraving)
7194580 Le Dormeur Surpris (engraving) by Burr, Alexander Hohenlohe (1837-99) (after); Private Collection; (add.info.: Le Dormeur Surpris)

Protest by the people of Erfurt, Thuringia (engraving)
7173357 Protest by the people of Erfurt, Thuringia (engraving) by German School, (19th century); Private Collection; (add.info.: Protest by the people of Erfurt, Thuringia)

Expulsion of Jacques-Antoine Manuel from the French Chamber of Deputies, 1823 (engraving)
7173331 Expulsion of Jacques-Antoine Manuel from the French Chamber of Deputies, 1823 (engraving) by German School, (19th century); Private Collection; (add.info)

Optical illusion for Topsys & Turvys by Ps Newell (colour litho)
7151216 Optical illusion for Topsys & Turvys by Ps Newell (colour litho) by Newell, Peter (1862-1924); Private Collection; (add.info.: Illustration for Topsys & Turvys by Ps Newell (Century Co)

Mary, Duchess of Burgundy, pleading with the judges of Ghent for the lives of two of her fathers councilors
7147936 Mary, Duchess of Burgundy, pleading with the judges of Ghent for the lives of two of her fathers councilors, the Chancellor Hugonet and the Sire d Humbercourt

Delirium of hero (engraving)
7172704 Delirium of hero (engraving) by Browne, Hablot Knight (Phiz) (1815-92) (after); Private Collection; (add.info.: Delirium of hero. Illustration from Sir Guy de Guy: A Stirring Romaunt)

Problem children (litho)
7172646 Problem children (litho) by English School, (20th century); Private Collection; (add.info.: Problem children. Illustration from Real Life Problems and Their Solution)

Golfers confronted by a swarm of bees on the course (engraving)
7157505 Golfers confronted by a swarm of bees on the course (engraving) by Alexander, R. M. (fl.1890); Private Collection; (add.info.: Golfers confronted by a swarm of bees on the course)

Dolorosa (engraving)
7157348 Dolorosa (engraving) by German School, (19th century); Private Collection; (add.info.: Dolorosa. Illustration from Illustrierte Zeitung, 16 April 1881.); © Look and Learn

Amoureux (Lovers). Peinture de Simon Vouet (1590-1649). Huile sur toile, 82 x 100 cm, 1617-1618
FIA5343833 Amoureux (Lovers). Peinture de Simon Vouet (1590-1649). Huile sur toile, 82 x 100 cm, 1617-1618. Art francais, art baroque. Musee des Beaux Arts Pouchkine, Moscou

Trade unionist with a black eye caused by a brick (colour litho)
5996007 Trade unionist with a black eye caused by a brick (colour litho) by English School, (20th century); Private Collection; (add.info.: Trade unionist with a black eye caused by a brick)

Emile Zolas trial in Versailles, 1898 (lithograph)
2818906 Emile Zolas trial in Versailles, 1898 (lithograph) by French School, (19th century); Private Collection; (add.info.: The trial of Emile Zola at Versailles)

Acis et Galatee - Acis and Galatea, by Batoni, Pompeo Girolamo (1708-1787)
FIA5407753 Acis et Galatee - Acis and Galatea, by Batoni, Pompeo Girolamo (1708-1787). Oil on canvas, 1761. Dimension : 98, 5x75 cm

Cover of the alphabet of little boys "Who does not want to learn to read is put to
DUV4198652 Cover of the alphabet of little boys " Who does not want to learn to read is put to dry bread and clear water". Abecedary has moral value containing reading exercises

Pastor among English children treated preventive against rabies. Pastor Museum
LSE4077201 Pastor among English children treated preventive against rabies. Pastor Museum. by Unknown photographer, (19th century); Musee Pasteur, Institut Pasteur, Paris

Moses breaking the tables of the law. The Hebrew people in worship before the golden calf
LRI4601377 Moses breaking the tables of the law. The Hebrew people in worship before the golden calf look frightened the anger of Moses

French Revolution: "It won t always last "
JLJ4584191 French Revolution: " It won t always last " : peasant overwhelmed by a prelate and a noble. Engraving of the 18th century. B.N. Paris

Illustration of Achille Lemot (1846-1909) in Le Pelerin, 1896-10-4 - Anticlericalism
ICA4922281 Illustration of Achille Lemot (1846-1909) in Le Pelerin, 1896-10-4 - Anticlericalism, Religion Faith, Atheism, Red Peril, Catholic Catholicism - Popes by Lemot

Cover of "The Grelot", Satirique en Colours
ICA4925831 Cover of " The Grelot", Satirique en Colours, 1892_11_27: The Martyrs of Panama - Panama Affair, Eiffel Tower - Gustave Eiffel

Hard Times, page 2 from The American Comic Almanac for 1838 (litho)
614765 Hard Times, page 2 from The American Comic Almanac for 1838 (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts

Otto II, Holy Roman Emperor before Paris - Otton II of the Holy Empire
XEE4157669 Otto II, Holy Roman Emperor before Paris - Otton II of the Holy Empire, known as the Roux (955-983) irritates not being able to penetrer in Paris (Paris headquarters, 978)

Financial scandal: the crowd of stolen customers wants to siege the counters of
XEE4184163 Financial scandal: the crowd of stolen customers wants to siege the counters of the establishment " La Gazette du Franc"

Drawing by Gustave Dore (1832-1883) for the poem "Furious Roland"
XEE4134435 Drawing by Gustave Dore (1832-1883) for the poem " Furious Roland" (" Orlando furioso" ) (16th century) by Ludovico Ariosto, known as the Ariosta

Christ Driving the Moneychangers from the Temple, 1621 (oil on canvas)
659303 Christ Driving the Moneychangers from the Temple, 1621 (oil on canvas) by Baburen, Theodore van, called Dirk (1570/90-1623/4); 161x199.5 cm; Private Collection; (add.info)

Gallant Visit; Visita Galante, (oil on canvas)
823502 Gallant Visit; Visita Galante, (oil on canvas) by Andreotti, Federigo (1847-1930); 86x62 cm; Private Collection; (add.info.: Gallant Visit; Visita Galante. Federigo Andreotti (1847-1930)

The Bard, 1809 (oil on canvas)
652118 The Bard, 1809 (oil on canvas) by West, Benjamin (1738-1820); 243.8x182.8 cm; Private Collection; (add.info.: The Bard. Benjamin West (1738-1820). Oil on canvas. Dated 1809. 243.8 x 182.8cm

The Diversion, (oil on canvas)
651465 The Diversion, (oil on canvas) by Chocarne-Moreau, Paul Charles (1855-1931); 54.6x65.4 cm; Private Collection; (add.info.: The Diversion. Paul Charles Chocarne-Moreau (1855-1931)

Manon and her brother (colour litho)
3629688 Manon and her brother (colour litho) by Leloir, Maurice (1853-1940); Private Collection; (add.info.: Manon and her brother. Manon et sa frere)

The Duke of Welligton caught up in a riot (engraving)
3647649 The Duke of Welligton caught up in a riot (engraving) by Lix, Frederic Theodore (1830-97) (after); Private Collection; (add.info.: The Duke of Welligton caught up in a riot)

King Alfred and the burned cakes (engraving)
3647220 King Alfred and the burned cakes (engraving) by German School, (19th century); Private Collection; (add.info.: King Alfred and the burned cakes)

I saw such a lovely hat today, Dear (colour litho)
3641840 I saw such a lovely hat today, Dear (colour litho) by Browne, Tom (1872-1910); Private Collection; (add.info.: I saw such a lovely hat today, Dear)

Do you ever feel like this (colour litho)
3642943 Do you ever feel like this (colour litho) by English School, (20th century); Private Collection; (add.info.: Do you ever feel like this? Postcard, early 20th century.); © Look and Learn

You re a brute!! Caudle (coloured engraving)
5234302 You re a brute!! Caudle (coloured engraving) by English School, (19th century); Private Collection; (add.info.: You re a brute!! Caudle)

Women attacking captured gendarmes being escorted by National Guards, Paris Commune, 1871 (engraving)
6001345 Women attacking captured gendarmes being escorted by National Guards, Paris Commune, 1871 (engraving) by European School

Attempt by a mob to free a prisoner being escorted under guard, Paris Commune, 1871 (engraving)
6001300 Attempt by a mob to free a prisoner being escorted under guard, Paris Commune, 1871 (engraving) by European School

Mutiny on board the ship of Christopher Columbus during his first voyage to the New World, 1492 (litho)
6014306 Mutiny on board the ship of Christopher Columbus during his first voyage to the New World, 1492 (litho) by Amato, G.S

Angry reaction of a wounded soldier in hospital to a visit from Empress Augusta Victoria, World War I, 1915 (litho)
6000330 Angry reaction of a wounded soldier in hospital to a visit from Empress Augusta Victoria, World War I, 1915 (litho) by Bombled

Food shortages in Germany: women rioting at a sale of potatoes in Berlin, World War I, 1915 (colour litho)
6000296 Food shortages in Germany: women rioting at a sale of potatoes in Berlin, World War I, 1915 (colour litho) by Bombled

Domineering mother-in-law instructing a young couple on how to run their household (colour litho)
5999948 Domineering mother-in-law instructing a young couple on how to run their household (colour litho) by Browne, Tom (1872-1910); Private Collection; (add.info)

Two Children Teasing a Cat (oil on canvas)
5667230 Two Children Teasing a Cat (oil on canvas) by Carracci, Annibale (1560-1609); 66 x 88.9 cm; Metropolitan Museum of Art, New York

Italian cartoon on the adulterous wife, 17th Century (litho)
5208510 Italian cartoon on the adulterous wife, 17th Century (litho) by Italian School, (17th century) (after); Private Collection; (add.info.: Italian cartoon on the adulterous wife, 17th Century)

Rage or Anger (charcoal on paper)
1214199 Rage or Anger (charcoal on paper) by Scott, William Bell (1811-90); 32.1x50.6 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

Bowl with Engraved Figures of Vices, 1150-1200 (bronze: spun, hammered, chased
500078 Bowl with Engraved Figures of Vices, 1150-1200 (bronze: spun, hammered, chased, & punched) by German School, (12th century); 6.05x28.95 wt: 686 grams cm; Cleveland Museum of Art, OH

The Drunken Husband, c. 1818 (w / c on paper)
NUL386952 The Drunken Husband, c.1818 (w/c on paper) by Johnston, David Claypoole (1799-1865); 16.5x24 cm; Private Collection; American, out of copyright

Calvin threatened in the church of Rive, illustration from
621420 Calvin threatened in the church of Rive, illustration from The History of Protestantism by James Aitken Wylie (1808-1890), pub

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"Furor Unleashed: A Captivating Glimpse into the Depths of Anger" In an engraving from centuries past, an angry man with a finger pointing embodies the essence of furor. His intense gaze and accusatory gesture capture the raw power of rage. Transporting us to the wild west, "Bucking Bronco" depicts a fierce struggle between man and beast. The untamed energy emanating from this oil on canvas laid down on masonite artwork mirrors the tumultuous nature of furor. Shakespeare's timeless play comes alive in an exquisite chromolitho illustration for "The Taming Of The Shrew. " As tempers flare and emotions run high, we witness the fiery clash that often accompanies love's journey. An engraving portraying Jesus Christ driving money-changers out of the Temple reveals divine fury at injustice. This powerful image serves as a reminder that even in righteous anger, there is potential for profound change. A swan captured in full flight showcases its majestic wrath through a vibrant color lithograph aptly titled "The Fury of a Swan. " Its wings spread wide, feathers ruffled, it symbolizes how beauty can transform into ferocity when provoked. Traveling back to 1658, we find ourselves amidst two peasants engaged in a heated brawl within an interior barn scene depicted by oil on panel. Their clenched fists and contorted faces epitomize human conflict fueled by unbridled fury. A captivating woodblock print transports us to ancient Japan where Iwai Hanshiro IV portrays Akita Jonosuke Yoshikage in a "Shibaraku" role. With eyes ablaze and sword drawn, his character exemplifies controlled rage ready to defend honor at any cost. Lady Macbeth takes center stage as she utters her infamous line - "Why then 'tis time to do't" - painted after H. Fuseli's interpretation.